Sentences with phrase «written about contemporary artists»

Her thesis pertains to Norman Lewis and the Abstract Expressionists of the mid-twentieth century, but for various publications she's written about contemporary artists from Nari Ward to Laurie Simmons.

As a curator in residence at Residency Unlimited, New York City, Herrera analyzed the artistic scene in the city, had studio visits, interviews and wrote about contemporary artists as a means of generating future projects.

Not exact matches

About two dozen artists, gallery owners and officials wrote an open letter Monday urging the city of Paris not to install the 12 - metre - tall «Bouquet of Tulips» outside the Museum of Modern Art and adjacent Palais de Tokyo, a contemporary art centre.

As a curator and project coordinator, Baker has authored and edited numerous publications on contemporary art, writing about artists such as Kiki Smith and Andrea Zittel.

Although he died before its completion, Boetti's work continues to be written about and studied as an important paradigm of the newly international approach of contemporary artists.

In a piece for RA Magazine last summer about positive discrimination and women artists, she wrote: «Contemporary artists are in constant dialogue with art history and, as a generalisation, art history is overwhelmingly about male artists.»

Kusama was one of the artists I wrote about as being a precursor to establishing this new field of Asian contemporary art.

He has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at New York University where he received a PhD in Art History and Archaeology from the Institute of Fine Arts.

Israel has written for international art magazines and exhibition catalogues; delivered talks about modern and contemporary art and his work at Artsy globally; worked for prominent galleries; managed major artist estates and foundations; and taught modern and contemporary art at NYU, where he received a PhD in Art History and Archaeology - from NYU's Institute of Fine Arts.

Established in 2014, Art & About PDX is an artist - run initiative and platform documenting Portland's contemporary arts scene through photographic, written, and digital media.

Lev writes about politically infused contemporary art, and currently focuses on female artists.

Lori Waxman, a Chicago Tribune columnist who has written about contemporary art for the past 18 years, examined the state of art criticism in this Christel DeHaan Family Foundation Visiting Artist Lecture.

While all of the exhibiting artists in Love Action Art Lounge approach the social from distinct and varied perspectives, they, arguably, share what Yates McKee, the author of Strike Art: Contemporary Art and the Post-Occupy Condition, describes, when writing about Occupy Wall Street, as a horizontal pedagogical space in which viewers themselves might be prompted to imagine and perhaps eventually enact their own sense of social transformation.

Writing about Tower's 1994 solo exhibit at the New Museum of Contemporary Art, New York Times art critic Roberta Smith compared the artist's «exuberant, slightly naive imagery» of trees and lumberjacks to the work of Jennifer Bartlett and Red Grooms (the latter of whom Tower worked for as an assistant in the 1980s and 1990s).

I have already wrote a generic post about this collective exhibition that compare William Klein photography and Asian contemporary visual artists on 11 April 2018.

1994 Possible Things, Bardamu Gallery, New York, USA (Vik Muniz, Curator) Choice, Chance and Irony, Todd Gallery, London; John Hansard Gallery, University of Southampton, England Unbound: Possibilities in Painting, Hayward Gallery, London, England (Greg Hilty and Adrian Searle, Curators) Le Temps D'Un Dessin, Galerie De L'École Des Beaux - Arts, Lorient, France, (Phillippe Briet, Curator) Written / Spoken / Drawn in Lacanian Ink, Thread Waxing Space, New York, USA Bravin Post Lee, New York, USA Painting, Rhona Hoffman, Chicago, USA About Color, Charles Cowles, New York, USA 8 Rooms for Paiting, Galeri F15 Alby, Moss, Norway (Gertrud Sandquist, Curator) Summer Exhibition, Sperone Westwater, New York, USA The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation, U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, USA Abstract Works on Paper, Robert Miller, New York, USA On Paper, Schmidt Contemporary Art, Saint Louis, USA Abstraction: A Tradition of Collecting, Center for the Fine Arts, Miami, USA American Paining Now, Galleries Caterina Fossati, Eva Menzio, Giovanni Rimoldi, Turin, Italy Tutti Questi Mondi, Galleria Carini, Prato, Italy

About two dozen artists, gallery owners and officials have written an open letter urging the city of Paris not to install the 12 - metre - tall Bouquet of Tulips outside the Museum of Modern Art and adjacent Palais de Tokyo, a contemporary art centre.

