Such an essay could never be
written about the critics and artists of today: the crucial role of ratification has been almost entirely outsourced to the market — the most successful and expensive artists are entirely critic - proof.
Not exact matches
Some of my Christian
critics on the Notre Dame campus agree with Prof. Turner that I have
written about a problem that does not exist.
In my short span as a music
critic, I've come to learn that nothing upsets people more quickly and severely than
writing opinions
about music.
The great literary
critic Frank Kermode
wrote of «The Figure in the Carpet» that «Vereker's secret — «the thing for the
critic to find» — is not, we infer, the sort of thing the celibate and impotent may look for when they speculate
about sex.
In the «The Maniac,» in Orthodoxy, Chesterton
writes about the tendency for professional
critics to go mad.
Despite the withering contempt of experts and allies alike — even the architectural
critic Lewis Mumford, letting his unfortunate susceptibility to vanity get the better of him, could not resist dismissing Death and Life as a «preposterous mass of historic misinformation and contemporary misinterpretation» assembled by «a sloppy novice» — this unaccredited journalist - mother, with no college education, no training in planning, and no institutional support,
wrote a book that would change the way the world thinks
about cities.
But the only thing that each of us can and should do is what we each must do ultimately alone, if we have vocations to be writers: Go off and
write out of the very fullness of human experience
about the very fullness of human experience and hope to find and affect contemporary readers and the greater world, and in the meantime leave the distracting and finally pointless diagnoses of who were the Catholic writers, and how much, and how well, how little, how importantly, to the
critics and scholars.
Sometimes I think that I couldn't
write half the brave stuff I
wrote in «Jesus Feminist» now because I have all the caveats and «but - what -
abouts» and
critics in my head too much.
«Before I knew it, I was spending all my free time thinking
about wedding favors and invitations, centerpieces and bridal registries, cakes and photographers,»
writes film
critic Carina Chocano in Altared.
For example, one of the charges against Honest to God, almost as soon as it appeared, was that John Robinson had said nothing in that book
about «future life» — although the
critic must have forgotten that not many years before the bishop had
written, while still a theological teacher, a treatise entitled In the End God which is a considered and very interesting and suggestive discussion of exactly that subject as well as of the related aspects of «the last things».
And when I
wrote about the General Electric Company and Schenectady, it seemed a fantasy of the future to
critics who had never seen the place.
Award - winning journalist, arts
critic and record producer Dennis Polkow holds degrees in music theory, composition, philosophy and religious studies from DePaul University, Chicago, and has
written frequently
about religion and the arts for the Chicago Tribune and is currently on the adjunct faculty of Oakton Community College in Des Plaines, IL.
It's interesting that Driscoll
writes a piece
about how others are criticizing his book — as he is one of the most vocal
critics of others who don't fall into his view of how he thinks people should act and be.
Few
critics would seem more qualified to
write about contemporary art than Eleanor Heartney, and her latest book, with cover endorsements from Arthur Danto and Andrew Greeley, has the look of an important contribution.
Boyd
wrote a post
about Girard's Scapegoat Theory in which he said his
critics misunderstood him, and he went on to point out his issues with Mimetic Theory.
I assume that Douglas's tongue was firmly planted in his cheek when he
wrote this assessment, but his comment hints at a wide range of opinion
about the subject, from those people who believe, like cookbook author Manju Shivraj Singh, that «the tongue becomes a slave to the flavor of curry — it is an addiction,» to
critics who view curry as an insipid yellow powder that is turned into a floury, yellow cream sauce.
Written by the Times's City
Critic (aka Ariel Kaminer), it shares some good news
about the current state of New York City school food, which began to undergo reform six or seven years ago.
Written by the Times» City
Critic (aka Ariel Kaminer), it shares some good news
about the current state of New York City school food, which began to undergo reform six or seven years ago.
Neither he nor the reader knows how the coalition will end in May 2015, making this exercise rather like a theatre
critic writing about an unfinished four - act play that he has only read and seen after just two acts and the intermission.
The 140 - character blurts on Twitter will have the potential to crater stocks, worry populations, advertise his rallies and products, and give his fans cues
about how to pillory his
critics,
writes Newsday's Dan Janison.
«Sad and unfortunate» were vintage Pataki administration responses to anything political and / or negative
about the then - governor said by a
critic or opponent; I can't count the number of times I
wrote «sad and unfortunate» while covering that administration for the TU).
For a man that has
written so extensively
about courage, no - one could foresee Brown doing what John Major did in 1995 when he resigned to face down his
critics.
For more, here's Cassino
writing about the campaign on his blog, and here's Wolf hitting back at his «anti-first amendment»
critics.
