Not exact matches
(So that when you read a news story, for instance, you might also get a composite assessment value that was assigned directly from other readers without them ever having to express such assessment via speaking,
writing, etc. if a group of people are on the
scene of some event covered by the news, then obviously there would be great value
in knowing some directly transferred assessment values from their brains, rather than what today we get as a summary from a
few reporters plus maybe a
few witnesses that still have to express what they saw.)
As we watch young African - American characters — and a
few young white women, too — mistreated and / or killed
in scenes that go on and on and on, it's hard not to wonder whether Bigelow (and the material) would have been better served by not teaming up with her usual (white) screenwriter, Mark Boal (who also
wrote The Hurt Locker and Zero Dark Thirty), just to bring
in the perspective of actual people of color, rather than that of white liberal guilt.
When his fictional counterpart
writes a
few particularly scandalous
scenes, and even has his characters discussing the stories of Shariar Mandanipour, the real Mandanipour's delight
in his project shines through, even
in translation.
Hell, a
few years ago I
wrote a * review * of 50 Shades of Grey and people assumed I must be
in the
scene myself to have thought some of it was sexy.
When we
wrote about Toxic Drywall Rotting Houses, Sickening Occupants
in Florida a
few weeks ago I thought it would become a big story: Houses being built with drywall that makes metal corrode and people sick, like a
scene out of the Andromeda Strain.
In addition to dropping a few «Banksy» tags throughout the city of Springfield (see below), Banksy also included a few of his signature rats in the segment (see above) and his own take on Bart Simpson's iconic writing on the chalkboard scen
In addition to dropping a
few «Banksy» tags throughout the city of Springfield (see below), Banksy also included a
few of his signature rats
in the segment (see above) and his own take on Bart Simpson's iconic writing on the chalkboard scen
in the segment (see above) and his own take on Bart Simpson's iconic
writing on the chalkboard
scene.