AP: I see
writers of literary fiction making increasing use of digital platforms to access and communicate with their readers.
-LSB-...] a 2015 article by Jane Friedman, agent Ayesha Pande was quoted as saying, «I see
writers of literary fiction making increasing -LSB-...]
Not exact matches
And Author: The JT Leroy Story is stranger - than -
fiction documentary from Jeff Feuerzeig, which follows the story behind
literary persona JT LeRoy, a fictional
writer created by American author Laura Albert, complete with a
made - up back - story
of prostitution, drugs and vagrancy.
Author: The JT Leroy Story Jeff Feuerzeig's stranger - than -
fiction documentary follows the story behind
literary persona JT LeRoy, a fictional
writer created by American author Laura Albert, complete with a
made - up back - story
of prostitution, drugs and vagrancy.
The Son by Philipp Meyer Ecco • $ 27.99 • ISBN 9780062120397 On sale May 28, 2013 Philipp Meyer
made his
fiction debut with a bang: His very first novel, American Rust, was one
of the most talked - about
literary releases
of 2009, earning him a place on The New Yorker «s Best 20
Writers Under 40 list.
Writers of commercial
fiction who wish to soar out
of category, as well as
literary novelists who want to learn how to
make powerful story principles work for them, will find the Breakout Novel Intensive 2.0 an idea - packed and career enriching experience.
It also means not disregarding other forms
of fiction because the best stories use elements
of both
literary and commercial
fiction and knowing how each works
makes us better skilled
writers (Susan Forest).
A place for
literary fiction readers and
writers to engage in an open dialogue concerning the state
of literature today, book recommendations, discussions, notes on the craft, and all things that
make lit fic what it is and what it means to us as individuals.
Here's who this promotion might not work for:
writers of long,
literary fiction who depend on sales to
make up for some
of the painstaking work that went into their novel.
According to this rule, the large majority
of writers of literary fiction aren't «authors,» because they
make a significant portion
of their livings by teaching, and not solely from their book sales.
Non-
literary readers have long wondered why readers (and
writers)
of literary fiction are drawn toward «certain kinds»
of books, whether they be difficult to read — as in Ulysses by James Joyce — stylistically unique, which can also
make them difficult (think Thomas Pynchon) or just plain boring as in... well, I can't name anything, because I happen to enjoy
literary fiction and I DO N'T think it's boring.