Sentences with phrase «written by a painter»

Those words were written by the painter Josef Albers who, in the early 1930s, helped create a model for just such an adventure at Black Mountain College near Asheville, N.C.. There, for 23 years, a small, shifting group of teachers and students maintained an economically precarious and richly productive experiment in learning - as - life.

Harvey is the co-founder of the «Turps Banana», a magazine devoted to painting and written by painters (www.turpsbanana.com).

But it was the May 1951 ARTnews article «Pollock Paints a Picture,» written by painter and critic Robert Goodnough, illustrated with the striking Hans Namuth photographs originally printed in Portfolio magazine, that best captured the artist in action.

Not exact matches

Eisen and Richard Painter, White House ethics adviser to President George W. Bush between 2005 and 2007, on Tuesday wrote an op - ed in the Washington Post urging Trump to put his «conflict - generating assets in a true blind trust run by an independent trustee.»

I haven't mentioned Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald, edited by Welty biographer Suzanne Marrs and Macdonald biographer Tom Nolan (the most touching collection of letters I've read in years), or the latest volume in The Complete Letters of Henry James, or Catherine Lampert's superb Frank Auerbach: Speaking and Painting (which the painter Bruce Herman will be writing about for Books & Culture), or James Curtis's fascinating and beautifully produced William Cameron Menzies: The Shape of Films to Come.

I like to add a «label» by tearing off a piece of painters» tape and writing with a Sharpie.

Set in 1891, a year after van Gogh died, the narrative is centered on Armand, who is asked by his father (a postman) to travel to France and deliver the final letter Vincent had written to his brother six weeks before the painter committed suicide.

Inspired by the novel written by David Ebershoff, The Danish Girl is a love story about Danish painters Einar Wegener and his wife Gerda.

The plot itself is drawn from some 800 letters written by the artist himself, with director Dorota Kobiela enlisting the services of over 100 trained painters to bring the story to life in the post-Impressionist style.

Investor Steve Muench and «Loving Vincent» painters / animators Biserka Petrovic and Adam Maciejewski will discuss how a team of 120 oil painters came together to re-create Van Gogh's paintings to create the 90 - minute film, written and directed by Dorota Kobiela and Hugh Welchman.

Loving Vincent is hand - painted biopic film co-directed by painter Dorota Kobiela & filmmaker Hugh Welchman, from a screenplay also written by Kobiela & Welchman.

1910 Panhard Levassor — Alvaro Casal Tatlock recounts the rescue and restoration of this Edvardian in Uruguay / Standard Flying Twenty and caravan — This elegant 1930s double - act is described and photographed by Paul Shinton / 1920s Essex — Kit Foster writes about the evolution of this inexpensive American four passenger «coach» / Jewel — made in Bradford — The story of John E Woods and the cars his company made during the wars / 1929 Delage DMS — The Editor drives in style on this month's «Excursion» / Hill - climb at Caerphilly — BryanDemaus continues his series of articles on pre-war hill - climb locations / Model Ts and Beaulieu Autojumble — Peter Brockes reports on this year's Beaulieu Autojumble and Dave Fitton photographed the Model Ts / 1935 Maserati sports - racer — The continuing history of the resurrection of this 4CS by owner Ken Painter.

A user by the name of Victoria Art actually feels a big guilty «Writing did come late to me, long after a many times disrupted career as a painter.

Celine by Peter Heller This beautifully written novel by bestselling author Heller (The Dog Stars, The Painter) isn't a traditional mystery, and the title character definitely isn't a traditional investigator.

War and Turpentine — Inspired by the notebooks and reminiscences of his grandfather, a painter who served in the Belgian Army in World War I, Hertmans writes with an eloquence reminiscent of W.G. Sebald as he explores the places where narrative authority, invention and speculation flow together.

Virginia Wolf, written by Kyo Maclear and illustrated by Isabelle Arsenault, is a gentle story of sisterly love, loosely based on the relationship between author Virginia Woolf and her sister, painter Vanessa Bell.

