Pronoun had attracted indie
writers and publishers through its offer of «100 % royalties» (net of the retailer's commission) but that business model proved to be unsustainable and Macmillan pulled the plug after taking over the firm just last year.
His latest venture, Worthy Shorts, gave Gene the opportunity to use the skills he'd acquired throughout the years to guide
writers and publishers through the business of creating, selling, and marketing books.
She works extensively with
writers and publishers through her consulting and certified creativity coaching business, Jennifer McCord Associates, www.jennifermccord.com.
Not exact matches
It strikes me that some
writers and publishers already pursue a similar idea
through cultivating «true fan» booksellers
through review copy mailings, author's personal email lists
and things like that.
Here are some interesting offerings from
writers and publishers who have stepped up to the plate to share pertinent information
and help you get
through the toddler years.
According to founder Mark Coker, more than 11,000
writers and indie
publishers already are producing
and distributing their books
through Smashwords.
Because
writers have the tools
and the readership, they're relying less on traditional
publishers —
and they can make much more money than they ever could have
through traditional
publishers.
This hurts
publishers because they make less money, it hurts
writers because they can not share their passions
through the largest outlets, it hurts readers because it could have chilling effects on the quality of writing in the long run,
and it will almost certainly cement Amazon's long - term dominance.
Whether you publish something yourself or
through a
publisher, you're still an author
and a
writer.
An idiosyncratic, at times impressionistic book, Publishing is at its best when it taps Godwin's often prickly frustrations with her
publishers through the years, underscoring how even
writers at the peak of their careers can fall prey to the corporate do - si - do
and find themselves shunted aside without the aforementioned dance partner.
Your bio says you're an e-reader
and tech article
writer... get back to us when you sell your first 200k worth of books
through a traditional
publisher, otherwise you just sound like you have sour grapes.
Authors,
writers,
publishers of eBooks, audiobooks
and short texts can... A) sell their eBook
through their author page on XinXii - without author contract - in real - time, without technical skills - with an own authorpage
and online shop - enter all information such as description, tags, cover, price... - upload an eBook in one or multiple formats: PDF, ePub, mobi, doc, xls... - high royalties per download - consolidated real - time sales reports - keeping full editorial
and copyright control or B) sell their eBook
through their author page on XinXii
and additionally on major eBook retailers - we convert eBooks to the ePub
and mobi format for free - we distribute to the leading eBook - shops all over the world for free - we provide consolidated sales reports Readers have... - the opportunity to discover new titles in all categories
and genres - an easy access to a huge variety of content - can instantly download after purchase - have the opportunity to rate
and comment on eBooks
Specific, in - depth nuts -
and - bolts guides include The Unofficial Scrivener Workbook by M.J. Carlson, Excel for
Writers by M. L. Humphrey (walks
through how to create spreadsheets that track time spent writing, page production, year - to - year metrics,
and keep track of your works), Excel for Self -
Publishers by M. L. Humphrey (amazingly useful for indie authors, how to track ads
and effectiveness, revenue by sales channel, keywords, amazon reports,
and more),
and The Author's Guide to Vellum by Chuck Heintzelman (an incredible new app for producing print
and eBooks; I'm a total convert myself).
«What I dearly hope is that the good
writers who are currently self - publishing or not publishing,» [or publishing
through small
publishers with limited means] «will be more easily recognized
and allowed, again appropriately, to rise up the ladder.»
He goes
through the patents filed by Amazon
and Apple
and doesn't quite find a solution, but believes that
publishers and writers will find a common - ground that allows for used eBooks to help
writers make a living, while also making their work more available
and affordable.
But as long as HQN editors are working both with HQN
and Dellarte
writers,
and thus earning HQN profits
through both commercial
and fee - based publishing, I would hope RWA wouldn't compound the «form over substance» problem by winking at HQN
and saying that its commercial imprints are
publishers even while those same editors are also working at Dellarte.
I chose topics related to writing, publishing
and book promotion because I was meeting (
and continue to meet) so many hopeful
and struggling authors at book festivals,
writers conferences, writing workshops and through SPAWN (Small Publishers, Artists and Writers Ne
writers conferences, writing workshops
and through SPAWN (Small
Publishers, Artists
and Writers Ne
Writers Network).
The group of Colorado women
writers have published two anthologies, TICK TOCK: Seven Tales of Time
and OFF BEAT: Nine Spins on Song, both of which have won the coveted EVVY Awards
through the Colorado Independent
Publishers Association (CIPA).
I was introduced to the website
through my partner who had read of a young English
writer who after only two years of membership, had been offered a three book deal from a mainstream
publisher and an advance of # 100,000.
«Besides the honest feedback that
writers receive
through PageToFame, it can really help the economics of book publishing by allowing
publishers to focus more on books that have already proven their market appeal, rather than relying solely on editorial tastes
and instincts.
As a
writer I think you get validation
through a NY
publisher — someone besides your family, friends,
and critique group thinks you have a story worth publishing.
In the past six months, I can't tell you how many people have told me their book was e-published, attempting to hoodwink me into thinking that another
publisher had signed their book, put it
through the processes,
and released the book - only to find out later that in fact, the
writer had self - published.
Posted by Victoria Strauss for
Writer Beware This post has been updated.On Wednesday, December 28, All Romance eBooks — a romance - specific ebook distributor
and publisher that also distributes general fiction
and nonfiction
through its OmniLit imprint — ... -LSB-...]
