Sentences with phrase «wrong audience for it»

Clooney's presence opened the door for its marketing to the multiplex masses, but that was completely the wrong audience for it.

Not exact matches

A party animal profile photo conveys the wrong message for most audiences.

Businesses that do not have a system in place for targeting specific customer personas as well as marketing to existing customers will continue to spend excessively targeting the wrong audience.

There's nothing wrong with media companies sampling their audiences to determine average income or age or voting preferences; market research has been a staple of advertising for decades.

It is just so wrong for those who hold the power and the ear of the audience to abuse it.

And then we interpret the Scripture based on this wrong belief that it was written by a later author with a different audience and for different reasons.

Last night at the Academy Awards, audiences witnessed the most awkward moment in Oscar history: Somehow, the wrong film was announced for Best Picture.

There is nothing wrong with serving this audience, but as a tool for introducing people to ideas is problematic.

For Christian audiences, one approach to Exodus: Gods and Kings would be to distrust and dismiss it at the outset, looking only for what it gets wrong, embellishes, excludes, or underemphasizFor Christian audiences, one approach to Exodus: Gods and Kings would be to distrust and dismiss it at the outset, looking only for what it gets wrong, embellishes, excludes, or underemphasizfor what it gets wrong, embellishes, excludes, or underemphasizes.

Not all are successful: despite much talk of «first - mover advantage», pioneers can easily find themselves without an audience for their products (see «Tech before its time: Right track, wrong tunes «-RRB-.

You're not «wrong,» (though the random potshot at John Williams seemed a little cheap); you're just probably not the natural audience for these movies.

By the end of the first episode of this utterly seductive tale about the comedy - club scene of early - 1970s Los Angeles, it's clear that the lives of these aspiring comedians with all their inexhaustible yearning, their whining, their gratitude for any spot onstage — 2 a.m., before an audience of 15, including drunken hecklers, what could be wrong with that?

Because the Jerry - Dorothy story isn't as strong as the Jerry - Rod story, the ending feels like the audience is being encouraged to cheer for the wrong reasons.

Essentially Shooter with the tagline «They fucked with the wrong Mexican,» it says in three minutes more about the function of exploitation pictures on the fringe for fringe audiences (minorities, women, dorky white guys working in independent video stores) than does the whole of Planet Terror.

Considering that Smith claims that he made this film for teen girls, not for one moment does Yoga Hosers feel like anything other than a mid-40s writer / director shaking his fist at a younger phone - desperate generation, making inside jokes for the adults in the audience and lambasting the critics that have wronged him in the past.

As «Little Charles,» he definitely has the narrative's most sympathetic story but more importantly, in a film that is full of despicable people, he manages to pull the audience in to root for him, even when you know he's doing something terribly wrong.

The traditional, live - studio - audience half - hour format was all wrong for the Chicago comedian's storytelling style.

This meticulously stylized view of sex and violence becomes deeply unsettling, particularly in the way it convinces the audience to root for the gruesome slaughter of the men who wronged her.

April Wolfe writes for the Village Voice: «[Director Martin] McDonagh painstakingly humanises a character who we find has unapologetically tortured a black man in police custody... and then Three Billboards seems to ask audiences to forgive and forget wrongs like police violence, domestic abuse, and sexual assault without demonstrating a full understanding of the centuries - long toll these crimes have taken on victims in real life.»

It's in Real Truth host Brett O'Keefe (Jake Weber) manipulating the reality of Andrew's demise, running a sort of retcon game for his right - wing audience; in Majid Javadi (Shaun Toub) shamelessly turning on his country, Saul (Mandy Patinkin), and the truth for personal gain; and Peter Quinn (Rupert Friend) again suffering the consequences of taking stock of the wrong truth behind his paranoia.

Seimetz has made a disquieting debut, a tense picture where not much of consequence happens, but the audience remains riveted to their seats, as if one wrong move while watching the picture could yield a nasty punishment for the characters in front of you.

It's wrong - headed from the get, a giant f*ck you to both the idea of narrative consistency and the audience for having the temerity to expect a superhero movie — a genre about people with fantastical powers flying around and saving the world — to be any fun at all.

Violence is generally made way too palatable in these kind of movies and it's become something that we have developed a tolerance for as an audience and there's something wrong about that.

Proving the naysayers dead wrong, On The Road is a marvelous picture, as Salles is able to keep Keroauc's spirit well in tact while translating the narrative - free odyssey into a film that is easy to digest, even for audiences unfamiliar with the source material.

It would be easy for audiences to get off on the wrong foot with this film and be confused by its style, but those willing to roll with it are going to have an amazing time.

There's nothing wrong with teasing the audience using a slow burn approach («Jaws» does it masterfully), but you need actual suspense and interesting characters for it to be successful, and «Godzilla» has neither, instead packed with a bunch of unnecessary filler that does nothing to further the story.

Just as misogyny - branded slasher films usually end with Final Girls, 300 II works like it does because the people its predominantly - male audience end up rooting for are its wronged women.

The depictions of whippings and rape were deemed too intense for audiences by some critics, who were proved very wrong after last night's awards.

His ultimate victory is in leaving the door open for his audience to assess for themselves what is right and what is wrong.

Sam Bank's THE WRONG END OF THE STICK won the Audience Award for Best Departures Short Film, Laura Jean Hocking and C. Scott McCoy's HOW TO SKIN A CAT took home the same honor for Best Hometowner Narrative Short Film, and Jared Biunno's THE RUGBY BOYS OF VENICE got the nod for Best Hometowner Documentary Short Film.

