Sentences with phrase «wrote numerous catalogue»
During this time she wrote numerous catalogue essays and curated exhibitions for a range of institutions, including «post naturam» (1998, co-curated by Magdalena Broska) and «Gebaute Horizonte» (Built horizons, 1999).
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As a critic and essayist, he has written numerous catalogue essays and articles for periodicals.
He is a contributing editor at Frieze magazine, a visiting tutor at the Royal College of Art in London, has written numerous catalogue essays and has contributed to several magazines and journals.
She has written numerous catalogue and monographic essays on artists from the Middle East and has curated exhibitions, screening programs and other projects internationally.
He has written numerous catalogues and is well known on the London Contemporary art scene.
Not exact matches
In his 1864 book Man and Nature (original title: Man the Disturber of Nature's Harmonies), George Perkins Marsh catalogued numerous examples of changing climate conditions on losing forests and wrote, «When the forest is gone, the great reservoir of moisture stored up in its vegetable mold [humus] is evaporated, and returns only in deluges of rain to wash away the parched dust into which that mold has been converted.
Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.
Has written for Art in America, The New York Times, Smithsonian, Vanity Fair, as well as numerous books and catalogues; formerly arts commentator for PBS Newshour, chief art critic for Newsday / New York Newsday.
His writing has appeared in numerous catalogues and periodicals including Mousse, PIN UP, Artforum, Flash Art and Kaleidoscope.
She has written widely on the subject for numerous journals and exhibition catalogues, and is the author of many artists» monographs.
He contributes articles to numerous publications and has written many catalogues for one ‑ person and group exhibitions.
She has written numerous exhibition catalogues and articles in popular and scholarly publications.
She is the author of a wide range of books, which include The Omega Workshops (Secker & Warburg, 1983), The Origins of the Romanesque (Lund Humphries, 1983), Eric Gill: The Sculpture (Herbert Press, 1993) and Andy Goldsworthy: Midsummer Snowballs (Thames & Hudson, 2001), and has written exhibition catalogues on numerous artists including Eduardo Paolozzi, Henry Moore, Barbara Hepworth, Lynn Chadwick, Elisabeth Frink, Magdalena Abakanowicz, David Nash and Carl Plackman.
Mr. Fairbanks initiated the Catalogue Raisonné on the French Post-Impressionist painter, Henri Lebasque (1865 - 1937), wrote the monograph on the artist, published in 1988, and has been the author of numerous exhibition catalogues and articles.
His writing has been published in Artforum, Camera Austria and Texte zur Kunst, as well as in numerous exhibition catalogues.
In addition to essays for catalogues and books published in conjunction with the exhibitions she has curated, Katz - Freiman has written numerous articles, essays, and reviews addressing various issues in contemporary art.
His extensive writing credits include a wide range of contributions to exhibition catalogues as well as numerous contributions to Artforum, Frieze, Flash Art, and Parkett.
He has written for numerous catalogues and magazines including: The Netherlands, for example (ed.)
She has written for Frieze, Sculpture, and Art Papers, as well as numerous exhibition catalogue essays, and she works as a staff writer at the University of Pennsylvania.
«Invisible Man» traces the artistic collaborations between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his writing) via forty - five photographs; numerous related objects, including archival manuscripts; and an insightful catalogue.
She has participated in numerous national and international exhibitions, including the solo exhibition This, and other things at The Irish Museum of Modern Art, Dublin, 2010 accompanied by a catalogue with writing by Charles Esche, Hans Ulrich Obrist, Vaari Claffey and Rachel Thomas.
Over the last two decades she has contributed essays to numerous exhibition catalogues, and written extensively on contemporary art for ARTnews and ArtNexus magazines.
Dr. Kosinski has written for numerous catalogues, magazines and books.
She has curated numerous exhibitions and written / edited catalogues.
An editor of Afterall journal and frequent contributor to Mousse Magazine, Frieze and Artforum, Roelstraete's writing has appeared in numerous catalogues and art publications.
He has written for numerous exhibition catalogues and has published in Art History, Nineteenth - Century Art Worldwide, and the Berkeley Review of Latin - American Studies.
