Sentences with phrase «wrought by globalization»

Not exact matches

Let us work towards a globalization for the common good by uniting spirituality and theology with economics.

In the United States, the regions hardest hit by globalization have become more politically extreme, according to a working paper published in September by David Autor, an economist at the Massachusetts Institute of Technology in Cambridge, and his colleagues.

If you're looking for alternative points of view, The Economist suggests two books as alternatives to Friedman's: In Defense of Globalization by Jagdish Bhagwati and Why Globalization Works by Martin Wolf (both published in 2004).

As a product of Globalization, born in London to Cypriot parents, and now living in New York, Petros Chrisostomou explores the idea of the indigenous habitat, by creating these boxes from which to work in, and juxtaposing these items to form connections and disconnections.

Works by photographers Omar Victor Diop (b. Senegal, 1980), Hassan Hajjaj (b. Morocco, 1960), and Leonce Raphael Agbodjelou (b. Benin, 1965) reveal the complex dialogues about aesthetics, identity, and globalization across history and geography.

Globalization and its impact take center stage in the Broad's latest show featuring works by El Anatsui, Sterling Ruby, Andreas Gursky, Jenny Holzer, Julie Mehretu, Mark Bradford, and Shirin Neshat.

Friday, December 6, 9 pm at the New World Center Farewell to the Past: Yinka Shonibare MBE Yinka Shonibare MBE - known for work exploring cultural identity, colonialism and post - colonialism within the contemporary context of globalization - uses music and dance to captivate and engage the viewer by mirroring our world in a regal, beautiful and unexpected way.

Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale photographs and sugar sculpture references the history of sugar, race, migration and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to display oranges.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

Over the past four years, Dizon has worked in video to document sites in the Philippines impacted by economic globalization.

Nugroho's work represents the daily life of Indonesian society, which is on one hand strongly hierarchical and Muslim - influenced and on the other hand influenced by globalization and the western value system.

His Cardboards from the early 1970s, a wry comment on the forces of globalization, and his sumptuous fabric works such as The Jammers, inspired by his visit to the Indian textile centre of Ahmedabad will be included in the show.

The newly appointed curator's previous curatorial credits includes «Empire / State: Artists Engaging Globalization,» which she co-curated while enrolled in the Whitney Independent Study Program in 2002, Suzanne McClelland, Found Poems from a Lost Time by Suzanne McClelland, Jasper Johns: Early Prints from the Collections of Jordan D. Schnitzer and his Family Foundation, Postwar British Prints, and Vinland: Recent Work by Cindy Bernard.

Pope.L is included in The Barnes Foundation's exhibition, Person of the Crowd: The Contemporary Art of Flânerie, which features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness.

Dad displays recent work by Danish artist Jakob S. Boeskov, who uses filmmaking, drawing, sculpture, and performance to expose complex social issues such as male behavior, war, politics, biotechnology, and globalization.

Featuring works from Chicago's Museum of Contemporary Art collection created mostly in the 1980s and»90s by artists including Chris Burden, Alfredo Jaar, Louise Lawler, Inigo Manglano - Ovalle, and Adrian Piper, this exhibition reveals the continuing resonance and complexity of topics such as freedom of expression, militarism, the dynamics of race, human and economic consequences of globalization, and other defining elements of society today.

Works from the Cantor's permanent collection are presented alongside and in juxtaposition with contemporary works loaned by private individuals and galleries, organized around ideas of artistic inspiration and source material, the role of a preliminary study, the significance of place, the influence of technology and globalization on creation, Works from the Cantor's permanent collection are presented alongside and in juxtaposition with contemporary works loaned by private individuals and galleries, organized around ideas of artistic inspiration and source material, the role of a preliminary study, the significance of place, the influence of technology and globalization on creation, works loaned by private individuals and galleries, organized around ideas of artistic inspiration and source material, the role of a preliminary study, the significance of place, the influence of technology and globalization on creation, etc..

Tayou's works are characterized by a strong and impressive connection with archetypal and primeval shapes, expressing a vision quite far from the «disposable culture» somehow typical of the contemporary globalization.

Wolston's work explores cultures of materiality in the age of globalization by adapting traditional material practices — such as brick - making and sand - casting — to unusual contemporary applications.

Informed by her extensive research into fields ranging from marketing and medicine to philosophy and religion, Rosenkranz's works address complex issues related to human existence in what she called a «human - indifferent universe», as well as globalization and consumerism.

The appetite for visual stimulation in our contemporary culture — precipitated by internet technology and globalization that has produced infinite numbers of artists of all sorts in the last decade or two, while disempowering the monopoly of the few in mainstream media by giving rise to endless writers and critics who feel an urgent need to respond to such vast production — has paid greater attention to its temporal condition than any art of the past; I would argue that in the end it's the great work of art and thoughtful writing that compels multiple viewings and readings, hence rendering both immortal.

A Story of Taste, Globalization, and Style», group exhibition including work by Jack Bell Gallery artist Leonce Raphael Agbodjelou, March - July 2017.

Through her installations and video works, Echakhch critically examines socio - political issues brought about by globalization, the way national symbols are used, as well as cultural differences and social phenomena, without however assuming a cautionary or rhetorical stance.

Person of the Crowd: The Contemporary Art of Flânerie features work by more than 50 international artists who have taken to the street to play detective, make fantastic maps, scavenge and shop for new materials, launch guerrilla campaigns, and make provocative spectacles of themselves to speak to issues as diverse as commodity fetishism, gentrification, gender politics, globalization, racism, and homelessness.

It is a growing business, whereas the traditional furniture industry has long been in trouble thanks to the globalization of furniture manufacturing wrought by IKEA.

People are working more hours than ever before, while cost of living, overpopulation, and globalization heighten the stress of just trying to get by.