Ramos writes: «Half - way between the vibrant exuberance of Rebecca Campbell's images and Luc Tuyman's clinical stroke - by - stroke reproductions lay the gliding, neutral toned figures of LA based French painter Claire Tabouret... The figures in the larger works and monoprints are characters from history, of various levels of obscurity and notoriety, and knowing a little bit of their stories imbue each scene with a poetic fascination.

John Seed writes about a new triptych by painter Kyle Staver on view as part of the exhibition Kyle Staver: A Survey of Paintings and Prints on view at the Pennsylvania College of Art & Design through January 20, 2012.

Gilbert writes: «There's a dead Christ with the Virgin Mary and St. John by the great Venetian painter Giovanni Bellini — emotional and simply yet subtly colored — and a mythological scene that some think is an early Titian.

Edited by artist Brett Baker, Painters» Table highlights writing from the painting blogosphere as it is published and serves as a platform for exploring blogs that focus primarily on the subject of painting.

Unique in the arts publishing marketplace, Painters» Table publishes a mix of writing by artist bloggers, traditional arts media, and original content to create the most complete painting magazine available on the web.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

CATALOGUES 2016 Marnie Weber, The Day of Forevermore: Synopsis, Script, Storyboard, introduction by Paul Bernard, 96 pages, Museum of Modern and Contemporary Art (MAMCO), Geneva, Switzerland 2015 Unicorn Girl, written by Darcey Steinke, illustrated by Marnie Weber, Spirit Sister Publication 2010 Marnie Weber, The Cinema Show A Film Retrospective and Installations, texts by Yves Aupetitallot, Doug Harvey, and Stephanie Moisdon, artist interview by Mike Kelley, 125 pgs, 73 color ill., Le Magasin Centre National d'Art Contemporain de Grenoble, France 2007 Sing Me A Western Song, text by Annie Buckley, 40 pgs., 24 color ill., Patrick Painter Gallery, Santa Monica, CA 2005 Marnie Weber, From The Dust Room, texts by Julie Joyce, Amy Gerstler, Darcey Steinke, 56 pgs., 37 color ill., Luckman Gallery, California State University, Los Angeles, CA SOLO ALBUM RELEASES 2008 Marnie Weber, Lonely Soundtracks, 1993 — 2008 2005 Songs Forgotten: Selections From Marnie Weber 1989 — 2004 1996 Cry for Happy.

Her obituary appears in The New York Times written by Roberta Smith: «[her art] spanned two art capitals and several generations -LSB-...] belonging to a trans - Atlantic tradition that included French painters like Matisse, Bonnard and Marquet, as well as Milton Avery and Edward Hopper.

«Depicted as a majestic painter, the woman stares confidently at the viewer and it is obvious that she is the master of her own fate,» Cafritz writes, clearly inspired by its symbolism as a statement about her own life.

The protest by the famous German painters has been backed by German private art gallery owners — the total of 259 members of the association of galleries and art dealers in Germany wrote an open letter to the German culture minister Monika Grütters, where they stated that the adoption of this law would «regulate art to death» and «end international art sales in Germany».

The tribute to the British painter, who lives in Trinidad, was written by his good friend the Ghanaian - British architect David Adjaye.

The roster is surely multigenerational; Claude Viallat, born in France in 1936 shows a 1970 work characteristic of his signature painters on fabric; the wall piece by Dena Yago, born in 1988 in the US, lends the exhibition its name «Human Applause,» also the title of a 1800 poem by Friedrich Hölderlin that «addresses a poet artist subjectivity and market valuation explicitly» written at the turn of the 20th Century.

[Full disclosure: I am represented by Winkleman Gallery; Sharon Butler, a fellow painter, is the author of one of my favorite art blogs, where she recently wrote a thoughtful review of my last show; Sharon Louden — well, Sharon is every artist's hero (she's been mine for quite some time); and Bill Carroll and Peter Drake aren't exactly chopped liver!

Considered in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented by a mainstream gallery in New York.»

I didn't expect to write about the new show from Mark Bradford, who has been called by Guy Trebay of The New York Times «if not the best painter working in America today then certainly the tallest,» when I walked into Sikkema Jenkins on Tuesday morning.

