Sentences with phrase «writers of literary»

Writers of literary fiction naturally recoil from the idea of saying no to potential readers and supporters.

Although they aren't necessarily self - publishing, many writers of literary fiction are experimenting on digital platforms.

AP: I see writers of literary fiction making increasing use of digital platforms to access and communicate with their readers.

-LSB-...] a 2015 article by Jane Friedman, agent Ayesha Pande was quoted as saying, «I see writers of literary fiction making increasing -LSB-...]

So, the question is this: Where will writers of literary fiction and their readers find safe haven, and how will they get there?

Why do we have to have this arbitrary divide that causes some writers of literary fiction to deny their works are speculative fiction and leads literary critics to look down on genre writing?

A consistent through - line in comments on these posts has to do with a perception by many genre writers of literary fiction as «elitist.»

Comment: Please share your thoughts below about developing such a roundup post of independent writers of literary fiction.

If you're an author who wishes to join the ranks of other writers of literary fiction who have participated in the LitFic survey, click here.

According to this rule, the large majority of writers of literary fiction aren't «authors,» because they make a significant portion of their livings by teaching, and not solely from their book sales.

Dan has been an advocate over the past few days of a survey I launched profiling writers of literary fiction on their authorial works and the great themes that pervade their stories.

As this interview series with writers of literary fiction continues, the author of the novels Darker Moon and Witchlight challenges the very basis of my questions.

au · thor noun ˈȯ - thər: a person who has written something; especially: a person who has written a book or who writes many books: a person who starts or creates something (such as a plan or idea) Full Definition of AUTHOR 1 a: one that originates or creates: source b capitalized: god 1 2: the writer of a literary work (as a book)

Seems like another published work is not quite as snobbish as the «writer» of said article: Merrium - Webster Dictionary's definition of an author is «a writer of a literary work such as a book».

In her debut novel, Rosette: A Novel of Pioneer Michigan, the unabashed writer of literary fiction Marsh assumes the role of epistolary sleuth, re-creating as closely, and with as much dignity, as possible the historical persona whose marital struggles more than 100 years ago may nevertheless seem familiar in the present day.

He does consider himself a writer of literary fiction but recognizes the term carries such a weight that it distracts, puts off and generally doesn't help writers hoping to market their work in that arena.

To the writer of literary, or serious, fiction, style and technique are often as important as subject matter.

She has read and admired several authors of genre fiction but knows unequivocably that she is a writer of literary fiction.

And what would you recommend to a great writer of literary / women's fiction who Indie publishes?

Not exact matches

There are many literary techniques and a countless amount of examples, I'm simply serving up this particular one to show you a singular instance of a writer using them to turn a seemingly simplistic story into a extraordinarily memorable and highly controversial work of art.

George R.R. Martin is known as a bloodthirsty writer, lopping the heads off your favorite A Song of Ice and Fire characters (sometimes quite literally) with a reckless abandon that barely gives you time to grieve before the next blood - spattered literary massacre.

Anyone lamenting the dearth of surrealist literary salons in New York has only to stop by The Oracle Club, a new members - only workspace for artists and writers in Long Island City.

,» an essay I wrote in 2011 for the literary website The Millions, where I offered as a possible explanation for the shortage of contemporary writers of faith the postconciliar fadeout of the traditional Latin Mass..

I'm not sure if this writer (Mr. Blake) is using a lot of literary license in this article — but the war between true faith and true evil is the plot of most MOST books, not just King's.

With adept recourse to an impressive (but never name - dropping) array of anthropologists and literary theorists, folklorists and linguists, philosophers and theologians, she shows that these Catholic writers engage modern and even postmodern culture by way of a revolutionary understanding of the imagination.

There is a pleasure in literary peek - a-boo, but devotional works just plain fail when the writer comes between the worshiper and the object of devotion.

Writers, how do you honor God with your work without making him sound like some kind of cosmic literary agent?

What do we do with — or, more accurately, without — that strange breed of writer, the literary critic?

We approach the Bible along with historical context and information, as well as literary understandings of the text and its writers.

