In writing, it might be a fear of writing our genre wrong, or writing
the wrong kind of character.
Not exact matches
the
wrong kind of boys or may be depressed or discouraged, help her use her strong coping mechanisms and
character traits to avoid further problems.
When you see some warning signs that she may be trying to attract male attention from... MORE the
wrong kind of boys or may be depressed or discouraged, help her use her strong coping mechanisms and
character traits to avoid further problems.
After a series
of «comically bad» dates, she felt defeated, as though online dating «only made it easier to meet a whole bunch
of wrong men, the
kind who lied in their profiles or who had major
character faults.»
It's
kind of hard to know where to begin with what's
wrong in Traffik, a movie where every scene takes about twice as long as it feels like it should, and the
characters far too often make an escalating series
of implausible and / or stupid decisions.
Each
character has their own little quirk that is pretty predictable and highly cliched in a typically rude crass British
kind of way, nothing
wrong with that
of course, you expect it right from the start but its seen in virtually every British comedy.
The script on its own is adequate, but the performances by Driver, Mbatha - Raw and Parker raise this film to a new level, turning this story about everything that is
wrong with the industry into a
kind of cathartic experience for the
characters who have to face their own fears and failures.
This is the
kind of film that in the
wrong hands could have been a painfully tedious exercise in American military gung ho machismo, but thankfully McQuarrie makes sure that it never takes itself too seriously and making Cruise's
character a rather cowardly, inept soldier works wonders for his likeability.
He interacts with his wild - eyed, crooked - wigged sister, Patricia, who serves no purpose but to sit in the corner like some
kind of one - woman Greek chorus and tell each
character what's
wrong with them — while she herself scribbles in crayon all over Catherine's prized Rorschach paintings.
From a purely narrative standpoint, it has to be admired for its sheer audacity and sense
of assuredness in recreating the
kind of intricate, multi-modal, long - form storytelling that comic books have been utilizing for decades; a
wrong step at any point could have brought the whole thing down, as we witnessed last summer with Universal's «Dark Universe» non-starter The Mummy (2017) and, to a lesser extent, rival DC's fitfully successful, but mostly disappointing attempt to do the same thing with its stable
of comic book
characters.
If you're the
kind of car enthusiast that complains about cars not having any
character and you haven't bought an Alfa Romeo 4C, then there is something quite
wrong with...
Fans
of Fingersmith and The Dress Lodger will love Accidents
of Providence, absorbing historical fiction featuring Rachel Lockyer, a
character wronged by her time and the
kind of woman forgotten by history, whose love affair leads to her trial for murder.
Ronan was entirely the
wrong kind of villain for the film; you don't pit a group
of jokesters against a self - serious despot, or else you wind up with something as tonally deaf as, well, a dance - off with a
character who could destroy entire worlds.
I should be able to feel some
kind of emotion whenever tragedy strikes, but I never seem to feel anything, don't get me
wrong, I'll be the first to admit that I'm misanthropic, but that doesn't make me completely heartless and I feel the series as a whole should be doing more to develop stronger
characters.