Sentences with phrase «x image credit»
Nolita jacket, vintage bag x Image credit: Alicia Doerr
https://www.fifideluxe.com/
Mwah x Image Credit: Alicia Doerr
Not exact matches
Main image: Howard Hodgkin, Mrs Acton in Delhi, 1967 — 71 Oil on canvas, 122 x 148 cm Credit: © Howard Hodgkin Courtesy the artist and Gagosian
Main image credit: Stephen Shore Ginger Shore, Causeway Inn, from Uncommon Places 1977 C - Print PS W 610 x H 510 unmounted
Image Credit: Gianfranco Foschino, Aymara, 2010, high definition video, silent, color, shown on a 46» LED screen with wood frame, 43 1/2 x 25 ⅝ x 3 ⅜» (108 x 62 x 6 3/4 cm) framed.
Image Credit: Carolina Caycedo, I and I Shall Not Remove - No Nos Vamos a Dejar, 2017 (detail), archival marker on acid free paper 18 x 24».
Image Credit: Pablo Cristi, Paradise Lost, 2015, acrylic, latex, and spray paint on canvas, 48 x 72».
Image Credit: Martín Ramírez, 808, Untitled (Caballero on Blue Horse), c. 1952 - 55, gouache, graphite, and colored crayon on pieced paper, 30 x 46».
Image Credit: Linda Vallejo, The Brown Dot Project, National Latino Firefighters 9.62 %, 2016, archival marker, pigment print, watercolor paper, 11 x 8 1/2».
Image Credit: Iñigo Manglano - Ovalle, Suzanne, Fermin and Mel (from The Garden of Delights), 1998/2015, archival pigment prints triptych: 60-3/4 x 23-3/4 x 1-3/4» each panel, 60-3/4 x 75-1/2 x 1-3/4» overall.
Image Credit: Rodrigo Branco, Untitled, oil on wood, 50 x 70».
Image Credit: Fanny Sanin, Acrylic No. 11, 1979, acrylic on canvas, 66 x 66».
Image Credit: Emiliano Gironella Parra, Camioneta gris (Gray Van), 2010, mixed media, 99 1/4 x 59 3/4 x 37 1/2» (252 x 152 x 95 cm).
Burkhardt's works were included in the the 1955 Bienal de São Paulo, and starting with the Metropolitan Museum of Art in N.Y. in 1950, were exhibited in museums throughout the U.S. Image Credit: Hans Burkhardt, City At Night I, Guadalajara, 1957, oil on canvas, 50 x 60».
Image Credit: Gilbert «Magu» Lujan, Untitled, c. 2000, ink on paper, 11 x 8 1/2».
Image Credit: Adriana Varejão, Rome Meat Ruin, 2016, oil on aluminum and polyurethane, 100 3/4 x 18 ⅛ x 10 1/4» (256 x 46 x 26 cm).
Image Credit: Mira Schendel, Untitled, 1950s, woodcut, 9 7/8 x 13 5/8».
Image Credit: Rico Lebrun, Mexican Street in the Rain, 1954, Mixed Media Collage, 110 x 65».
Image Credit: Miguel Rio Branco, Saint Sebastian, 1994, c - print, 39 ⅜ x 39 ⅜» (100 x 100 cm).
Image Credit: Carlos Almaraz, Domestic Scene, 1981, pastel on paper, 19 1/2 x 25».
Image Credit: Lucia Koch, Pão (Loaf of Bread), 2017, pigment print on cotton paper, laminated matte, 78 3/4 x 39 ⅜» (200 x 100 cm).
Image Credit: Rufino Tamayo, Sandias, 1980, Mixografia print on handmade paper, 30 x 40.»
Image Credit: Jaime Guerrero, Green Idolo, 2013, glass, 17 x 9».
Image Credit: Daniel Joseph Martinez, Divine Violence, 2007, automotive paint on wood panels, 24 x 36» each, overall: 153 × 275 × 187».
Image Credit: Ad Minoliti, CSH 22, 2015, acrylic on printed canvas, 55 x 39.5».
Image Credit: Gonzalo Lebrija, Unfolded Gold (Metallah), 2017, gold leaf on wood, 74 3/4 x 59 inches.