He has worked as a curator at Cubitt Gallery, London and the Hayward Gallery, London, and his writing has appeared in numerous exhibition catalogues and anthologies.
He is responsible for numerous solo exhibitions and has written extensively for international exhibition catalogues and art journals.
He has written numerous articles, exhibition reviews, catalogue essays, lectured at many universities and art schools, curated many exhibitions, and edited several series for UMI Research Press and the Cambridge University Press.
These passages make me think of other great memoirs cataloguing spousal indiscretion — in particular Norris Church Mailer's A Ticket to the Circus, about Norman Mailer's «grand experiment in monogamy» with the author, his sixth and last wife, which of course was a failure («I'm not going to talk about the numerous girlfriends, but you know who you are, and there are many more of you than you think,» she writes).
Having taught in Canada, Turkey, and Saudi Arabia, her writing has been published in numerous reference works, anthologies, peer - reviewed journals, art catalogues as well as art magazines, such as
He is a contributor to Artforum.com, Art Papers, Flash Art, Newcity, and Sculpture; and his writing appears in numerous exhibition catalogues and artist monographs.
She has written for and edited numerous catalogues and artist monographs, including a forthcoming book on the choreographer Michael Clark, in addition to contributing to art publications including Artforum, Frieze, and Parkett.
Estévez has written for numerous exhibition catalogues and art publications, and has independently organized exhibitions in Belgium, France, Mexico, Spain, and the United States.
She wrote numerous reviews and features for Artforum, Art in America, Parkett, and Frieze, and was a contributor to exhibition catalogues on the work of Marlene Dumas, Josiah McElheny, and Bruce Nauman.
Rice's writing on contemporary Onkwehonwe art has been published in numerous periodicals and exhibition catalogues, and he has lectured widely.
From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and wrote numerous articles for catalogues and encyclopaedia contributions on the theme of contemporary art.
Martínez lectures and writes regularly including numerous catalogue texts and critical essays, and is a regular contributor to Artforum among other international journals.
Besides exhibition catalogues, Angelika Nollert has written numerous essays and catalogue entries on the subject of contemporary art.
She has written for numerous Whitney exhibition catalogues as well as contributed to Artforum and Art in America.
His writing on photography has appeared in FOAM, TIME Lightbox, The Telegraph, The Sunday Times, Photoworks, The British Journal of Photography, as well as in numerous exhibition catalogues and photobooks.
Tom has contributed critical writing to magazines including Frieze, Parkett, Metropolis M, and Bidoun, as well as numerous exhibition catalogues and edited volumes.
Maloney has written for Artforum, ArtChronika, the Brooklyn Rail, and Meatpaper, as well as for numerous exhibition catalogues.
Whatever he wrote, whether in essay form or in numerous books and catalogues, resonated with his incisive eye and sharp mind.
Cameron has a considerable body of writing on contemporary art, and he has been Contributing Editor for Art Magazine, Art & Auction, Artforum, and Flash Art, in addition to writing for Parkett and trans and publishing exhibition catalogues and monographic texts on numerous artists.
She has written for numerous exhibition 3 catalogues and art publications and has independently organized exhibitions in Spain, France, Belgium, and the United States, as well as in Mexico.
Cameron has written extensively on contemporary art in various publications, including Artforum, Arts Magazine and Parkett and has contributed to numerous museum catalogues.
He is the former U.S. Editor of Flash Art and Editor - in - Chief of ArtAsiaPacific, and he has written and edited numerous artist and exhibition catalogues.
His writing has been published in numerous exhibition catalogues and art magazines, including Parkett, Texte zur Kunst and Artforum.
A recipient of a 2011 Creative Capital Warhol Foundation Arts Writers Grant for Short - Form Writing, he is a Contributing Editor at ArtAsiaPacific and an Editorial Correspondent for Ibraaz.org, and his writing has appeared in numerous international publications and in catalogues for galleries and nonprofit institWriting, he is a Contributing Editor at ArtAsiaPacific and an Editorial Correspondent for Ibraaz.org, and his writing has appeared in numerous international publications and in catalogues for galleries and nonprofit institwriting has appeared in numerous international publications and in catalogues for galleries and nonprofit institutions.