The byproduct of more universal schooling — or perhaps its main product — was the American teenager, «a New Deal project» much like the Hoover Dam,
wrote cultural critic Thomas Hine.
Not exact matches
Even film
critics started small: a discussion around
writing about film, as well as the writers and
cultural trends that continue to influence our guests
In 1980, the
cultural critic Paul Fussell published «Abroad,» a superb study of British travel and travel
writing between the wars that concludes with the pronouncement that the postwar age of tourism killed real travel and, by extension, the
writing that was its offspring.
The catalogue provides art historical scholarship and
cultural context to the exhibition and includes essays
written by Peter MacKeith, Honorary Consul General to Finland; Timo Valjakka, an independent writer, curator, and
critic based in Helsinki and London; and curator O'Brien.
In his contribution to remixthebook, literary
critic Joe Tabbi's practice - based theory mashes up Nietzsche's «Use and Abuse of History for Life» with selected works of new media
writing and confronts us with the worth and worthlessness of digital
cultural production.
Cultural critic and curator, Carlo McCormick has been
writing about art, popular culture and the relationship between them since the early 1980s.
As musician and
critic Greg Tate
wrote recently, «What you see in [Lawson's] work is photographer as
cultural anthropologist but also as
cultural vivisectionist and forensic curator.
By the end of the 1970s, when
cultural critics began speaking of «the end of painting» (the title of a provocative essay
written in 1981 by Douglas Crimp), new media art had become a category in itself, with a growing number of artists experimenting with technological means such as video art.
A
cultural critic, whose
writing spans music, art, literature, and politics, Tate is talking about Marshall's oeuvre.
Colin
writes for the Brooklyn - based art blog Hyperallergic, and is a
cultural critic for The Huffington Post.
Written by a cast of guest contributors including artists, curators and
critics, ARTLURKER documents local, national and international
cultural subjects that impact the local community and functions as both resource and a platform representative of the relative accessibility of Miami's art scene.
As technology
critic Ian Bogost
writes in The Atlantic of the corporate and
cultural allure of the Internet of Things, «The computational aspects of ordinary things have become goals unto themselves, rather than just a means to an end.