Not exact matches
Each Baby Art frame offers a personal and unique baby gift, to keep an indelible memory of baby's
early months.Each frame creates a
work of art using baby's hand print or foot print with a choice of paint, mouldings or
sculptures, photo albums, height charts and mirrors.
In the
early 1960s, New York's Museum of Modern Art (MOMA) turned down a Robert Rauschenberg
sculpture over concerns about maintaining a
work whose centrepiece was a...
The large - scale
sculpture, sound, and mixed - media
works will be installed in the two - story New Industries Building, where «privileged» inmates were permitted to
work; the main and psychiatric wards of the Hospital; the A Block cells, the only remaining section of the military prison that was constructed in the
early 20th century; and the Dining Hall.
will not only allow visitors to experience Kusama's six infinity mirror rooms, Kusama's most iconic psychedelic chambers, but the Japanese artist's painting,
sculptures, and
early works on paper.
From his lush
early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs,
sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the
work of a unique and significant American artist.
In the
early 1960s, Smith turned his focus to
sculpture, with his architectural background informing one of his most radical innovations — having his
work industrially fabricated.
Ann Temkin, the chief curator of painting and
sculpture at the Museum of Modern Art, explained her
early fascination with Mr. Guyton's
work.
The exhibition will present six of these rooms as well as
sculptures, paintings,
works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the
early 1950s to the present day.
Pieces ranging from
early -»60s paintings incorporating casts of manhole covers to brand - new
sculptures made of resin and horsehair variously bring to mind Sue Coe's activist art, Robert Rauschenberg's indexical
work of the 1950s, Bruce Nauman's casts of animal bodies and Jack Pierson's
early installations, as well as fiber art and African artifacts.
The
works include
early drawings by Sigmar Polke, collage by Walead Beshty, painting by Carroll Dunham and Peter Saul, alongside newer
works by Dana Schutz, Sue Williams, Michael Williams and Erik Parker and
sculpture by Aaron Curry, Liz Craft and Mike Kelley.
In this lecture, John Elderfield, The Marie - Josée and Henry Kravis Chief Curator of Painting and
Sculpture, The Museum of Modern Art, New York, will explore the significance of Diebenkorn's
early work in New Mexico.
From the
early works of Alan Davie RA to Pop - inspired
sculpture, everything worth seeing in the world of art this week.
Given the mathematical precision of her
early sculptures, the autonomy and tight rectangular rational at
work in her concrete and frame pieces, her latest
work looks like it has spiraled out of control: the artist's hand is everywhere, the arrangements are overpowering, involving a surprising personal sensibility, humor, suggestions of adoration and campy seduction.
Deschenes (b. 1966, Boston), is known for her lushly beautiful and meditative
work in photography and
sculpture, and since the
early 1990s has produced a singular and influential body of
work that probes the relationship between the mechanics of seeing, image - making processes, and modes of display.
I am influenced by Laura Owens»
early works, which were based on embroidery from the Arts & Crafts movement, Ree Morton's painting and
sculpture, Lee Lozano, Joan Brown, and the Japanese Neo-Dadaist sculptor Tetsumi Kudo.
Following an
early career in painting and
sculpture, Ross began his photographic
work in 1994.
Earlier this month, Bradford announced he would be installing a monumental 360 - degree
work at the Smithsonian's Hirshhorn Museum and
Sculpture Garden, the project is his first presentation in Washington, D.C. and opens in November 2016.
«As an
early supporter of Tracey's
work, we're thrilled to mount this unprecedented exploration of her neon
sculptures — a medium that is not only appropriate to the neon - rich cityscape of South Florida, but has its origins in Emin's hometown as captured in the film Why I Never Became a Dancer.»
Including 38
works spanning Judy Pfaff's career, from
early works on paper to contemporary paper collages, installations and
sculpture.
His
work was collected
early on by Dorothy and Herbert Vogel and Count Giuseppe Panza di Biumo, and his
sculptures are permanently installed in the stables at the Villa Panza in Varese, Italy.
Among the handful of tabletop
works on view at the Rose were several that suggested Drexler had rethought her approach to
sculpture by the
early 1960s.
Senior curator Jennifer Powell explains the exhibition will include «
early sculptures and
works on paper from the late 1930s onwards as well as large scale paintings from 1940 - 51, the period in which Pousette - Dart was part of the burgeoning New York art scene and developing Abstract Expressionism.
If Houseago's
works resonate, it is because they encompass a wide range of influences: the formal language of
sculpture throughout the ages (from ancient to
early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).
She has had solo exhibitions at LACMA (2015), which grew out of an
earlier series of performances exploring monumental
works of
sculpture in the museum's collection.
Since the
early «90s, Tracey Emin has produced a body of
work that encompasses all forms of artistic expression, including painting, print - making, drawing, film, photography, installations, appliqué,
sculpture and neon text.
