The program supports
writing about contemporary art and aims to ensure that critical writing remains a valued mode of engaging the visual arts.
Her writing about contemporary art has been published in Artforum, Art in America, The Huffington Post, and she is a contributing editor to the Los Angeles Review of Books.
JJ Charlesworth trained as an artist and graduated in 1996 at Goldsmiths College, London and has since been
writing about contemporary art.
In addition to his studio practice and
writing about contemporary art, he also manages Chicago's visual art calendar, The Visualist.
Art Radar is the only editorially independent online news source
writing about contemporary art across Asia.
Designed to encourage and reward
writing about contemporary art that is rigorous, passionate, eloquent, and precise, as well as to create a broader audience for arts writing, the Arts Writers Grant Program aims to strengthen the field as a whole and to ensure that critical writing remains a valued mode of engaging the visual arts.
The program supports
writing about contemporary art and aims to ensure that critical writing...
Designed to support
writing about contemporary art, as well as to create a broader audience for arts writing, the -LSB-...]
The program supports
writing about contemporary art and aims to ensure that critical writing remains a valued mode of -LSB-...]
Presented as a series of connected fragments, this talk is a development of Gaines's ongoing book project, attempting to bring his PhD dissertation on»60s performances together with his own creative work and
writing about contemporary art and culture.
So much
writing about contemporary art today is quick to identify the successes of the age, to establish a new canon of artistic production, but what would happen if ambivalence became a productive force, if art were no longer judged according to a vague and malleable scale of quality?
NANCY PRINCENTHAL, a former senior editor at Art in America, has been
writing about contemporary art for more than 25 years.
Designed to encourage and reward
writing about contemporary art that is rigorous, passionate, eloquent and precise, as well as to create a broader audience for arts writing, the program aims to strengthen... read more... «Bloggers Paddy Johnson, Anjali Srinivasan, and Yuka Otani get Creative Capital / Warhol Foundation Writing Grants»
Few critics would seem more qualified to
write about contemporary art than Eleanor Heartney, and her latest book, with cover endorsements from Arthur Danto and Andrew Greeley, has the look of an important contribution.
She writes about contemporary art, culture, and their politics.
Jillian
writes about contemporary art, in particular the intersection of art and politics.
I write about contemporary art, but my heart is in art history, especially the reactionary Western version.
She writes about contemporary art in New Mexico, and runs a social - media broadcasting program, ArtBeat Santa Fe, which serves as a voice for Santa Fe's alternative arts community.
Caroline Roux has
written about contemporary art, architecture and design for 20 years and contributes regularly to the Financial Times, The Economist, Vanity Fair on Art and W Magazine.
She writes about contemporary art, publishing, the internet, and all sorts of links between these.
She writes about contemporary art, publishing, internet culture, and different meeting points between these things.
Lori Waxman, a Chicago Tribune columnist who has
written about contemporary art for the past 18 years, examined the state of art criticism in this Christel DeHaan Family Foundation Visiting Artist Lecture.
She writes about contemporary art with an emphasis on installation, digital and activist art.
He has
written about contemporary art in the newspapers El Universal, Reforma, and Excelsior, for the German Press Agency (DPA), as well as in the magazines Código, Vice, Ramona (Argentina) and Forbes.
Eva Wittocx regularly
writes about contemporary art.
In addition to her curatorial work, Golden teaches, lectures, and
writes about contemporary art, cultural issues, and the curatorial practice nationally and internationally.
How to See seems pitched for a general audience, or perhaps an audience of art students: «The idea for this book is to
write about contemporary art in the language artists use when they talk among themselves,» Salle says in his introduction.
Helen has
written about contemporary art for a wide range of publications and journals and is currently contributing to an essay for inclusion in the first Lubaina Himid monograph.
He has
written about contemporary art in exhibition catalogues and magazines.
While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that «for the last forty years it's been [his] ambition to
write about contemporary art not as a critic or a judge, but as a participant.»
Not exact matches
This guest post
written by Melanie Biehle, creator of Inward Facing Girl, where she blogs
about contemporary art, design, photography, and life in Seattle.
About two dozen artists, gallery owners and officials
wrote an open letter Monday urging the city of Paris not to install the 12 - metre - tall «Bouquet of Tulips» outside the Museum of Modern
Art and adjacent Palais de Tokyo, a contemporary art cent
Art and adjacent Palais de Tokyo, a
contemporary art cent
art centre.
About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy,
Contemporary Art,
Writing, Political and Social Commentary.