How to See seems pitched for a general audience, or perhaps an audience of art students: «The idea for this book is to write about contemporary art in the language artists use when they talk among themselves,» Salle says in his introduction.

My own quandary had seeded a broader interest in contemporary artists» evolving studio needs and expectations (I wrote about the issue in «Lost in Space: Art Post-Studio» in the June issue of The Brooklyn Rail), and Simon was on the same wavelength.

She has worked with and written about many of the greatest artists of the period, in particular helping to establish the reputations of many who have defined contemporary art in a new and wider interpretation.

Richard Armstrong, director of the Carnegie Museum of Art, credited Hoptman with empathy for contemporary artists and a gift for writing and speaking about their work.

What we need are more critics writing about this disparity (thank you, Jerry); more art historians considering women artists, gender, performance of sexuality, identity in contemporary art (hark to Linda Nochlin!)

JJ Charlesworth trained as an artist and graduated in 1996 at Goldsmiths College, London and has since been writing about contemporary art.

Selected group exhibitions include Frequency and Scratch at the Studio Museum in Harlem, New York (2006, 2005); In the Poem About Love You Don't Write the Word Love Centre for Contemporary Arts, Glasgow, and Artists Space, New York (2005, 2006); Float Socrates Sculpture Park, New York (2003); 24/7: Wilno - Nueva York (Visa Para) Contemporary Art Centre, Vilnius, Lithuania (2003); Off the Record Skylight Gallery, Brooklyn (2003); and Divergence Rush Arts Gallery, New York (2002).

His prodigious zine work can be found in several national artist book collections including the Museum of Modern Art; Art Institute of Chicago; Museum of Contemporary Art, Chicago; New Jersey Public Library; National Academy of Design, New York; Indiana University and School of the Art Institute of Chicago His collaborative printmaking work with the comix artist ONSMITH has been written about in Art in Print.

The Harvard Society for Contemporary Art — Exhibition Timeline and Artists 1929 - 1932 Many essays have been written about Lincoln Kirstein (1907 — 1996), John Walker III (1906 — 1995), and -LSB-...]

2014 New Prints Summer 2014, International Print Center New York, New York, NY Emily Cucalon & Marianne Dages, Free Library of Philadelphia, PA (Two - Person) Picture Books, Power Plant Gallery, Duke University, Durham, NC Light of the Moon, Arrowmont School of Arts and Crafts, Gatlinburg, TN It's About Time, Coburn Gallery at Colorado College, Colorado Springs, CO The Printed Page, Abecedarian Gallery, Denver, CO Printed Matter's LA Art Book Fair, The Geffen Contemporary At MOCA, Los Angeles, CA R / W: Reading and Writing Visual Experience, Hicks Art Center Gallery, Newtown, PA Featured Artist Project: SP Weather Portfolios, The Center for Book Arts, New York, NY Due North, Icebox Project Space, Philadelphia, PA

Artist and author Douglas Coupland has written a personal response to Hanson's work that is a testament to its enduring legacy and Ruba Katrib's essay Surface Identity provides insightful links between Hanson's practice and its relationship to ongoing concerns about the presence of the body in contemporary art.

He was the first prominent artist I had ever known; his work, the first contemporary art I had ever tried to understand and write about.

From August 2015 to May 2016, the CCA Wattis Institute for Contemporary Arts in San Francisco convened a small group of artists, curators and art historians from the Bay Area and formed a research group dedicated to thinking about, talking about, reading about and writing about the work of American artist David Hammons.

Written by Edward A. Vazquez, Associate Professor of Modern and Contemporary Art in the Department of the History of Art and Architecture at Middlebury College, and published by the University of Chicago Press, Aspects: Fred Sandback's Sculpture is the first comprehensive monograph to have been published about the artist.

Barbara Pollack writes about Tracey Emin and contemporary artist's love - themed work for the February issue of ARTnews featuring a work by Tracey Emin on the cover.

A few years ago I published an article called «Neo-maternalism: Contemporary Artists» Approach to Motherhood» in The Brooklyn Rail about artist mothers, and I'm thinking of writing a sequel that covers the exasperating teenage years.

About van der Ploeg's work, artist and curator Michelle Grabner writes, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.