The Bible as Rhetoric: Studies in Biblical Persuasion and Credibility is a collection of essays that explore «the ways in which the persuasive (and related literary) procedures of the biblical writers cut across or reinforce their concern with truth.»

For the use of opening formulas and connecting particles by the Gospel writers in the Greek New Testament, there is no consistent renderings in any of the English as well as in most of the Indian versions.60 Therefore, the Indian versions, which are translated from English, lag behind to reflect the artistic mind of the author as well as the literary character of the narratives in the original source.

the Indian literary critic, writer of the post-colonized English says, «English, in this context is decolonized through a nativization of theme, space and time, a change of canon from the Western to the Indian... «19 These stylistic changes in language influence the modern - biblical translation, especially in the Indian context.

Both focused their attention on the literary qualities of the text and used analysis of the writer's styles to enhance appreciation and deepen understanding.

«Well,» one is tempted to think, «these aren't expert writers, after all; most of them are freshmen and sophomores, with little experience in literary analysis — or in life, for that matter.

This posture is assumed when those writers represent the major islands of Western literary tradition, the central cultural engine — so it goes — of racism, poverty, sexism, homophobia, and imperialism: a cesspool that literary critics would expose for mankind's benefit.

(1) Biblical teaching is coherent and self - consistent: for, as I said above, with whatever variety of literary form and personal style from writer to writer and with whatever additions and amendments as redemptive history progressed, it all proceeds from one source; namely, the mind of God the Holy Spirit.

A published writer for more than 40 years, Powers's literary career is unusual compared to that of other «important» American writers.

Questions of literary criticism and history are frequently settled by a too easy reliance on the writer's a priori assumptions....

«7 Scott, a careful Niebuhr watcher, who cataloged Niebuhr's influence on the literary world, has said that Niebuhr made some writers aware of the tragic character of all human action.

Bridging that gap likely requires a literary biographer who can trace the influence of other writers on O'Connor's work.

According to Enns, the only way we can begin to understand why New Testament writers handled scripture this way is to understand the hermeneutical conventions of their time, which are rooted in the literary conventions of the Second Temple period, and to appreciate the degree to which the apostolic writers positioned their reading of Scripture in light of the life, death, and resurrection of Jesus.

The interpreter has to look for that meaning which a biblical writer intended and expressed in his particular circumstances, and in his historical and cultural context, by means of such literary genres as were in use at his time, To understand correctly what a biblical writer intended to assert, due attention is needed both to the customary and characteristic ways of feeling, speaking and storytelling which were current in his time, and to the social conventions of the period.

The real advantage of a golden age for a literary genre is the elevation of its second - rank authors: Merely good writers become great writers when they happen to live at the right moment.

Likewise, O'Connor's celebrated lectures on Catholic fiction and the Catholic writer are obvious attempts to formulate a collective sense of the literary moment.

Not in the form of some «how to» guide or some «five step» program, but, first and foremost, by way of metaphor: «If the state of contemporary Catholic literary culture can best be conveyed by the image of a crumbling, old, immigrant neighborhood, then let me suggest that it is time for Catholic writers and intellectuals to leave the homogeneous, characterless suburbs of the imagination, and move back to the big city — where we can renovate these remarkable districts which have such grace and personality, such strength and tradition.»

I did not attempt to provide an adequate account of how a writer develops literary talent.

As Randall Stewart pointed out nearly half a century ago, Hawthorne's lifelong literary models and companions were the great Puritan moralist - seers Spenser, Milton, and Bunyan, and of the eighteenth - century writers, the great Augustan Christian humanists, especially Dr. Johnson, whose boyhood home in Lichfield Hawthorne visited on what must be called a pilgrimage of veneration.

One has already been stated that we must get all the historical and literary light we can on the passage to decide what it meant to the original writer, why he said it, whether it expresses permanent truth or only a passing phase of his or his people's experience.

The great achievement of both writers has been to open the larger literary tradition to black women's voices and to transforming the spiritual power of their vision.

For Walker, this journey was an act of filial piety toward the writer whom, above all others, she considers her literary foremother.