Sentences with phrase «writing about films»

Horror stories like that scare me because I can imagine a near - future where critics nervously avoid writing about films with sensitive subjects.
Biography: Michael has been writing about films ever since he first started out at an internship for Home Media Magazine.
He juggles his time between his wife and two sons, a career as a financial analyst in a big oil company, writing about films, and actually seeing films.
The Portuguese director goes in - depth on his incredible latest feature, Horse Money: his intent behind the film (he «says too much» about its meaning), its production, critics writing about his films, and his thoughts on Jean - Luc Godard.
(Here in Boston, the only press screening was scheduled at the same time as one for the local - media - fellating juggernaut Spotlight, thus lending credence to my suspicion that certain publicists sit around plotting ways to keep people from writing about their films.)
What Corliss does not realize is that this is an improvement, not a deterioration, of the situation as we both found it in the mid-Sixties when we started in the business of writing about films.
Writing about films is as varied as making them.
Women and men write equally positive and negative reviews and do not become significantly more positive when writing about films with same - sex protagonists or filmmakers.
Usually, whenever critics start writing about films in purely mechanical terms -LRB-»em otional batteries») it means that those mechanical systems failed to work.
When not watching, making or writing about films, she can usually be found at Red Bull Arena in New Jersey.
So what I am doing writing about this film in a column about screenwriting?
He has been writing about film since the start of 2014.
I think it is fair to pick on anything you've written about just as it is anything you've written about this film.
Sloan De Forest is a writer, actor, and film historian who has written about film for Sony, Time Warner Cable, the Mary Pickford Foundation, and Bright Lights Film Journal.
The more you think about the choices the filmmakers put into a movie and the more deeply you place the results (intended or otherwise) into context, the better you can talk about to a movie in terms of how it worked and the more you can actually write about a film while respecting the filmmaking process and the history of film.
As always when I write about film festivals, it's not just the films but all the different people that make them so memorable.
Marina Antunes started writing about film in 2005 and launched a movie podcast in 2006, before they were commonplace.
When he's not watching or writing about film, he spends much of his time wishing he lived in a big city.
Blogger and critic Chris Williams has been writing about film and faith for more than a decade.
Since Mel began writing about film nine years ago, he's written more than 1,600 reviews and articles.
Our mandate is to recognize, support and raise consciousness about women working in the film industry — in front of and behind the cameras, and writing about film and the film industry — through coverage on our Web site at www.awfj.org, the presentation of awards for outstanding achievements, and through outreach programs.
EW's site has their top ten up — if you'd like to read what they wrote about each film, head on over.
Beautiful idea, I think — it helps me sleep at night and keeps me from being too scared to see and write about films outside my realm of experience.
Founded in 2006, the Alliance of Women Film Journalists is a nonprofit organization of professional women film reviewers and journalists who write about film.
Ultimately, I write about film for the same reason I work in politics: because I want to be fighting the battles that matter.
Through all of the connections that I made, I decided that writing about film is a pretty awesome job to be doing.
Senior Contributor Lisa Iannucci has been writing about film and entertainment for years.
But two years ago, I re-committed to writing about film for one simple reason.
It's one thing to write about film and know what you're talking about, but if your words and ideas don't function as a concise conduit to the reader then you haven't done your job.
Reviews female critics write about films with female directors and / or written by at least one woman are considerably shorter (average of 480 words).
Robert C. Cumbow has been writing about film for nearly 40 years.
I write about the film for the Turner Classic Movies website.
I don't write about films I think the Academy will pick.
Alongside directors, nations and material cultures, there are also specific themes — sometimes less materialist and more tuned in to the utopian possibilities of the imagination — that can be drawn out from the ever - swirling mass of experiments in filmmaking and creative writing about film.
Sorry, back to writing about a film.
When not writing about film, Solzman can be found using her free time to work on writing feature film screenplays or discussing film and such on social media.
I appreciate you writing about this film.
Now, they are drawing on their combined years of experience in helping complete strangers pick out movies based on only the most vague of criteria — as well as the fact that they make their living writing about film for The A.V. Club — to put together a guide to some of the best and most interesting movies released so far this year.
There are also idiots writing about film, there are idiots making films.
I've written about those films, but I'm never going to make one.
Janice Page writes about film for the Boston Globe, where she is also editor of book development.
His writing about film has appeared in Movie Mezzanine, ScreenPicks, Nonfics, and Paste Magazine, among other publications.
Because buzz reflects the 80 percent male gender bias, writing about film fails to connect meaningfully with the real audience that is — duh, ask your mothers — 50 percent female.
He has been writing about film, music, books and popular culture since 1997.
He writes about film, television, video games, comic books, and assorted sundries when the need arises (it always does).
Joe Gross Joe Gross has been writing about film, music, and entertainment at the Austin American - Statesman since 2002.
4:30 am (31st)-- TCM — Mickey One I wrote about this film a few months ago when I saw it play at the local repertory cinema as part of a Warren Beatty retrospective.
Since then, Don has written about film and pop culture for Film Threat, Film School Rejects, Adobe Airstream, Devil in the Woods, Pop Culture Press, the Los Angeles Journal, and was Managing Editor for Smells Like Screen Spirit for just shy of a decade.
I may not be a fan of writing about film news due to the rumour - like quality that a lot of the articles are.
He has been writing about film and theatre since 2003 and his work has appeared in major film and theatre publications including The New York Times, American Theatre, and Backstage.
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