For far too long, Hollywood has kept audiences from experiencing Maximum Bayhem (some scientists maintain that such a thing isn't even possible, much less morally responsible; these scientists can go straight to Hell where they belong), reining in this absolute madman via studio notes, budgetary constraints and a vaguely - defined sense of «right and wrong».

Lewis» Bobby Axelrod character, a massively successful hedge fund manager, is pursued by Paul Giamatti «s character, U.S. attorney Chuck Rhoades, and while at the beginning Rhoades is presented as the good guy and Axelrod as the bad, the story will stay away from deciding for the audience who's right and wrong.

But it was a mistake for Frears to steer audiences to think like that, depicting this woman and her life the wrong way.

Whatever the approach you may use, an instructional design for MOOCs needs additional time and effort, as you should not only design online activities for a large audience, but you should also foresee what might go wrong.

Your cover is the face of your work, so if the cover isn't good or is all wrong for your target audience, potential readers will never get far enough to know your book isn't bad.

I believe that at the time these Giant E-readers came out, the world wasn't ready, And the products were marketed quite badly and to the wrong audience maybe... For anyone taking on a re-launch of Giant E-readers, Marketing research is the Magic word: Not Just education, but think of Music Academies, Orchestras and even Conductors... I believe there is a Market out there for Giant E-readers in the World of Musicians; Scores, Conductor scores, as well as Other education areas, But be More Specific in Where the Giant E-reader comes in on it's Own... I don't think for a Moment that Giant E-readers are History just yet, And another thing; maybe if the cost of a Giant E-reader puts potential buyers off, Sell it through an independant Online Retailer that has the right Customer - service and financial back - up, So they could sell on a Pay - Monthly plan of some sort..For anyone taking on a re-launch of Giant E-readers, Marketing research is the Magic word: Not Just education, but think of Music Academies, Orchestras and even Conductors... I believe there is a Market out there for Giant E-readers in the World of Musicians; Scores, Conductor scores, as well as Other education areas, But be More Specific in Where the Giant E-reader comes in on it's Own... I don't think for a Moment that Giant E-readers are History just yet, And another thing; maybe if the cost of a Giant E-reader puts potential buyers off, Sell it through an independant Online Retailer that has the right Customer - service and financial back - up, So they could sell on a Pay - Monthly plan of some sort..for Giant E-readers in the World of Musicians; Scores, Conductor scores, as well as Other education areas, But be More Specific in Where the Giant E-reader comes in on it's Own... I don't think for a Moment that Giant E-readers are History just yet, And another thing; maybe if the cost of a Giant E-reader puts potential buyers off, Sell it through an independant Online Retailer that has the right Customer - service and financial back - up, So they could sell on a Pay - Monthly plan of some sort..for a Moment that Giant E-readers are History just yet, And another thing; maybe if the cost of a Giant E-reader puts potential buyers off, Sell it through an independant Online Retailer that has the right Customer - service and financial back - up, So they could sell on a Pay - Monthly plan of some sort.....

There's nothing wrong with making the book of your dreams, but there should be an audience for your book.

Deciding to experiment with self - publishing and trying to write fiction for an audience took me down the wrong creative path and led to an artistic dead end.

I believe the reviews are due to offering it to the wrong audience, the free / $ 2.99 only audience who want 3 rapes, two murders and several hundred rounds of ammo used up on the first page, or they trash it for being boring.

-LSB-...] introvert can build a thriving online audience; Jane Friedman expands on that with how anyone can build long - lasting traffic to their website; Jasmine Henry gives tips for writing blog titles that earn re-tweets; and how can you go wrong -LSB-...]

There's no point in starting to create a book that's wrong for your intended audience.

Our Take Ubisoft isn't wrong that the console refreshes will help for their needs, but I am not sure the audience will be happy with another extended generation.

So many studios get it dead wrong, but Project Sora has shown that it has respect for the IP, as well as the talent to deliver the world of Kid Icarus to a modern audience and make it relevant to a new generation.

The same goes for 360 videos; the director needs to be sure the audience does not miss any key moment because they were looking in the wrong direction.

Maybe I am wrong but I suppose Spooky bonus or Regency Solitaire were never built for a Steam audience but Shadowhand was and hence took more time.

If you are easily offended or think Japanese games which feature young girls in their underwear is demeaning or «wrong», then don't pick up this game as it's not for you and you're not it's target audience.

Resident Evil has been around for many years now, and a long running game franchise can be compared to a long running TV series, and when something is going wrong, there are many warning signs that pop up, including bringing in popular characters; focusing on background characters; adding new characters to try and freshen up the franchise; focusing on the family members of main characters; becoming self - aware; trying new ways to tell the story, and even changing the gameplay to try and appeal to wider audiences — it wouldn't be surprising if Capcom killed off a popular Resident Evil character soon, just to add some spice to their most well - known cash cow.

Brenda Romero raised a standing ovation and reduced some members of the audience to tears as she spoke of her daughter's ambition to make a game with her mother, while lamenting booth babes at E3 for giving the wrong impression of women in the game industry.

This is what I think people get so wrong about this period for Nintendo: the huge audience it found itself addressing did not make the firm more risk - averse, but actually more experimental.

The Primacy of Audience» Global Art Forum, Dubai (2011); «The Wrong of Contemporary Art: Aesthetics and Political Indeterminacy» (with Andrea Phillips) in Reading Rancière (2011); «Educations Sentimental and Unsentimental: Repositioning the Politics of Art and Education» in Redhook Journal (2011); «Screw (Down) The Debt: Neoliberalism and the Politics of Austerity» in Mute (2010); «You Are Here» for Manifesta 8 (2010).