Kudos to you for making
writers feel like they aren't submitting into a void.
And to an extent, it will keep on happening because so many
writers feel like they have no other choice.
Many
writers feel like they're becoming car salesmen, the difference being that we're not selling lemons, or at least this is what we believe.
Based solely on the massive amount of ink and HTML being spilled about Vampire Weekend, you would think that most music
writers feel like most people start playing music because...
They may contain representative photos of a prospect or buyer (like stock imagery) to «paint a picture» and make
a writer feel like she / he is writing for a specific person.
Also like the jokes in the film, the amount of
writers feels like overkill for such rudimentary approach to a spy genre film.
Rightly or wrongly, openly criticising a fellow
writer feels like stabbing a friend in the back.
Written by Lisa Rangel, Executive Resume
Writer Feeling like you want to see what opportunity is out there in the marketplace?
Not exact matches
My mind is more active, I
feel like I'm building towards something bigger every day, I've become a stronger, faster, more confident
writer, and readership on this blog has broken records two months in a row.
And then that moment of birth being one of complete relief and release and joy, yes absolutely, but instead of popping champagne corks or bursting into laughter, I cried from the core of myself —
like some ancient
writer said, I lifted up my voice and I wept, because she was finally here and we were alive and we were safe and I
felt held by the God - with - us; it was the most human and most sacred thing I'd ever done in my life, it
felt like a glimpse of Incarnation.
I have
felt resentful because C.S. Lewis and J.R.R. Tolkien and all these other
writers, real
writers, had luxuries
like housekeepers and pubs and colleagues...
In sum, our reporter friend and those
like him should not
feel guilty about agreeing with Steele, Loury, Crouch, and other
writers who are waking us up to the disastrous consequences of policies promoted under the banner of «civil rights.»
'' Putting Parents in Charge» is one of those
feel «good statements that a
writer knows one can not refute without sounding
like an unreasonable extremist.
For many years, I
felt that part of my call as a
writer and blogger of faith was to be a different sort of evangelical, to advocate for things
like gender equality, respect for LGBT people, and acceptance of science and biblical scholarship within my community.
Like an angsty teenager's favorite song, Kenneth Reid is a
writer who puts the
feelings of frustrated Christians into words that make them think, «He so gets me.»
I
feel resentful because C.S. Lewis and J.R.R. Tolkien and all these other
writers, real
writers, had luxuries
like housekeepers and pubs and colleagues, they had creature comforts and every time the Muse arrived, they didn't have to shush her, plead with her to come back later because, right now, Muse, can't you see?
Like so many
writers early in their careers, O'Connor
felt she had to leave home to gain a broader perspective than the one afforded her by rural Georgia life.
Any
writer will tell you that writing a book can often
feel like giving birth, it's a wrestle to bring that work into the world.
Jefferson
felt that the other
writers were devoted and inspired by God, they were fallible and likely to reflect their own viewpoints -
like Sts.Paul and Timothy not caring much for women.
He wrote and wrote and wrote» a discipline of writing that almost every other
writer I know has told me
feels like an indictment: the books, and the innumerable essays, and all those talks he flew around to give.
He started acting, however,
like a real journalist: «For the first time as a
writer, I
felt capable of analyzing facts with a degree of impartiality.
I want freshness and excitement and movement, and yet I am swimming against what
feels like an insurmountable tide of
writer's and photographer's block to deliver even a single post.
In her new book, Repertoire, named after her San Francisco Chronicle column of the same name,
writer Jessica Battilana sets you up for culinary success with a set of powerhouse recipes that'll make any home cook
feel like a pro.
Rachel Eats Rachel Roddy, a wry British
writer living in Rome, pairs Italian recipes with conversational, engaging narratives that make you
feel like you're cooking with a friend.
I
feel like a truly objective
writer would be about as outrageous and contrarian as you could be today.
Sadly, it also comes with weird call reversals on players who leave the bag at second for 1 / 16th of a second, but that's a story for another day and
writer because I don't
feel like covering that, I can't do everything, you know.
It's sycophant
like this
writer that makes d board
feel they r doing d right thing.
SI's NBA
writer proposes an alternative that could
feel a bit less
like kissing your sister
Jan Hunt, director of The Natural Child, points out, «As the
writer John Holt put it so eloquently, having
feelings of love and safety in early life, far from «spoiling» a child, is
like «money in the bank»: a fund of trust, self - esteem and inner security they can draw on throughout life's challenges.
Most importantly, the stories told by these Moms, who also happen to be very talented
writers, will make you
feel not
like you are living all alone on a deserted island for bad mothers, but that you have finally, FINALLY found the elusive secret society for Moms who are real people with real stress and real reactions to said stress and are saying it — out loud!
