Bass Museum of Art In March 2011, The Bass Museum of Art will initiate the first of three, one -
year curatorial fellowships focusing on contemporary art thanks to generous support from the John S. and James L. Knight Foundation, as part of its Knight Arts Challenge.
Hotel Palenque Is Not in Yucatán, is a multi-layered exhibition and architectural intervention curated by Montserrat Albores Gleason as the culmination of a three
year curatorial fellowship at the Center for Curatorial Studies supported by the Fundación Jumex.
Call for applications: One -
year curatorial fellowship at Bass Museum of Art: «In March 2011, The Bass Museum of Art initiated the first of three, one - year curatorial fellowships focusing on contemporary art thanks to generous support from the John S. and James L. Knight Foundation, as part of its Knight Arts...
Not exact matches
Member - run artist collective Vox Populi will launch a
curatorial fellowship program dedicated to performance art, hosting five
curatorial fellows in total over a period of two
years.
The exhibition is guest - curated by Jamillah James, an independent curator and writer who recently completed a
year - long
curatorial fellowship at the Queens Museum of Art.
Kadist
Curatorial FellowshipThe Graduate Program in Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate curatorial research fellowship
Curatorial FellowshipThe Graduate Program in
Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate curatorial research fellowship
Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate
curatorial research fellowship
curatorial research
fellowship each
year.
I began my career at the Studio Museum in a
fellowship for a
year and then I was at the Whitney for two
years as Richard Armstrong's
Curatorial Assistant.