The current exhibition includes more than 20 paintings and
sculptures the artist made in Dresden during the 1960s and
early 1970s, when the political circumstances in the then - German Democratic Republic «kept most contemporary
works of art underground», says Gordon VeneKlasen, the director of the gallery who organised the show.
Featuring the Beijing - based artist's
earliest video
works to newest
sculptures from Usefulness of Uselessness series, the exhibition surveys over two decades of Song's vital practice.
Presented on the third and fourth floors of the Museum, this comprehensive survey will bring together over 115
works, including paintings,
sculptures, drawings, wallpapers and prints,
early computer - based art, videos, and 16 mm films.
Fontana Contended in the Late 1930s Helen Molesworth: Don't Look Back: Eva Hesse's
Early Work Andrea Rosen Gallery is delighted to present an exhibition of oil on paper
works by Willem de Kooning, «baroque» ceramic
sculpture by Lucio Fontana, and Eva Hesse paintings from the 1960s.
Many of Szapocznikow's
works, such as her
early 1960s plaster and found object
sculptures, are exceptionally fragile.
The collection includes many
works acquired
early in its artists» careers, among them: collage by Kara Walker; paintings by Mickalene Thomas; neons by Tracey Emin, digital animation by Jennifer Steinkamp; paintings by Amy Sillman;
sculpture by Kiki Smith; wall relief by Teresita Fernandez and woven trompe l'oeil by Miami artist Frances Trombly, among others.
In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his
work, featuring more than one hundred
works spanning from his
early career in the 1980s to his most recent paintings, drawings,
sculptures, ceramics, and large - scale installations.
Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic
sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the
early 20th century European avant - garde.
This exposure to the elemental forces and landscapes during my
early childhood, and the fact that I am now passionate about putting
work by the sea — the reasons for that are both an increasing interest in the social responsibility of
sculpture, but also an interest to connect to those things that I experienced very young that made me feel more alive.
Bridging the mediums of painting and
sculpture, the selection of icons created between 1961 and 1964 connects the
work that Flavin made
early in his career to the
sculptures in light for which he is remembered.
This comprehensive survey will bring together over 115
works, including paintings,
sculptures, drawings, wallpapers and prints,
early computer - based art, videos, and films.
Family
working together to make a soft
sculpture inspired by the exhibition, Claes Oldenburg: Early Sculpture, Drawings, and Happenings Fil
sculpture inspired by the exhibition, Claes Oldenburg:
Early Sculpture, Drawings, and Happenings Fil
Sculpture, Drawings, and Happenings Films, 2009.
Jonas»
work, which has been exhibited extensively across the globe since the
early 1970s, is dedicated to the exploration of non-linear narratives, oral history, as well as past and current politics; it translates popular culture, anthropological influences, and literary sources into a reduced and minimalist language of gestures, objects, and signs as an expanded notion of
sculpture.
This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120
works, primarily paintings and some
sculpture, since the
early 1990s.
The ghost of Mies returns again in the
work of 2008 nominee Goshka Macuga, who includes several
sculptures shown in the Neue Nationalgalerie
earlier this year.
Originally Dill earned recognition for his sand and light
works in the
early 1970's, later expanding his practice to include painting and
sculpture.
With these
sculptures Aaron Curry revisits forms from his
earlier works, stylizing them in the form of negative counterparts.
While Alexander's
earliest objects were displayed on pedestals as
sculptures, his newest
work is wall mounted.
These
works are a departure from her
earlier compressed fabric
sculptures, riotous subversions of minimalist forms.
Today, the gallery presents contemporary multimedia and conceptual
work, as well as painting and
sculpture and continues to show the artists it has
worked with in the
early nineteen eighties, while it presents and
works with new talents.
Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71
works by 16 artists:
sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the
early 1960s to the present, most never previously exhibited.
This is the largest Gormley exhibition held in Germany to date, bringing together
works on paper, large - scale installations, and indoor and monumental outdoor
sculpture that span the artist's sculptural journey, from the
early 1980s to site - specific
works created this year.
Paolini's belief that a
work of art is not just reflective of the «here and now» but is also resonant of
earlier traditions, has led him to investigate art's relation to the past, creating intriguing installations deeply rooted in art history from the Renaissance to today - from plaster casts of classical
sculptures shattered on the ground, to photographs of iconic paintings by Northern Italian Renaissance painter, Lorenzo Lotto, or inquiries into the construction of the image.
This exhibition will feature key
works from the Museum's collection, including
sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum
sculptures from the 1950s, as well as rarely shown pieces from the
early 1940s incorporating string and wood elements.
In this
early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion of painting by making elements of the
work three - dimensional and experimenting with either hanging the
work flat on the wall or setting it off against it in such a way that it appeared as a hybrid between painting and
sculpture.