Stacey Ferguson, Justice Fergie [«Cheer for Your Cheerleaders»] Kristin Shaw, Two Cannoli [«You Know Your Child Best»] Aviva Goldfarb, The Scramble [«Always the Potential for Good»] Margo Porras, Nacho Mama [«Your Kids Will Do What You Do»] Emily McKhann, The Motherhood [«You Are Courageous»] Jane Maynard, This Week for Dinner [«Savor Even the Hard Seconds»] Mary Ann Zoellner, producer at NBC's TODAY [«Play
Like a Dad»] Lian Dolan, Oprah.com [«Life is Serious Enough»] Maria Bailey, Mom Talk Radio [«Take Time to Celebrate You»] Christie Matheson, Stroller Traffic [«Nothing Better Than Coming Home»] Carla Naumburg, Psychcentral.com [«You Are Not Your Thoughts»] Jenny Lee Sulpizio, JennyLeeSulpizio.com [«I'm Not Above Mom Jeans»] Kimberly Coleman, Foodie City Mom [«Follow Your Own Inner Voice»] Missy Stevens, Wonder, Friend [«Nice Things Are Still Just Things»] Rachel Jankovic, Femina Girls [«It's Not Supposed to Be Easy»] Megan Brooks, Texas Health Moms [«The Love Language of Listening»] Carissa Rogers, Good N Crazy [«Here's to Embracing Change»] Dina Freeman, BabyCenter [«Learn to Swim in the Deep End»] Elizabeth Grant Thomas, Elizabethgrantthomas.com [«It's Easier to See Light in Darkness»] Wendy Hilton, Hip Homeschool Moms [«They Want to Make Us Happy»] Renée Schuls - Jacobson, Rasjacobson.com [«Beware of Emotional Vampires»] Shannon Lell, ShannonLell.com [«Don't Be Afraid to Sparkle»] Bunmi Laditan, Honest Toddler [«What Makes You a
Writer»] Erin Dymoski, Sisterhood of the Sensible Moms [«What I'd Tell My Younger Self»] Lyss Stern, Divamoms.com [«Those Who Matter Don't Mind»] Debra Shigley, In Deb's Kitchen [«
Feeling Bad?
In my lectures, I used a LOT of Michael Pollan and Mark Bittman, mostly because I
felt like it was important to introduce students to some of the very public
writers about food and politics, and I threw in several of Bittman's NY Times posts as they appeared as well.
I'm usually okay if I don't write; it doesn't
feel like a life or death thing to me
like it seems to for some
writers.
But it is the period from the 1870s when the first «descriptive
writers»
like Henry Lucy began to convey the tone and
feeling of debates and comment on the personalities and foibles of MPs that we see the origins of the parliamentary sketchwriter as compared with the political reporter.
Writer Ankita Shukla adds, «Juggling between career and baby
feels like heartbreak every day.»
If you use jargon in a way that causes your reader to
feel uneducated or out - of - the - loop, it may keep you from being well -
liked as a
writer.
Writers like Kim Stanley Robinson and James Smythe have used its confined setting to convey
feelings of claustrophobia, and to explore what happens when humanity tries to craft a habitat and society from scratch.
Though you're not supposed to be able to detect the fat, one
writer said: «I
feel like something's coating my tongue in a not - pleasant way.»
Now Ms. Rapp is one of the best
writers, living or dead, I have come across so when I am around her, well, I
feel more
like a real
writer.
And I'm a
writer, editor, and fitness nut who is just
like you: striving to move better,
feel better, and live better.
It has been nearly 3 years since I published that post, and I
feel like I've grown as a
writer / blogger,...
I
felt like I was having a «
writers block» but I guess with designing haha.
Gallery Artist EXTRAORDINAIR, Jedi Kreator, art instructor,
writer, poet, musician, philosopher, healer, mentor, youth advocate... I'm sorry I
feel like I'm bragging.
And the whole thing
feels like everyone involved — actors,
writers, directors, best boys — were working outside of their comfort zones.
The second ending
feels like the film had realised it had nothing to say, and so the
writers threw in a bunch of vaguely existential dialogue to compensate.
Movies
like last year's «Kiss Kiss Bang Bang,» for example, written and directed by «Lethal Weapon»
writer Shane Black, got the spirit just right: Black's movie showed plenty of affectionate nostalgia for pulp tradition, but its sense of energy and movement
felt wholly contemporary.
But despite the best efforts of the
writers (including Ken Anderson of Cinderella fame), it still
feels like a series of episodes, in which characters turn up, do little and then disappear for quite a while.
At first the show does
feel exactly
like what might happen if the creator of a MTV dark comedy and the
writers of a Tupac biopic teamed up together to make a show.
The dialogue gets poorer and it overall
feels like the
writers have gotten lazy.
Like its title,
writer - director Macon Blair's I Don't
Feel at Home in This World Anymore strains to draw attention to its topicality, unironically trading in the kind of histrionic us - versus - them mentality that characterizes much of our current national political discourse.