He writes on contemporary art and politics, and is the author, most recently, of The Migrant Image: The Art and Politics of Documentary During Global Crisis (Duke University Press, 2013), and Return to the Postcolony: Spectres of Colonialism in Contemporary Art (Sternberg, 2013).
Ginwala
writes on contemporary art and visual culture in various periodicals and has contributed to numerous publications.
As an art critic, Marc - Olivier Wahler regularly
writes on contemporary art and its theoretical problematic in international magazines, academic books, and exhibition catalogues.
She writes on contemporary art for a number of different journals, as well as making television appearances.
He also teaches and
writes on contemporary art.
You have also
written on contemporary art.
With seven friends he is a found - editor of A-or-ist, a journal of new critical
writing on contemporary art.
His writing on contemporary art has appeared in Interview magazine and in the journal Impasse, Centre d'Art La Panera.
Her writing on contemporary art has been published by the Fowler Museum, UCLA (forthcoming), Tate, The Walther Collection, Rencontres de Bamako 10th edition, Contemporary And (C &), Frieze and other leading art publishers.
Her writing on contemporary art has been published in a range of magazines and books, including Phaidon's Franz West (1999) and Fresh Cream (2000).
As a contributing art editor at Dazed & Confused and contributing editor at Berlin - based Sleek, she has contributed
writing on contemporary art for the past five years to magazines including Harpers Bazaar Art Arabia, Frieze online, LEAP and Thisistomorrow and various catalog essays and artist's texts.
With Staff Writers reporting from around the world, each issue of THE SEEN features in - depth
writing on contemporary art, as well as highlight essays, artist profiles, reviews, and limited - edition contributions from top international artists.
With Staff Writers reporting from around the world, each issue of THE SEEN features in - depth
writing on contemporary art, as well as highlight essays, artist profiles, reviews, and limited run artists editions from top international artists.
Published monthly, each online issue of THE SEEN features in - depth
writing on contemporary art, as well as highlight essays, artist profiles, and reviews.
His writing on contemporary art has appeared in C Magazine, Border Crossings and Towards Magazine.
In addition, Sandrine's
writing on contemporary art has been published internationally in numerous online and print publications and she is an Adjunct Professor at several universities throughout Massachusetts.
Her writing on contemporary art has appeared in journals in the United States, and in a book published by Telos Art Publishing in England.
Yesterday, the Creative Capital Warhol Foundation Arts Writers Grant Program announced the twenty recipients of our 2011 grant for
writing on contemporary art, in four categories: articles, blogs, books and short - form writing.
Considered the top translator of
writing on contemporary art from Korea, Chong is also responsible for the groundbreaking lexicon on artist Huang Yong Ping's complex web of meanings, intentions, history, conflict, and culture.
His writing on contemporary art has appeared in Canadian Art, C Magazine, Border Crossings, Magenta Magazine, and Towards Magazine.
She is the programme manager of collectorspace, a non-profit organisation that aims to foster critical discussions and
writing on contemporary art collecting practices, and works as the managing editor of m-est.org, an online publication conceived as an artist - centered initiative.
She has published over fifteen distinct pieces of
writing on contemporary art, including catalogue essays, articles, and reviews.
Becker is Editor - in - Chief of Whitehot Magazine, an online contemporary art magazine he founded in 2006, and has
written on contemporary art for numerous publications, including Art in America.
Her writing on contemporary art has been published by the Fowler Museum, UCLA (forthcoming), Tate, The Walther Collection, Rencontres de Bamako 10th edition, Contemporary And (C &), Frieze and other leading arts publishers.
Cameron has a considerable body of
writing on contemporary art, and he has been Contributing Editor for Art Magazine, Art & Auction, Artforum, and Flash Art, in addition to writing for Parkett and trans and publishing exhibition catalogues and monographic texts on numerous artists.
Printeresting blog, a 2011 Arts Writers Grant recipient Yesterday, the Creative Capital Warhol Foundation Arts Writers Grant Program announced the twenty recipients of our 2011 grant for
writing on contemporary art, in four categories: articles, blogs, books and short - form writing.
She has
written on contemporary art and culture in journals such as The Exhibitionist, e-flux journal, Ibraaz, Afterall and has contributed to numerous publications.
Not exact matches
About Blog A blog that includes Sculpture, Works
on Paper, Digital Prints, Wood Sculpture, Photograhy,
Contemporary Art,
Writing, Political and Social Commentary.
About Blog A blog that includes Sculpture, Works
on Paper, Digital Prints, Wood Sculpture, Photograhy,
Contemporary Art,
Writing, Political and Social Commentary.
Jane Friedman has spoken at more than 200 events
on new media,
writing, and publishing, and has consulted with
arts and literary organizations such as the National Endowment for the Arts, the Creative Work Fund, and the Contemporary Arts Center in Cincinn
arts and literary organizations such as the National Endowment for the
Arts, the Creative Work Fund, and the Contemporary Arts Center in Cincinn
Arts, the Creative Work Fund, and the
Contemporary Arts Center in Cincinn
Arts Center in Cincinnati.
