Sentences with phrase «written for art»
He writes regularly for the Brooklyn Rail and has written for Art in America since the late»70s as well as writing many catalog essays for various museums.
https://brooklynrail.org/
He has written for art publications including Art in America, Flash Art, and Frieze.
He has written for Art Monthly, Frieze, Rhizome, The White Review and EROS Journal, and is a publisher at Strange Attractor Press.
Sachs teaches art history and has written for Art in America, Arts, American Ceramics, Burlington Magazine, Metalsmith, The New Art Examiner, and numerous catalog essays.
John has written for Art New England, Art Papers, Artsfuse.org, Artwrit.com, DailyServing.com, the New American Paintings blog, Printeresting.org and others.
He has written for Art Monthly, the Brooklyn Rail, Kultureflash and Abstract Critical, and is currently Chair of the board of Tannery Arts London and on the advisory board of Drawing Room, London.
She has written for Art in America, Art Papers, Art 21, Asia Art Pacific, Hyperallergic.com, Modern Painters and other art publications.
A contributing writer for the online publication ArtSlant, and contributing writer and art editor for the now online contemporary culture periodical, aRUde, he has written for Art Asia Pacific, Flavorpill, Ctrl + PJournal of Contemporary Art, the Scent Marketing Institute Newsletter, and is the Pacific editor for d'Art International (Toronto).
Appearing regularly in publications in the United States and abroad, she has written for Art in America since 1984.
She has written for Art Papers, Arquine, Bulletins of the Serving Library, Kunsthart, Paper Monument, and Triple Canopy, among others.
A former arts reviewer for NPR's Fresh Air and Morning Edition, she has written for Art in America, The New York Times Book Review, and numerous museum publications.
I've been reading about the American painter Fairfield Porter's life and work and while I knew that he'd once written for Art in America, I hadn't realized the extent of his interest in philosophy or the range of his intellect.
He has written for Art in America, Afterall, Art Asia Pacific, and ART PAPERS, among numerous artist catalogs.
He has written for Art in America, Afterall, Art Asia Pacific, and Art Papers, among numerous artist catalogs.
Freedman has written for Art News, Review and Cabinet, among others.
Has written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsday.
He has also written for art exhibition catalogs and publications.
For those who are more pictorial, here is a step - by - step guide on how to make a parol that I wrote for The Art of Home Education.
The moral and ethical responsibility of the creative nonfiction writer is to practice the golden rule and to be as fair and truthful as possible — to write both for art's sake and for humanity's sake.
We all like to pretend we write for art, but it is a business, and i hope to do it well enough to make it my full time job.
I used to spend way too much time trying to paint full time and supply galleries, but when I realized that I am far too social to spent 40 + hours alone in the studio, I began writing for art forums and publications.
«Humans don't organize the space; space is meant to organize the human, which is another way of acknowledging the power of the desert landscape directly outside,» Alan Gilbert wrote for Art Agenda.
For example, writing for Art in America, Cleve Gray detects «an excess of hysteria» in her work; in Arts Magazine Donald Judd dismissively accuses her of copying Rauschenberg; and C. W. in Artforum concludes, «She is not really such a bad shot — for a woman.»
She began writing for Art Fag City soon after earning a degree in painting from the Rhode Island School of Design in 2011.
Noland and Louis were highly influenced in this regard by Greenberg, who wrote that for each art form to survive, it must strive to eliminate tall that is not intrinsic to it.
Also included were a selection of short writings by Judd both from his reviews written for Arts magazine and later, longer essays, including, «Black, White, and Gray», published in Arts in March 1964, in which Judd wrote: «Things that exist, exist, and everything is on their side... Everything is equal, just existing, and the values and interests they have are only adventitious.»
By the end of the 1950s he had moved into a loft space on 19th street and began writing for Arts magazine as an exhibition reviewer.
