While it's a clever scene and does evoke laughs, it's
the wrong kind of movie for it to have been introduced, and only serves to make things seem ridiculous as a result.
Not exact matches
The title
kind of discourage me to watch it, i would have thought this
movie would just be a murder / killing type, but i was
wrong after i found out that Joss Whedon was directing the
movie and i gave it a go.
Ok
movie that follows the same path as
Wrong turn, Timber Falls and hill have eyes.For a
movie of this
kind there is hardly any gore, but then the
movie work well without it given us the standed volience you would expected from this type
of movie.Well if you like your horror gorey and volient then forget this but if not give it a try, was «nt a waste
of 80 mins.
Dave this
movie is brilliant, you may want to watch it again, just in case you missed out on the clever jokes... The
kind of movie to LOL the entire time, also, what «s so
wrong about falling in love and rolling over like a dog?
It's
kind of hard to know where to begin with what's
wrong in Traffik, a
movie where every scene takes about twice as long as it feels like it should, and the characters far too often make an escalating series
of implausible and / or stupid decisions.
Garland invokes this to impart some
kind of authenticity to the science
of the
movie, but gets it, and the history
of cellular evolution, so
wrong that he wastes screen time setting up logic that is discarded anyway.
I think NCfOM gave people the
wrong idea for what
kind of movie this would be.
It plays like the standard «forbidden - love /
wrong side
of the tracks»
kind of movie... save for one
of the young lovers being undead.
These
kinds of movies require more active viewing; they don't force your attention with loud noise and jump scares (not that there's anything
wrong with the noble jump scare).
0:00 — Intro 5:10 — Headlines: Roseanne Reality Show and New Beavis and Butthead Show, Robocop Statue in Detroit, Shane Black Confirmed for Iron Man 3, Disney Announces Cars Spin - Off Called Planes, 2011 Breaks Record for Most Sequels in a Year 29:00 — Review: Mr. Nobody 1:12:45 — Trailer Trash: Apollo 18, Dead Island 1:28:00 — Other Stuff We Watched: Dogtooth, Pleasantville, Beverly Hills Cop, Beverly Hills Cop II, Uncle Buck, Dial M for Murder, I Confess, Lifeboat, Foreign Correspondent, The
Wrong Man, Suspicion, Megamind, Scott Pilgrim vs. The World, Superman, Network, Dog Day Afternoon, I Knew It Was You, Runaway Train 2:16:55 — Junk Mail: Film Junk Artwork Contest, Takashi Miike, Gates
of Heaven, Arsenic and Old Lace, Directors We Wish Were Making Different
Kinds of Movies, Machine Girl and Man v. Food, Name That
Movie and Visually Amazing Films That Are Just Okay, Shutter Island Shutout at the Oscars and Sequel Titles 2:59:15 — This Week's DVD Releases 3:02:55 — Outro
Hitchcock scholars will spin themselves into a fine powder spotting everything that's tonally or factually
wrong about the piece (the
movie implies that Psycho was shot on the Paramount lot, something that will come as some surprise to visitors
of the Universal Studios tour); others will avoid it because it looks exactly like the
kind of populist, elder - sploitative happy horseshit that it is.
Violence is generally made way too palatable in these
kind of movies and it's become something that we have developed a tolerance for as an audience and there's something
wrong about that.
Nothing
wrong with those
kinds of movies I just do not like and would have kindly saved my 10 dollars.
Actually, in the ending seconds
of it, it
kind of does everything
wrong, If you saw the
movie you know what i'm talking about, i don't want to give out spoilers in here.
Worst - case scenario: Diesel goes the
wrong kind of retro, plugging his undershirted Dominic Toretto persona into an ill - fitting fantasy
movie à la Babylon A.D. Worth the risk?
That
kind of short - sightedness and hyperbolic mentality is exactly what's
wrong with the dog and pony show we call awards season, because while Steve McQueen's historical drama may tick several
of the requisite boxes for a typical Oscar - winning
movie, it's far too early to make that call.
On a strip
of cheap motels, gun stores, tourist traps, and various other establishments, this motel houses all
kinds, from the tourists looking for something cheap (or, in one
of the
movie's funniest scenes, booking the
wrong hotel) to the working class who have basically turned it into permanent lodging.
And I am the
kind of guy who looks at a mailbox and wonders if a
movie about a mailman might be interesting (Costner proved me
wrong).
Most people don't actually look at Harlow's
movies, so they have the
wrong impression
of what
kind of star she was.
Something is always going
wrong in a
movie, and that
kind of experience is invaluable in salvaging a situation.