Sentences with phrase «written women characters»

These are very well written women characters, and this film has a lot of depth.

Another pal tells him he's terrible at writing women characters.

Not exact matches

I love Sue Monk Kidd's work and style — I think it's that strain of the mystic to her work that I love or perhaps how she can write such complex women so well — but this one was an interesting story, compelling characters, and filled with empowerment and passion.

But Ward keeps pulling you back with compelling characters, poetic writing, and an unforgettable protagonist who remembers her mother as a woman whose laugh «swooped up into the sky with the pelicans and flew away, wind - ready and wide as their wings.»

Women journal writing has become a genre of its own in the 20th century, but I can not imagine that O'Connor speaking to herself in diary form could give a reader any more insight into her character than O'Connor in dialogue, which is, essentially, what these letters present.

When she took up her seat, one newspaper, The Observer wrote «the Women's Voluntary Service has brought out in her the latent political talent and the strength of character that once induced someone to say of her that had she been a man she would have become Prime Minister.»

The 10 most attractive Japanese women's names, as chosen by dating app users — While it's taken a bit of time to catch on, online dating services are gaining popularity in Japan... Aoi Since the study was only concerned with the pronunciation of a woman's name, not the exact kanji characters used to write it, we can't...

I've already written that Ukrainian and Russian women on the Internet have a personality and character.

One of the most essential things, about your writing list is that, whatever you expect some character traits in your ideal woman that you are not ready to be by yourself.

It's no wonder that Aziz Ansari's character on Master of None completely nailed the perfect opening line to use on dating apps: Ansari wrote a heavily Examples of good and bad online dating profiles to attract women and get them to write you or to respond to your first message to them.

Johnson writes her character well enough, though the film's general dearth of women characters — there are three, two of them serve mostly as Mother figures (and, in Perabo's case, as a hooker), and the other is a waitress — is something I hope he takes note of.

The complete passivity of its only significant female characters is also disappointing, especially considering how well Tarantino has previously written for women.

Put bluntly, all of the females depicted here fall into one of two camps — innocents or fallen women — and it's disappointing to see that he can't write a female character with more nuance.

The rest of the cast are uniformly great, from Campbell Scott as the lead to a rich supporting cast of character actors - including a well written woman's role (shock!)

I don't think in terms of, «I want to write a story about a man or a woman», I think of once the character presents himself or herself, there he or she is.

It's a little iffy to think about how Segel wrote his own role, a character that is charming and has women throw themselves at him throughout the entire movie, and this knowledge gives the impression of narcissism from Segel.

He pointedly casts several black actresses (but still, sigh, gets an n - word in there), and, in a hilarious exchange between Walken and Farrell, addresses the lack of credible or substantial women characters in Marty's script, and thus in his own writing.

Angela Robinson, who wrote and directed the film, has managed to take what could have been a tawdry or salacious look into Wonder Woman's naughty roots and give her real - life characters — and their genuine love for each other — the same amount of respect that any vanilla, monogamous heterosexual historical figure would receive.

For one thing, the character's name is Susie Diamond, and she's written like a woman named Susie Diamond, and Pfeiffer plays her, to the hilt, like a woman named Susie Diamond.

As we watch young African - American characters — and a few young white women, too — mistreated and / or killed in scenes that go on and on and on, it's hard not to wonder whether Bigelow (and the material) would have been better served by not teaming up with her usual (white) screenwriter, Mark Boal (who also wrote The Hurt Locker and Zero Dark Thirty), just to bring in the perspective of actual people of color, rather than that of white liberal guilt.

Drama Series Game of Thrones (1st win in this category) Lead Actress, Drama Viola Davis How To Get Away With Murder (1st win, also the 1st woman of color to win in this category Lead Actor, Drama Jon Hamm, Mad Men (1st win in this category) Supporting Actress, Drama Uzo Aduba Orange is the New Black (2nd consecutive win for this character) Supporting Actor, Drama Peter Dinklage, Game of Thrones (2nd win this category) Writing / Directing Game of Thrones

My favorite Dunkirk movie, though, was Their Finest, the story of a London woman (Gemma Arterton) hired to write female characters for WWII propaganda movies, and who ends up heading the production of a romanticized account of the evacuation.

She always seems to grab the most refreshing characters, almost free of the confines of unimaginative characters written for Hollywood's women.

The phrase «women in refrigerators» was coined in 1999 by Gail Simone, a comics writer (who actually wrote Marvel's «Deadpool» comic for a spell), to describe the tired plot device of killing a character's wife or girlfriend to give the hero incentive to kick butt.

«Black Panther confidently performs the tricky balancing act of writing fully realized women characters into a traditionally male - centered narrative by wholeheartedly believing that they are integral to the storytelling.»

If there are weak spots, it is perhaps in the writing of the women who seem to be more symbols than characters.