Image Credit: Pedro Friedeberg, Infonavit de la cucarachas, 2000, painted wooden sculpture, 39 ⅜ x 39 ⅜ x 2» (100 x 100 x 5 cm).
Image Credit: Gala Porras - Kim, Future Spaces Replicate Earlier Spaces (Staff / Vessel), 2016, graphite on paper, artist's frame 30 1⁄2» x 20 1⁄4».
Image Credit: Nemesio Antúnez, Sleepers, 1964, oil on canvas, 30 x 30».
BOB ADELMAN (1930 - 2016) Marisol Escobar looks at Bob Adelman through a glass, in Robert Rauschenberg's studio photograph 1966 unique vintage gelatin silver print signed and annotated in pencil, photographer's credit stamp, and photographer's copyright stamp on verso image size > 8.25 x 5.75 inches / paper size > 11 x 14 inches
Signed «Curtis LA ©» in black ink in the image l.r., copyright credit in the negative l.l. Toned double border gelatin silver print, image size 5 1/2 x 7 5/8 in.
Image: Alexander Calder, Blue Feather, c. 1948 Sheet metal, wire, and paint 42 x 55 x 18 inches (107 x 140 x 46 cm) Photo credit: Calder Foundation, New York / Art Resource, NY © 2013, Calder Foundation, New York / DACS, London, or any other relevant international copyright societies.
image credit: Melvin Edwards (born 1937), Central Ave. LA, 1991, Welded steel; 14 x 11 3/4 x 9 1/2 in.
Image Credits: Untitled, 2010, Silkscreened acrylic on dye - printed linen with vinyl ribbon, 78 x 51 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; A Line (Almanac), 2013, Eight felt double page spreads with «a» line cut; White felt end pages; Hard cover, hand - bound, 20.1 x 13.2 x 3 inches, Edition of 10 + 3 Aps, Collection of Thea Westreich Wagner and Ethan Wagner; A Line (Cover Letter), 2015, Synthetic felt, acrylic on canvas, 79 x 48 inches, Collection of Eleanor and Bobby Cayre, New York; Work Description, 2010, Glass, vodka, wood, cardboard, and plant, 33 1/2 x 45 x 32 1/2 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Untitled, 2009, Acrylic, gesso, spray paint on linen with lacquered wood frame, 71 x 50 inches, Private Collection, NY; Untitled, 2010, Acrylic on canvas, 69 x 53 inches, Private Collection, NY; Untitled, 2007, Airbrush and oil and acrylic on linen, 71 x 164 inches Courtesy of Daniel Lewis and Campoli Presti, London / Paris; Untitled, 2012, Vodka, pigment, urethane, gesso, and cotton, 24 x 18 inches, Courtesy of Dylan Lewis and Campoli Presti, London / Paris; Untitled, 2011, Silkscreened acrylic news print and felt on wood - mounted dibond, 30 x 40 inches, Courtesy of the artist and Miguel Abreu Gallery, NY; Yogurt Cinema, 2014, Cardboard, concrete, Pyrex bowl and lid, yogurt, video projector, and 108 min.
CECIL BEATON (1904 — 1980) Audrey Hepburn, 1954 gelatin silver print stamped photographer's credit, stamped «Beaton Studio / Sotheby Parke Bernet» with number» 1/4», titled by the artist and numbered «C. B. 4530 - 108» in pencil (verso) Image / sheet: 10 x 9 in.
Image credit: Adam Cvijanovic, Nuart, 2006; Flashe and latex on Tyvek, 180 x 360 inches; Collection of Christopher Hamick.
Image Credit Gallery: Bob Carey, Goose, 2012 digital archive print 16 ″ x 20 ″ On loan from the artist; Angela Ellsworth Seer Bonnet XIX (Flora Ann), 2011 24, 182 pearl corsage pins, fabric, steel, wood 60 ″ x 13 ″ x 16 ″ (base: 25 ″ x 40 ″ x 4 ″) On loan from Lisa Sette Gallery, Phoenix, AZ
Image Credit: Bartosz Kali Zanzibar, image by Jorge Cancela Le Rodeur: The Exchange, 2016, Acrylic on canvas, 183 x 24Image Credit: Bartosz Kali Zanzibar, image by Jorge Cancela Le Rodeur: The Exchange, 2016, Acrylic on canvas, 183 x 24image by Jorge Cancela Le Rodeur: The Exchange, 2016, Acrylic on canvas, 183 x 244 cm.