In September 2012, Turps Banana, the painting magazine written exclusively by painters, will open the doors of its new art school based in Bermondsey.

Tworkov's rising prominence as a painter was aided by a 1953 article Fairfield Porter wrote for ARTNews.

On the occasion of her second solo show at Deli Gallery in LIC, «When Men are Fairy Tales in Books Written By Rabbits,» Two Coats of Paint invited Josephs to do an interview with the fellow painter of her choice, and she selected Austin Lee.

Her writing appears in Mousse, Metropolis M, Modern Painters, and Texte zur Kunst, and she is co-editor with Suhail Malik and Christoph Cox of the forthcoming book Realism, Materialism, Art, co-published by CCS Bard and Sternberg Press.

To celebrate a recent monograph written by Dawn Ades, the Weinstein Gallery has mounted an ambitious show — in terms of both its size and its number of significant works — of Italian - born, New York - based abstract painter Erico Donati.

Her work has been reviewed and / or written about in frieze, Artforum, Flash Art, Modern Painters, Hyperallergic and the Los Angeles Times and was included in Painting Abstraction: New Elements in Abstract Painting, by Bob Nickas.

Michael Slenske writes, «in Painter's prime, -LSB-...] he lorded over the L.A. scene like the bastard son of P. T. Barnum and Suge Knight, a street - styled autodidact art savant who was mentored by a Who's Who of legendary dealers, including Leo Castelli and Walter Hopps, by day and by night scandalized cities from L.A. to Berlin alongside art gods like Mike Kelley and Martin Kippenberger.»

Written by Daniel Maidman I am an American figurative painter, and I write about art, so D / RAILED asked me to write about where American figurative...

Inspired by German painter Gerhard Richter, Ty Dolla $ ign writes about his brother and prison in Rizzoli book Feelings: Soft Art.

Robert Storr is a painter who supported himself by sheetrocking, carpentry, and house painting, along with occasional art writing, when in 1990, with only an MFA in studio art, Storr was picked out of the chorus line by the newly appointed Kirk Varnedoe, Chief Curator of Painting and Sculpture at The Museum of Modern Art in New York, to be a curator in that same department.

«19 Questions for Painter and Plant Collector Shannon Finley» Blouin Artinfo Written by Ashton Cooper March 20, 2014 Full interview here

The lively yet authoritive writing of Tony Godfrey presents the work of all significant painters working today organized by themes that have long been central in the genre — ranging from still life and landscape to abstraction and installation.

Written by poet, art critic, and curator John Yau, Thomas Nozkowski is part of the publisher's new series Contemporary Painters, edited by art critic Barry Schwabsky.

[4] In 2006, at the time of solo exhibitions of his work in Edinburgh and New York, art reviewer Janet McKenzie wrote of «his remarkable commitment and development as a mature painter, abstract, yet inspired by natural phenomena.»

Writing Response and Interpretive Painting by: Vivian J. Dan Bolick is a portrait painter who works mainly with acrylic paint to tell stories.

An article titled «Can We Still Learn to Speak Martian» by John Yau written for Hyperallergic, an online art magazine dated April 29, 2012 discusses my early work along with other Bay Area painters.

Numerous monographs are in print; the most recent, written by Terry R Myers and published by Lund Humphries in its Contemporary Painters Series, is due for publication in late 2017.

The catalog contains a foreword by Dean Anthony Vidler that places Slutzky's paintings in dialogue with his seminal essay, Transparency: Literal and Phenonmenal, (written with Colin Rowe in 1955); an interview with Slutzky by Emmanuel J. Petit that discusses the painter's critical strategies of artistic production; an essay by Robert C. Morgan that examines Slutzky's conceptual position in the art historical tradition of Leon Battista Alberti and Josef Albers; and an essay by Robert Slutzky with Joan Ockman on metaphor in his work.

Since then his writing has been published by major art journals in the United States and abroad, including Art in America, Artforum, Modern Painters, Tate, Art Presse, and Artstudio, and in catalogues published by American and European museums, including The Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Stedelijk Museum, Amsterdam; and The Center for Contemporary Art, Cincinnati.