Sentences with phrase «writings on art history»
VALIE EXPORT's work is comprised of films, video environments, photography, installation, performance, objects, sculptures, and writings on art history and feminism.
http://www.bard.edu/
Other artists pay attention to him for his extensive writings on art history as much as for his painting.
Not exact matches
Today we know that much of the writings and art of the Maya on their monuments and murals are records of the history of the ruling lineages.
Mira Schor is a New York - based artist and writer known for her advocacy for painting in a post-medium culture, for her representations of writing as image, and for her writings on painting and on feminist art history.
Her writings on art, history and vernacular architecture are published widely.
Inspired by classic group portraits throughout art history, she has taken black - and - white film photographs of the artistic crowd inhabiting Bushwick today, which will be exhibited alongside her photos of early Bushwick and Panero's writings on the neighborhood.
He co-authored the Dada and Surrealist Word Image (1987), Mike Kelley (1999) and Kwang - Young Chung (2014); and edited Rethinking Borders (1996), Institutional Critique and After (2006), The Aesthetics of Risk (2008), Black Sphinx: On the Comedic in Modern Art (2010) and writings by Mike Kelley: Foul Perfection: Essays and Criticism (2003); Minor Histories (2004); Mike Kelley: Interviews, Conversations, and Chit - Chat, 1988 - 2004 (2005).
John C. Welchman is Professor of art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201art history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse history at UCSD and author of Modernism Relocated (1995), Invisible Colours: A Visual History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse History of Titles (1997), Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art After Appropriation (2001), Guillaume Bijl (2016), and two volumes of collected writings: Past Realization: Essays on Contemporary European Art (2016) and After the Wagnerian Bouillabaisse (201Art (2016) and After the Wagnerian Bouillabaisse (2018).
Welchman is co-author of the Dada and Surrealist Word Image (MIT Press, 1987), Mike Kelley (Phaidon, 1999), and Kwang - Young Chung (Rizzoli, 2014); and editor of Rethinking Borders (Minnesota UP, 1996), Institutional Critique and After (JRP Ringier, 2006), The Aesthetics of Risk (JRP Ringier, 2008) and Black Sphinx: On the Comedic in Modern Art (JRP Ringier, 2010) as well as the collected writings of Mike Kelley: Foul Perfection: Essays and Criticism (MIT, 2003); Minor Histories (MIT, 2004); Mike Kelley: Interviews, Conversations, and Chit - Chat, 1988 - 2004 (JRP Ringier, 2005).
The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of AArt and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Aart at the National Gallery of ArtArt.
(abridged) in Titia Hulst, ed., The History of the Western Art Market: A Sourcebook of Writings on Artists, Collectors, Dealers, and the Market for Art, Berkeley: University of California Press, 2017
Her recent writings include «Art and History» in Shary Boyle: Flesh and Blood (Galerie de l'UQAM, Montreal, 2010), «And the winner is...,» an exploration of Camille Turner's Miss Canadiana performance, in Byproduct: On the Excess of Embedded Art Practices (YYZ Books, Toronto, 2010), «Another World: Material and Metaphor in the Video Work of Wangechi Mutu» in Wangechi Mutu: This You Call Civilization?
Following two precious volumes of writings from the 1970s — 90s Canadian magazine Parachute — Museums, Art History, and Theory and Performance & Performativity — the essays collected in this third volume focus on photography, film, video and new media.
Jack Flam: President of the Dedalus Foundation, and Distinguished Professor Emeritus of Art and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt and Art History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt History, Brooklyn College and the Graduate Center, CUNY; Editor, The Collected Writings of Robert Smithson; co-author, Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991; Author of numerous books, catalogues, and articles on 19th and 20th century art, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and Friendshart, including Matisse: The Man and His Art, and Matisse and Picasso: The Story of Their Rivalry and FriendshArt, and Matisse and Picasso: The Story of Their Rivalry and Friendship.
Her writings on history, Indigenous art, and vernacular architecture have been published by MIT Press, BlackDog Publishing, Revolver Press, New York University, The Fillip Review, Canadian Art Magazine and the National Museum of the American Indian, among otheart, and vernacular architecture have been published by MIT Press, BlackDog Publishing, Revolver Press, New York University, The Fillip Review, Canadian Art Magazine and the National Museum of the American Indian, among otheArt Magazine and the National Museum of the American Indian, among others.
Her writings on history, art, and vernacular architecture have been published by MIT Press, BlackDog Publishing, Revolver Press, New York University, the Fillip Review and the National Museum of the American Indian, among others.
On the occasion of Irving Sandler's new publication, From Avant - Garde to Pluralism: An On - The - Spot History, a selection of seminal writings from half a century ago to the present, Rail publisher Phong Bui and Art Editor John Yau paid a visit one sunny Saturday to the author's home / office which he shares with his wife Lucy Freeman Sandler, scholar of Medieval art, to talk about his life and woArt Editor John Yau paid a visit one sunny Saturday to the author's home / office which he shares with his wife Lucy Freeman Sandler, scholar of Medieval art, to talk about his life and woart, to talk about his life and work.
Histories, practices, interventions: A reader in Singapore contemporary art is an anthology of writings on Singapore contemporary art since the 1970s.
His books include: Matisse: the Man and His Art, 1869 - 1918 (1986); Motherwell (1991); Richard Diebenkorn: Ocean Park (1992); Matisse: The Dance (1993); Western Artists / African Art (1994); Matisse on Art (revised edition, 1995); Robert Smithson: The Collected Writings (1996); Matisse and Picasso: The Story of Their Rivalry and Friendship (2003); Primitivism and Twentieth - Century Art: A Documentary History (2003); Manet: Un bar aux Folies - Bergère ou l'abysse du miroir (2005); he is co-author, with Katy Rogers and Tim Clifford, of Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941 - 1991 (2012), and of Robert Motherwell: 100 Years (2015).