About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy,
Contemporary Art,
Writing, Political and Social Commentary.
For Self, who
wrote in the Guardian in May
about how «the literary novel as an
art work and a narrative
art form central to our culture is indeed dying before our eyes», because «the hallmark of our
contemporary culture is an active resistance to difficulty in all its aesthetic manifestations», the new statistics were no surprise.
Her work is
written about frequently, including features in Modern Painters, the New York Times, Nka Journal of
Contemporary African
Art, and the forthcoming Spring 2014 issue of BOMB.
As a curator and project coordinator, Baker has authored and edited numerous publications on
contemporary art,
writing about artists such as Kiki Smith and Andrea Zittel.
If you've ever taken a course
about modern and
contemporary art history, chances are you know that Minimalist sculptor Donald Judd
wrote the lively essay «Specific Objects» in 1965.
In a piece for RA Magazine last summer
about positive discrimination and women artists, she
wrote: «
Contemporary artists are in constant dialogue with
art history and, as a generalisation,
art history is overwhelmingly
about male artists.»
She has contributed to, and been
written about, in several anthologies of literary criticism including: The Racial Imaginary: Writers on Race in the Life of the Mind (Fence Books, 2015); The BreakBeat Poets: New American Poetry in the Age of Hip - Hop (Haymarket Books, 2015); What I Say: Innovative Poetry by Black Writers in America (University of Alabama Press, 2015); The & Now Awards 3: The Best Innovative
Writing (Northwestern University Press, 2015); I'll Drown My Book: Conceptual
Writing By Women (Les Figues Pess, 2012); eco language reader (Portable Press at Yo - Yo Labs and Nightboat Books, 2010); American Women Poets in the 21st Century (Wesleyan University Press, 2002); and An Exaltation of Forms:
Contemporary Poets Celebrate the Diversity of Their
Art (University of Michigan Press, 2002).
I predict this singular record of diy clips, most of them ten - minute windows on the
art of today, will be more important to
art history than almost anything being
written about the
contemporary scene.
He
writes about modern and
contemporary art with an emphasis on articulations of Blackness in the Western visual field.
Her work has been reviewed and
written about in The New York Times, ArtNews and in various
art books such as Talinn Grigor, Contemporary Iranian Art: From the Street to the Studio (Reaktion, 2014), Different Sames, New Perspectives in Contemporary Iranian Art (Thames & Hudson 2009), and othe
art books such as Talinn Grigor,
Contemporary Iranian
Art: From the Street to the Studio (Reaktion, 2014), Different Sames, New Perspectives in Contemporary Iranian Art (Thames & Hudson 2009), and othe
Art: From the Street to the Studio (Reaktion, 2014), Different Sames, New Perspectives in
Contemporary Iranian
Art (Thames & Hudson 2009), and othe
Art (Thames & Hudson 2009), and others.
She has exhibited at PS1 / MoMA; Deitch Projects;
Contemporary Art Museum, Houston;
Contemporary Arts Center, Cincinnati; the Brooklyn Museum; Museum of
Contemporary Art, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual
Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; and has been
written about in the New Yorker, Sculpture Magazine, Artforum.com, ARTNews, The New York Times, Huffington Post and on
Art21's blog.
They also should have a demonstrated passion
about contemporary art and the potential to produce exceptional
writing.
In the Poem
about Love you Don't
Write the Word Love, Centre for
Contemporary Arts, Glasgow, Scotland
Woolfalk has exhibited at PS1 / MoMA;
Contemporary Art Museum, Houston;
Contemporary Arts Center, Cincinnati; the Brooklyn Museum; Asian
Art Museum, CA, Museum of
Contemporary Art, Chicago; the Studio Museum in Harlem; the Frist Center for the Visual
Arts; The Yerba Buena Center; The Newark Museum; Third Streaming; MCA San Diego; MoCA Taipei; and Performa 09; has been
written about in the New Yorker, Sculpture Magazine, Artforum, Artforum.com, ARTNews, The New York Times, Huffington Post and on
Art21's blog; and has also worked with Facebook and WeTransfer.
«Manifest's 6th International Drawing Annual - A Call for Drawing and
Writing About Drawing Main I Am Solitary — London, Beers.Lambert
Contemporary Art»
Guez's work raises questions
about contemporary art's role in narrating unwritten histories, and re-contextualizing visual and
written documents.
To only
write briefly
about the relationship between Brazil and
contemporary art is certainly a crime.