She has
written numerous catalogue and monographic essays on artists from the Middle East and has curated exhibitions, screening programs and other projects internationally.
He is a contributing editor at Frieze magazine, a visiting tutor at the Royal College of Art in London, has
written numerous catalogue essays and has contributed to several magazines and journals.
As a critic and essayist, he has
written numerous catalogue essays and articles for periodicals.
During this time
she wrote numerous catalogue essays and curated exhibitions for a range of institutions, including «post naturam» (1998, co-curated by Magdalena Broska) and «Gebaute Horizonte» (Built horizons, 1999).
He has
written numerous catalogues and is well known on the London Contemporary art scene.
Not exact matches
In his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh
catalogued numerous examples of changing climate conditions on losing forests and
wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been converted.
Rounding out the
catalogue are
numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary
written by the artist.
Has
written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as
numerous books and
catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsday.
His
writing has appeared in
numerous catalogues and periodicals including Mousse, PIN UP, Artforum, Flash Art and Kaleidoscope.
She has
written widely on the subject for
numerous journals and exhibition
catalogues, and is the author of many artists» monographs.
He contributes articles to
numerous publications and has
written many
catalogues for one ‑ person and group exhibitions.
She has
written numerous exhibition
catalogues and articles in popular and scholarly publications.
She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has
written exhibition
catalogues on
numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.
Mr. Fairbanks initiated the
Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937),
wrote the monograph on the artist, published in 1988, and has been the author of
numerous exhibition
catalogues and articles.
His
writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in
numerous exhibition
catalogues.
In addition to essays for
catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has
written numerous articles, essays, and reviews addressing various issues in contemporary art.
His extensive
writing credits include a wide range of contributions to exhibition
catalogues as well as
numerous contributions to Artforum, Frieze, Flash Art, and Parkett.
He has
written for
numerous catalogues and magazines including: The Netherlands, for example (ed.)
She has
written for Frieze, Sculpture, and Art Papers, as well as
numerous exhibition
catalogue essays, and she works as a staff writer at the University of Pennsylvania.
«Invisible Man» traces the artistic collaborations between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his
writing) via forty - five photographs;
numerous related objects, including archival manuscripts; and an insightful
catalogue.
She has participated in
numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a
catalogue with
writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.
Over the last two decades she has contributed essays to
numerous exhibition
catalogues, and
written extensively on contemporary art for ARTnews and ArtNexus magazines.
Dr. Kosinski has
written for
numerous catalogues, magazines and books.
She has curated
numerous exhibitions and
written / edited
catalogues.
An editor of Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's
writing has appeared in
numerous catalogues and art publications.
He has
written for
numerous exhibition
catalogues and has published in Art History, Nineteenth - Century Art Worldwide, and the Berkeley Review of Latin - American Studies.
He has worked as a curator at Cubitt Gallery, London and the Hayward Gallery, London, and his
writing has appeared in
numerous exhibition
catalogues and anthologies.
He is responsible for
numerous solo exhibitions and has
written extensively for international exhibition
catalogues and art journals.
He has
written numerous articles, exhibition reviews,
catalogue essays, lectured at many universities and art schools, curated many exhibitions, and edited several series for UMI Research Press and the Cambridge University Press.
These passages make me think of other great memoirs
cataloguing spousal indiscretion — in particular Norris Church Mailer's A Ticket to the Circus, about Norman Mailer's «grand experiment in monogamy» with the author, his sixth and last wife, which of course was a failure («I'm not going to talk about the
numerous girlfriends, but you know who you are, and there are many more of you than you think,» she
writes).
Having taught in Canada, Turkey, and Saudi Arabia, her
writing has been published in
numerous reference works, anthologies, peer - reviewed journals, art
catalogues as well as art magazines, such as
He is a contributor to Artforum.com, Art Papers, Flash Art, Newcity, and Sculpture; and his
writing appears in
numerous exhibition
catalogues and artist monographs.
She has
written for and edited
numerous catalogues and artist monographs, including a forthcoming book on the choreographer Michael Clark, in addition to contributing to art publications including Artforum, Frieze, and Parkett.
Estévez has
written for
numerous exhibition
catalogues and art publications, and has independently organized exhibitions in Belgium, France, Mexico, Spain, and the United States.
She
wrote numerous reviews and features for Artforum, Art in America, Parkett, and Frieze, and was a contributor to exhibition
catalogues on the work of Marlene Dumas, Josiah McElheny, and Bruce Nauman.
Rice's
writing on contemporary Onkwehonwe art has been published in
numerous periodicals and exhibition
catalogues, and he has lectured widely.
From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and
wrote numerous articles for
catalogues and encyclopaedia contributions on the theme of contemporary art.
Martínez lectures and
writes regularly including
numerous catalogue texts and critical essays, and is a regular contributor to Artforum among other international journals.
Besides exhibition
catalogues, Angelika Nollert has
written numerous essays and
catalogue entries on the subject of contemporary art.
She has
written for
numerous Whitney exhibition
catalogues as well as contributed to Artforum and Art in America.
His
writing on photography has appeared in FOAM, TIME Lightbox, The Telegraph, The Sunday Times, Photoworks, The British Journal of Photography, as well as in
numerous exhibition
catalogues and photobooks.
Tom has contributed critical
writing to magazines including Frieze, Parkett, Metropolis M, and Bidoun, as well as
numerous exhibition
catalogues and edited volumes.
Maloney has
written for Artforum, ArtChronika, the Brooklyn Rail, and Meatpaper, as well as for
numerous exhibition
catalogues.
Whatever he
wrote, whether in essay form or in
numerous books and
catalogues, resonated with his incisive eye and sharp mind.
Cameron has a considerable body of
writing on contemporary art, and he has been Contributing Editor for Art Magazine, Art & Auction, Artforum, and Flash Art, in addition to
writing for Parkett and trans and publishing exhibition
catalogues and monographic texts on
numerous artists.
She has
written for
numerous exhibition 3
catalogues and art publications and has independently organized exhibitions in Spain, France, Belgium, and the United States, as well as in Mexico.
Cameron has
written extensively on contemporary art in various publications, including Artforum, Arts Magazine and Parkett and has contributed to
numerous museum
catalogues.
He is the former U.S. Editor of Flash Art and Editor - in - Chief of ArtAsiaPacific, and he has
written and edited
numerous artist and exhibition
catalogues.
His
writing has been published in
numerous exhibition
catalogues and art magazines, including Parkett, Texte zur Kunst and Artforum.
A recipient of a 2011 Creative Capital Warhol Foundation Arts Writers Grant for Short - Form
Writing, he is a Contributing Editor at ArtAsiaPacific and an Editorial Correspondent for Ibraaz.org, and his writing has appeared in numerous international publications and in catalogues for galleries and nonprofit instit
Writing, he is a Contributing Editor at ArtAsiaPacific and an Editorial Correspondent for Ibraaz.org, and his
writing has appeared in numerous international publications and in catalogues for galleries and nonprofit instit
writing has appeared in
numerous international publications and in
catalogues for galleries and nonprofit institutions.