In the
Writers»
and Artists» Yearbook 2017, Philip Jones argues that as growth from the big
publishers slows, «the market itself continues to grow — mostly via small
publisher ebook sales or those derived
through self -
publishers.»
At one point during the negotiations, when the negotiations were stalled
and the
publishers were accusing Amazon of deliberately harming
writers, Amazon posted on its blog that at any time the
publishers were free to agree to the terms offered
through KDP.
But
publishers can pay
writers less,
through reduced royalties
and lower advances.
Since I have been
through the process (fire) of publishing a book, I want to reach out to
writers working on a manuscript,
and encourage them to push
through the
writers block, accept the enormous amount of time it will take you to work with an editor to make your manuscript the best it can be,
and the gigantic amount of time it will take you to research, submit
and wait to hear, if you ever do, from the
publishers, small presses,
and literary agents who received your submission.
«The tax on books
and the closure of libraries is an attack on
writers, bookstore owners,
publishers,
and students (who are being hit by this budget six ways to Sunday,
through school closures, deep cuts to the university, threats to the tuition freeze, the loss of grants, job losses in the community colleges,
and a hike in the price of already - expensive textbooks).
As a
writer and publisher, one of the most proven ways to expand your audience is to showcase your work
through blogging.
I'm a
writer of a lot of poetry, articles,
and books
and my latest book was published by Lena Kovadlo
and I was totally surprised when I received my book... it was so professional
and looked better than some I'd published
through a
publisher.
Why would anyone (
publisher, nefarious blocked
writer) go
through the trouble of stealing the work of an unknown author
and give themselves a huge distribution hurdle?
Hybrid
publishers are more of a resource
and help to guide a
writer through their publishing journey.
I've discussed before the difference between editing, copy editing
and proofing, but judging by the fact that someone over at ATH asked about how
writers were going to get the excellent editing
and other services that traditional
publishers provide in the new indie publishing, I'm going to presume that I either haven't gotten
through or that I need a boomier amplifier.
Money flows
through the system from reader to
writer via the
publisher and agent.
Because «Kozier
and Erb's Fundamentals of Nursing (9 / e)» doesn't have a Kindle price of $ 76.99 on Amazon because Pearson published it
through KDP for «royalties,» like we lowly indie
writers /
publishers do,
and Amazon is forcing that price on them.
It's easy to forget that the early work of every
writer, no matter how gifted, is usually mediocre at best... (in the past) the publishing industry was a lot more receptive to
writers who hadn't yet mastered their craft... Writers tended to stick with a single publisher as well, so an editor like Max Perkins could nurse budding authors like Hemingway and Fitzgerald through their early, less masterful works, knowing they would stick with Scribners once they hit their
writers who hadn't yet mastered their craft...
Writers tended to stick with a single publisher as well, so an editor like Max Perkins could nurse budding authors like Hemingway and Fitzgerald through their early, less masterful works, knowing they would stick with Scribners once they hit their
Writers tended to stick with a single
publisher as well, so an editor like Max Perkins could nurse budding authors like Hemingway
and Fitzgerald
through their early, less masterful works, knowing they would stick with Scribners once they hit their stride.
With over 20 years experience as a Sales Director for companies (such as F+W
and WRITER»S MARKET), Amy now guides indie authors
and publishers through the maze of book sales
and distribution.
Publishers need to work
through agents, who are yet another barrier between the
writer and the marketplace.
I've known
writers that stopped querying agents
and submitted to small
publishers (Cherie is one, releasing Embrace
through Omnific Publishing).
Pera, who has worked with a range of legendary
writers ranging from Gabriel Garcia Marquez to Enrique Krauze, earlier told Publishing Perspectives that the major difference between publishing operations in Spain
and in Latin America is the lack of a culture of literary agents, particularly in Mexico, where, in what sounds like a throwback to a romantic, idealistic past,
writers send their manuscripts directly to
publishers, who then sift
through the slush pile.
These mid-list genre
writers developed a following of readers
through traditional
publishers, which are squeezing some of them out,
and are getting ownership of their backlists
and self - publishing them.
So I've had the opportunity to be a «real
writer» without going
through the process of querying agents
and publishers.
Well, nine years later
and after having contracted eight of my novels with mainstream
publishers by attending
writers» conferences
and pitching there, I can also say that nearly all my
writer friends who have gotten contracts or signed with an agent did so
through pitching at a
writers» conference.
That's probably worth the 30 % tax,
and, by the way, is a much better cut than what
writers get
through traditional
publishers.
Writers don't have to go
through the hardship of writing hundreds of query letters
and hoping to be chosen by agents
and publishers.
Generally speaking,
publishers are asked to donate books
and other titles at most of our events, such as outreach activities that bring
writers to community libraries, biannual «Book Buzz» events for independent
publishers,
and through the AAP booth at book festivals
and fairs, such as Book Expo America.
and that you're put off only by agents
and publishers saying that
writers must go
through them.
These publishing partners will include fellow
writers you collaborate with; retailers you sell
through;
publishers you sign with; agents you employ; assistants, editors,
and cover artists you hire.
«Reedsy scooped the Gold Award for creating a platform that looks set to powerfully impact on both independent
and traditional publishing by empowering
writers,
publishers, editors
and designers to build hybrid careers
and work together quickly
and effortlessly
through bespoke, user - friendly digital tools.»
Here's a version of that definition from
Writer's Digest: «Traditional book publishing is when a
publisher offers the author a contract
and, in turn, prints, publishes,
and sells your book
through booksellers
and other retailers.