[1] His career started after moving to New York in 1967, where he worked as a curatorial assistant at the Guggenheim Museum and as an art critic, writing for Art News and Art International.
JEFFREY DEITCH — I was probably 22 when I began writing for Arts and Art in America.
In addition, he writes for Art in America, Art On Paper, Artnet, and Artcritical.com.
A critic and curator, Kelley writes for art and music journals and has organized numerous exhibitions incorporating his own work, work by fellow artists, and non-art objects that exemplify aspects of nostalgia, the grotesque, and the uncanny.
And Paul Brach, writing for Art Digest, singled out Cross Section of a Bridge, Joan's first self - consciously important canvas, for its «tense tendons of perpetual energy» and «wide arc - shaped chain reaction of spasmodic energies.»
She regularly writes for Art New England and her work has also appeared online for the RISD Museum, the Bell Gallery, and the website of the Jenks Society for the Lost Museums.1 Articles
I've written for the San Diego Union - Tribune and San Diego Tourism Authority, and I'm currently writing for Art Patron Magazine.
He has written for Arts AsiaPacific and Art on Paper and regularly writes for Gay City News, Art in America, and Artcritical.com.
Twenty years ago Philip Pearlstein was a painterly painter approaching 40, with a career that had already spanned 20 years and encompassed prizes in two consecutive Scholastic Magazine National High School Art Exhibitions, a stint in the army, a bachelor's degree from Carnegie Institute of Technology, a bachelor apartment in New York shared with Andy Warhol, marriage, inclusion in an «Emerging Talent» show assembled by Clement Greenberg, a master's degree in art history from New York University (thesis on Picabia), a trip out West, a summer in Montauk, another in Maine, writing for art magazines,
1940s Immersed in art criticism, writing for art catalogues and organizing exhibitions throughout New York.
Sarah has published widely, writing for Art in America, P.S. 1 Contemporary Art Center, The Venice Biennial, The Smithsonian Institute National Museum of African American History and Culture, The Studio Museum in Harlem, and The Guggenheim Museum.
Writing for Art in America, artist and critic Carrie Moyer observed, «[Congdon's paintings are] neither history paintings nor landscapes, [but] more like candy - colored billboards advertising a stroll through a scenic archeological dig or a verdant classical garden.»
He curated the exhibition Anti-Photography at Focal Point Gallery in 2011, and writes for Art Monthly, Source, Elephant, Photoworks, and Eikon magazines.
Though it lacks the terrific capsule reviews he wrote for Arts Magazinebetween 1962 and 1965, the extremely compact and well - designed 1,052 - page tome includes a great deal of previously unpublished material, and it is worth owning and reading.
He writes for Art Talk Chicago and Chicago Art Magazine, and works as an educator at Wilbur Wright Community College, LillStreet Art Center and Hyde Park Art Center.
Stephen and I wrote for Arts Magazine together in the late 70s and 80s.
Severe electrical shock (accidental) Begin writing for arts» publications in Australia, the US and UK
Not exact matches
The combination of old - school driving pleasure, state - of - the - art tech, and refined luxury make it a compelling option for anyone looking for a vehicle in this genre,» Ben wrote in his review.
On the other hand, Josh Waitzkin, author of The Art of Learning, wakes up and immediately writes in his journal for 30 minutes.
«Skill set» just means skill («A skill is a skill — that is it,» wrote Stephanie Hamm - Wieczkiewick from Litfield Park, Ariz. in support of getting rid of the word), «curate» is too often an unnecessarily pretentious way of saying «select» («It used to have a special significance reserved mainly for fine art and museums.
Deborah Calkins, then the coordinator for Fortune's art department, asked Webb if he would like to photograph for a story being written by George Hunt about New York's traffic jams.
Because of this, we've learned to love the solitude and to come up with ways to fill the silence, whether that be having imaginary friends, turning to writing or art, or another outlet for expression.
I've written about the art of the phone call before, but thought I'd include a primer below for those with less experience.