Guest suites have a trendy design and
contemporary styling with a mix of pale and warm toned interiors, drapes and fabrics of vibrant colour, attractive wall - hung
art, smart furnishings cleverly spaced
on cool tiled flooring and modern amenities to take care of your comfort; features include a private furnished balcony for most suites with sea or marina view, air - conditioning, a private bathroom with hair dryer and amenities, living room with TV (international channels) and DVD player
on request, DVD library at reception, sofa bed / armchair, a bedroom (s) with twin beds,
writing desk and chair, telephone, night curtain, a kitchenette with 2 - ring hob, microwave, fridge, coffee machine, kettle, toaster, plates & cutlery and table with 4 chairs, iron and board, and baby amenities.
Today's show: «Splitting, Cutting,
Writing, Drawing, Eating... Gordon Matta - Clark» is
on view at the Serralves Museum of
Contemporary Art in Porto, Portugal, through Sunday, September 3.
All 27 grant recipients were selected based
on their dual commitment to the craft of
writing and the advancement of critical discourse
on contemporary visual
art.
When the four works were brought together in a group show at the New Museum of
Contemporary Art in New York in 1985, Abigail Solomon - Godeau wrote that Williams's «insistence on site - specificity, both in a geographic sense (the city represented by the tourism photo is changed to represent whatever city the work is exhibited in) and in an institutional sense (the work is conceived to call attention to the museological «frame») militates against the neutralization of the works» politics by the art institution that houses it.&raq
Art in New York in 1985, Abigail Solomon - Godeau
wrote that Williams's «insistence
on site - specificity, both in a geographic sense (the city represented by the tourism photo is changed to represent whatever city the work is exhibited in) and in an institutional sense (the work is conceived to call attention to the museological «frame») militates against the neutralization of the works» politics by the
art institution that houses it.&raq
art institution that houses it.»
Co-executive editor of ARTnews, where she also
writes on a wide range of
contemporary art topics.
As a curator and project coordinator, Baker has authored and edited numerous publications
on contemporary art,
writing about artists such as Kiki Smith and Andrea Zittel.
I
write to offer a brief response to a recently - posted review of Picture This:
Contemporary Photography and India (Philadelphia Museum of
Art,
on view through April 3, 2016).
Bois has
written widely
on modern and
contemporary art, and his 2005 essay
on Sandback's work has remained one of the most influential pieces of scholarship
on the artist to date.
Iniva has published over 50 titles, including exhibition catalogues, artists» monographs and anthologies of new critical
writing, which promote diverse perspectives
on modern and
contemporary art and advance critical debate internationally.
Cuauhtémoc Medina, independent curator and
art critic from Mexico City, Mexico, has
written extensively
on contemporary art and is a former curator of
contemporary art at the Museo de Arte Carrillo Gil in Mexico CityRead more
The
Contemporary Arts Center (CAC) screens director Karen Thorsen's James Baldwin: The Price of the Ticket (1989), a documentary which compiles archival footage of the writer's time in New York and Paris and links his
writing to discussions
on race relations in the United States.
While still working for the
Arts Council, Glazebrook began
writing art criticism for the London Magazine, proving a perceptive commentator
on the
art scene of 1960s London, and joined university friends in launching Editions Alecto, the pioneering publishers of
contemporary artists» prints.
Jonathan Watkins has
written extensively
on contemporary art.
Brielmaier is the author of «Re-Position / Re-Present: Notes
on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has
written and lectured
on international
art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affai
art and photography for PARKETT Series with
Contemporary Artists, Aperture Magazine, Nka: Journal for
Contemporary African
Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affai
Art, The Solomon R. Guggenheim Museum, The Brooklyn
Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affai
Art Museum, The Studio Museum in Harlem, NYC School of the Visual
Arts, Atlanta College of
Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affai
Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.
She has contributed to, and been
written about, in several anthologies of literary criticism including: The Racial Imaginary: Writers
on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative
Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual
Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms:
Contemporary Poets Celebrate the Diversity of Their
Art (University of Michigan Press, 2002).
Opening: «Noah Becker Presents Something» at Berry Campbell Noah Becker — artist, curator and founder of Whitehot Magazine of
Contemporary Art (full disclosure, I also
write for the publication)-- takes
on the role as the first guest curator at Berry Campbell with a show of 20 international artists exploring enigmatic narratives in their paintings, sculptures and works
on paper.
I predict this singular record of diy clips, most of them ten - minute windows
on the
art of today, will be more important to
art history than almost anything being
written about the
contemporary scene.
He has
written on contemporary aesthetics,
art, film and television for The Journal of Aesthetics and Culture, Screen, Monu, Frieze, and various collections and catalogues, and has given talks for Documenta and Frieze Art Fa
art, film and television for The Journal of Aesthetics and Culture, Screen, Monu, Frieze, and various collections and catalogues, and has given talks for Documenta and Frieze
Art Fa
Art Fair.
He
writes about modern and
contemporary art with an emphasis
on articulations of Blackness in the Western visual field.
She has exhibited at PS1 / MoMA; Deitch Projects;
Contemporary Art Museum, Houston;
Contemporary Arts Center, Cincinnati; the Brooklyn Museum; Museum of
Contemporary Art, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual
Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; and has been
written about in the New Yorker, Sculpture Magazine, Artforum.com, ARTNews, The New York Times, Huffington Post and
on Art21's blog.