Some
critics suggest that you romanticize your subjects — that you
write sentimentally, even joyously,
about some very sad cases.
She created the blog Modern Love Guide, where she has
written articles and posted podcasts
about healthy relationships, voluntary simplicity, body image, divorce, turning 40, early retirement, battles with the internal
critic, gratitude and following your dreams.
His fourth film under his 20 - year ban is «an artful, surprising and thrillingly intelligent story
about a few women trying to make a difference, forging bonds of solidarity in quiet defiance of the repressive, small - minded men in their rural village,»
writes L.A. Times
critic Justin Chang, who also finds «its insights casually profound.»
It's a coming - of - age story
about 15 - year - old youth, adapted from a novel by film
critic François Bégaudeau, who
wrote and starred in Laurent Cantet's 2008 Cannes Palme d'Or winner The Class.
They're
critics because they like to
write about movies.
It's an interesting enough trip and admittedly, it was great fun listening to
critics discuss their love for not only the movies themselves but
writing about them but the film lacks any conviction.
he 71st Cannes Film Festival is underway (May 8 - 19), and L.A. Times
critic Justin Chang is there, seeing as many movies as possible and
writing about it for a day - by - day, film - by - film diary.
You
wrote another subjective opinion I hated
about SILVER LININGS PLAYBOOK - a weird thing for a
critic who is assigned to review films to do - so clearly the precedent is set and all of your subjective opinions are null and void.
Blogger and
critic Chris Williams has been
writing about film and faith for more than a decade.
Usually, whenever
critics start
writing about films in purely mechanical terms -LRB-»em otional batteries») it means that those mechanical systems failed to work.
While it's true that much will rest on how the
critics see these films, there is no doubt that these two roles, along with Christine, Queen of Katwe, and Florence Foster Jenkins stand out from the pack because it is so unusual now to see women cast this way, much less
written about in this way.
A British delegation of dramatists, directors, theatre professionals (and this
critic) had descended on the city for a weekend conference
about the creation and nurturing of a new
writing culture.
Eloise Ross
writes and teaches
about film in Melbourne, Australia, and is a member of the Australian Film
Critics Association.
Longtime Argentine film
critic Hernán Guerschuny
writes what he knows in his mild directorial debut
about a film
critic who falls in love via all the rom - com clichés he despises in print.
In my 20 + years as a film
critic I think Roger's approach to his work is probably the closest to what I was aiming at in my fumbling attempts to
write about cinema.
I'm a lot less snobby
about comedy than some of my fellow
critics and won't
write something off for being immature or crude (Due Date and Horrible Bosses cracked my recent list of the top 100 films of the half - decade).
Male
critics write slightly longer reviews, on average,
about films directed by and / or with at least one woman writer (average of 485 words) than
about films directed and / or
written by males (average of 473 words).
Reviews female
critics write about films with female directors and / or
written by at least one woman are considerably shorter (average of 480 words).
As per usual — a phrase that
critics have to invent at least a dozen variations on when
writing about Hong — this creates a sense of fluid causality, which matters a great deal in a movie that's largely
about people trying to recapture moments that happened only minutes ago, but are already slipping away.
Conversely, a higher proportion of the total reviews
written by male
critics were
about films directed and
written exclusively by men.
A training program on film criticism directed at writers,
critics, bloggers, journalists and filmmakers who share an interest at
writing critical reviews
about films.
The feature - length commentary is a group effort from second - unit director Terry Sanders, the
critic F.X. Feeney, archivist Robert Gitt, who saved the movie's rushes, and historian Preston Neal Jones, who
wrote a book
about the production.
Former Chronicle Pop Music
Critic Joel Selvin, who
wrote the biography
about Berns, also
wrote the narration for the movie.
As a
critic, he
writes on his website The Establishing Shot and hosts the «Page 2 Screen» podcast on the Curious
About Screenwriting Network for the International Screenwriters» Association.
Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking
about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985
about the author; trailer; a booklet featuring an essay by
critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.
In addition to reviewing films and
writing interviews and features
about the industry, she helps anchor the Star's coverage of the Toronto International Film Festival and Hot Docs International and does First ReelMovies, a weekly webcast review at thestar.com with Star movie
critic Peter Howell.
Tonkin charts Greene's love for film through the decades — from his years as a famed film
critic (during which he
wrote, Tonkin says, «perhaps the most notorious notice in the history of film criticism»
about Shirley Temple) to his days as a movie insider and collaborator with such luminaries as Alexander Korda, Alberto Cavacanti, and, of course, Reed, with whom he made his most lasting mark on the medium.