DIANE ARBUS (1923 - 1971) Woman with a veil on Fifth Avenue, New York City, 1968 stamped «A Diane Arbus photograph», signed, titled, numbered and dated» 27/75» by Doon Arbus, Administrator, and stamped Estate copyright credits (on the reverse) gelatin silver print, printed later by Neil Selkirk image: 14 3/4 x 14 ⅝ in.
Image credits Gillian Wearing in front of Wallpaper - 70, 2015, image courtesy of Maureen Paley Gillian Wearing Me as Warhol in Drag with Scar, 2010 framed bromide print 156 x 133 x 3.2 cm © Gillian Wearing, courtesy Maureen Paley, London, Regen Projects, Los Angeles and Tanya Bonakdar Gallery, NewImage credits Gillian Wearing in front of Wallpaper - 70, 2015, image courtesy of Maureen Paley Gillian Wearing Me as Warhol in Drag with Scar, 2010 framed bromide print 156 x 133 x 3.2 cm © Gillian Wearing, courtesy Maureen Paley, London, Regen Projects, Los Angeles and Tanya Bonakdar Gallery, Newimage courtesy of Maureen Paley Gillian Wearing Me as Warhol in Drag with Scar, 2010 framed bromide print 156 x 133 x 3.2 cm © Gillian Wearing, courtesy Maureen Paley, London, Regen Projects, Los Angeles and Tanya Bonakdar Gallery, New York
Shinique Smith, Bale Variant No. 0023 (Totem), 2014 Clothing, fabric, accesories, ribbon, rope, and wood 243.8 x 50.8 x 50.8 cm 96 x 20 x 20 inches Image credit: Shinique Smith and Sprüth Magers
Image credits, top to bottom: Cindy Sherman, Untitled, 1981, chromogenic print, 24 x 48 in., collection Walker Art Center, Art Center Acquisition Fund, 1982, courtesy of the artist and Metro Pictures; installation view of Benches & Binoculars (hipsters may vary), photo by Cameron Wittig, courtesy Walker Art Center; Andy Warhol, Sixteen Jackies, 1964, acrylic, enamel on canvas, 80-3/8 x 64-3/8 in., collection Walker Art Center, Art Center Acquisition Fund, 1968, © 2009 The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York
Image credits (l to r): «Rooted and Uprooted,» 2011, by Sonya Clark, primed canvas and braided thread, 10 x 26 x 10 inches and 10 x 35 x 10 inches, courtesy of the artist.
Image credits: 1) Peiter Griga, Kissings the bottle today instead of kissing you, 2014; Archival pigment print and geo - tagged tweet, 36 x 36 inches; 2) All images in the video courtesy of the artist; 3) Peiter Griga, This Heart is Fucked w / o the Karate chop of LUV, 2015; Archival pigment print and geo - tagged tweet, 36 x 36 inches; 4) Peiter Griga, FYI: i'd swim thru the earth to be next to Yr Bones, 2015; Archival pigment print and geo - tagged tweet, 36 x 36 inches.
Image Credit: Bill Brandt, Northumbrian Miner at His Evening Meal, 1937 gelatin silver print, signed, 11 x 14 inches
Image credit: Caleb Cole, Cilice, 2017, vintage motorcycle jacket, vintage hanger, wire, dressmaking pins, 23» x 26», Courtesy of Gallery Kayafas
Image Credit: Martin Creed, Work No. 1367, 2012, Watercolor on paper, 12 x 10 inches, Courtesy of the Collection of BNY Mellon
Image credit: Anna McKee, WAIS Reliquary: 68,000 Years, (detail), 2013 - 15, include silk, glass, glacier water, wood frame, 22» x 14.5» x 9»
Image credit: Stephen DiRado, Bell Pond series: Butch, Natasha, Krissy and Tony, August 25th, 1983, silver gelatin print, 10» x 12.5»
Image credits: Agave, 2010, by Elliott Hundley; sound board, wood, inkjet print on kitakata, paper, photographs, pins, plastic, metal, glue, found paintings; 96 x 192 1/2 x 14 1/2 inches; © Elliott Hundley, courtesy of Andrea Rosen Gallery, photo by Jason Mandella.