Sentences with phrase «writers change language»

Not exact matches

the Indian literary critic, writer of the post-colonized English says, «English, in this context is decolonized through a nativization of theme, space and time, a change of canon from the Western to the Indian... «19 These stylistic changes in language influence the modern - biblical translation, especially in the Indian context.

But too often, the language expectations for tasks are hidden from students, a trend Dobbs hopes to change with her work by developing tools teachers can use to make these expectations more explicit for student writers.

This cultural change also affects how writers themselves regard language... The author notes that younger writers in English are... less likely to know foreign languages, less likely to be interested in the forms of language, including their own, and who, because they regard language as instrumental rather than essential, are less in love with language as part of their literary work.

Our writers recognize that it is important to be mindful that language is not static and that the meaning of words can and do change over time.

Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?

Susan was the Senior Science Writer on all three National Climate Assessments, authoritative reports written in plain language to better inform policymakers and the public about climate change and its effects on our nation.

The reasons for that are many: the timid language of scientific probabilities, which the climatologist James Hansen once called «scientific reticence» in a paper chastising scientists for editing their own observations so conscientiously that they failed to communicate how dire the threat really was; the fact that the country is dominated by a group of technocrats who believe any problem can be solved and an opposing culture that doesn't even see warming as a problem worth addressing; the way that climate denialism has made scientists even more cautious in offering speculative warnings; the simple speed of change and, also, its slowness, such that we are only seeing effects now of warming from decades past; our uncertainty about uncertainty, which the climate writer Naomi Oreskes in particular has suggested stops us from preparing as though anything worse than a median outcome were even possible; the way we assume climate change will hit hardest elsewhere, not everywhere; the smallness (two degrees) and largeness (1.8 trillion tons) and abstractness (400 parts per million) of the numbers; the discomfort of considering a problem that is very difficult, if not impossible, to solve; the altogether incomprehensible scale of that problem, which amounts to the prospect of our own annihilation; simple fear.

Across his life, Alberto Rios has seen enormous changes throughout the U.S. - Mexico border region, and its culture and language have shaped him as a writer.

The resume writer will then go on to write a career objective based on the information provided, change the language in your resume so that it is convincing to the reader, highlight your strengths by personalizing your strengths and make sure your resume is available in the different file formats for a wide range of uses