Best Animated Film — National Board of Review Best Animated Film — New York Film Critics Circle Best Animated Film — Boston Online Film Critics Best Animated Film (tie)-- Boston Society of Film Critics Best Animated Film — New York Film Critics Online Best Animated Film — Washington D.C. Area Film Critics Best Animated Film — Online Film Critics Society Best Animated Film — Southeastern Film Critics Best Animated Film — Dallas - Fort Worth Film Critics Best Animated Film — Phoenix Critics Circle Best Animated Film — Las Vegas Film Critics Best Animated Film — Chicago Film Critics Best Animated Film — Utah Film Critics Association Best Animated Film — Florida Film Critics Circle Best Animated Film — Kansas City Film Critics Best Animated Film — Austin Film Critics Best Animated Film — Capri Hollywood Film Awards Best Animated Film — Oklahoma Film Critics Circle Best Animated Film — Black Film Critics Circle Best Animated Film — Central Ohio Film Critics Best Animated Film — Golden Globe Awards Best Animated Film — Alliance of Women Film Journalists Best Animated Film — Critics» Choice Award Best Animated Film — Annie Awards Best Animated Film — BAFTA Awards Best Directing in an Animated Feature — Annie Awards Best Original Screenplay — Washington D.C. Area Film Critics Best Original Screenplay — Utah Film Critics Association Best Original Screenplay — Austin Film Critics Best Vocal / Motion Capture Performance for Phyllis Smith — Indiana Film Journalists Best Family Film — Women Film Critics Circle Feature Film (Animation)-- Casting Society of America Outstanding Producer of Animated Theatrical Motion Picture — Producers Guild of America Best Edited Animated Film — American Cinema Editors Outstanding Animated Performance in an Animated Feature for Joy — Visual Effects Society Best Storyboarding in an Animated Feature — Annie Awards Best Editorial in an Animated Feature — Annie Awards Best Character Design in an Animated Feature — Annie Awards Best Music in an Animated Feature — Annie Awards Best Character Animation in a Feature Production — Annie Awards Best Production Design in an Animated Feature — Annie Awards Best Voice Acting for Phyllis Smith — Annie Awards Best Writing in an Animated Feature — Annie Awards

«The scene where the two main characters make «love» was altered because someone felt that seeing a man give a woman oral sex made people «uncomfortable», but the scenes in which people are murdered by having their heads blown off remained intact and unaltered,» she wrote.

Hollywood rarely writes prominent parts for Asian American and American Indian characters and those roles could have bolstered the careers of women from those communities.»

«He writes amazing characters for both men and women.

If you think the writing of the male characters is two dimensional, then the way women are portrayed is downright cruel.

In writing Mildred, who's seething at the local police's inability to find her daughter's brutal murderers, McDonagh was out for nothing less than to create a new female archetype for the screen: an unapologetic woman who isn't following the rules, who feels no need to be likable, whose purpose goes far beyond what's typically explored in a traditional female character.

Seeing the reaction to this character — someone who's doing stuff that you haven't seen a woman do for a long time, if at all, who's not trying to placate an audience or ask any favors — that's exciting to write as a dramatist.»

Stories written by a woman whose father was a notable and respected Sufi leader explored faith, identity and loyalty, all aspects of Noor's extraordinary background that fed into her exceptional character.

In the program, Jenkins uses classics like Dante's Inferno and the works of Shakespeare to encourage incarcerated men and women to write about points of connection between their own life stories and the experiences of the characters, which are then woven together to create a script that is performed inside the prisons.

It follows this learning journey: - Inferring key information about the character of Lady Macbeth from picture clues; - Identifying and ordering the key events in the text in which Lady Macbeth is involved; - Understanding her role in the rise and downfall of Macbeth; - Comparing and contrasting between her character and the expected role of women at the time the play was written; - Analysing Shakespeare's development of Lady Macbeth as a key character throughout the text; - Evaluating the learning in the lesson.

All lessons are fully differentiated by colour: Purple = lower ability Blue = middle ability Yellow = higher ability Red = most able These resources cover the following areas of act 2 and 3 - Context - socialism and capitalism, men and women, trade unions, Priestley's moral message, welfare state - Exploration of the theme of responsibility - character analysis - theme analysis - Assessments in line with 9 - 1 success criteria - homework tasks - opportunities for debate and persuasive writing (prep for lang exam)- opportunities for imaginative writing (prep for lang exam)- development of tension - Analysis of Priestley's structure

In 2015, only 15 % of children's books were written by African - American or Latino authors, or focused on African - American or Latino characters» Over 80 % of public school teachers nationally are White women, though a majority of public school students are people of color.

Demise is interesting in that it is clearly written by a woman and is entirely character driven, in counterpoint to my previous review of Vegas Moon, which is definitely written by a man.

I do nt (sic) know what type of audience she was writing to but I was not in it... It was like I was reading a vocabulary section from the SAT... No plot, no character development...» The, presumably, young woman is right, The Maytrees is not for her nor for anyone else who is young enough to be always looking forward and never looking back, who has never spent moments lost in bitter - sweet memories of times past or wondered how life might have turned out if a different path had been taken; nor is it for someone who has never stopped to wonder what the point of life is in the first place.

Wonder Woman's backstory is fairly well - known — Amazon princess, isolated island populated only by women, defender of truth and justice, snappy golden lasso, etc. — but Bardugo breathes zippy new life into the story with a twisty plot, whip - smart characters, and her trademark masterful writing.

Goodman's «Eighty Days» is a thoroughly researched and well written account of two 19th century woman journalists who attempt to beat the fictional character created by Jules Verne who traveled around the world in 80 days.

Written in a series of personal letters, Jennifer Ryan's debut novel, The Chilbury Ladies» Choir, follows a diverse cast of women characters as they navigate village life, love, friendship and dangerous family secrets.

Richard Brittain wrote a book called the World Rose and admitted that a women that he had stalked became the central character.

That two - part question asked at every family reunion and inside every white - walled church fellowship hall is: Do I write about myself, and do I get my characters from those who fill real - life roles in the crazy one - woman show that is my life?

I was lucky enough to be given the chance to further discuss not only the romantic relationship between Korra and Asami, but also the inclusion of queer characters and diverse sexualities in children's media with some fantastic fellow writers here at Woman Write About Comics.

For the Pipe Woman Chronicles, before I started writing «Seized,» I sort of wrote character interviews — just a chat, really — with the two main characters, Naomi and Joseph.

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For instance, when Updike wrote «Pygmalion,» he didn't have to overtly say much about his central character because readers already know that Pygmalion can only love women he creates himself.

Noragami is written by Adachitoka, a two - woman team made up of character illustrator Adachi and background illustrator Tokashiki.