Sentences with phrase «year curatorial research»

The book includes an interview with Professor Alain Badiou, and was the outcome of a five - year curatorial research project involving screenings and performances across the UK, including at the Arnolfini, Bristol and the Institute of Contemporary Arts and Whitechapel Gallery, London.

Lastly I intend to develop a 3 — 5 year curatorial research project on the history of Nigerian women artists starting with artists such as Theresa Luck Akinwale, Afi Ekong, Clara Etso Ugbodaga - Ngu and Colette Omogbai, some of whom are alive but others who are no longer with us.

Not exact matches

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Commissioned by Qatar Museums, contemporary artist CAI Guo - Qiang has devoted three years to the curatorial research and development of the large - scale exhibition What About the Art?

Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, associate professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

The library and archives are also a dynamic and integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studies students.

The Library and Archives at the Center for Curatorial Studies are a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiesCuratorial Studies are a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiescuratorial studies and the contemporary arts, as well as an integral component of the Center's 2 - year graduate program supporting the advanced research of curatorial studiescuratorial studies students.

The spring semester continues the first year practicum and includes hangs of works from the Hessel Collection organized in pairs; collaboratively produced curatorial projects; and writing and research workshops.

Featuring Angus Cameron, lecturer in human geography at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome staff writer; Keller Easterling, professor of architecture at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student at the Center for Curatorial Studies, Bard College; and Allan Stoekl, professor of French at Penn State University

Made possible through a five year - grant from the Keith Haring Foundation, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

Made possible through a five - year grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research in the Center for Curatorial Studies and the Human Rights Project.

The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and artistic practices of the past thirty years.

The Library and Archives at CCS Bard is a vital research center specializing in curatorial studies and the contemporary arts, as well as an integral component of CCS Bard's two - year graduate program supporting the advanced research of curatorial studies students.

Made possible through a five year - grant of $ 80,000 per year, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

The Play disseminates and performs questions and discourses that have informed FormContent's last two years of research and programming: an investigation into fiction as a possible curatorial framework.

Within the context of TPW, for the last few years Simon's particular curatorial research investigates an ethics of viewing in relation to the aesthetics of troubling images, within the context of pedagogical and journalistic turns in contemporary art.

Following her move to Islamabad in 2008, she worked for Rohtas Gallery as Assistant Curator and was also selected for a Curatorial Research Internship at the Freer & Sackler Galleries, Smithsonian Institution, Washington D.C. that same year.

As a project that emerged from Buenfeld's curatorial residency with AIT last year, and her ongoing research, «At the still point of the turning world...» is a selection of works that proposes questions about sculptural and dynamic form with a particular focus on dance and ceramics - two craft traditions with a strong historical and contemporary presence in Japan.

This display is part of a one - year Monument Trust - funded curatorial project to research links between 18th - century prints and ceramics.

Kadist Curatorial FellowshipThe Graduate Program in Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate curatorial research fellowship Curatorial FellowshipThe Graduate Program in Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate curatorial research fellowship Curatorial Practice, in collaboration with the CCA Wattis Institute for Contemporary Arts and the Kadist Art Foundation, supports one paid, nine - month, postgraduate curatorial research fellowship curatorial research fellowship each year.

I: project space is the home of these on - going research projects: ▸ Beijing22 Beijing22 is an open, independent, long - term curatorial project, which will investigate the dynamics of Beijing's urban space in the five years preceding the Olympic Games in 2022.

In 2011, we implemented two year school program, which was designed on the basis of several years» research on various curatorial programs, analysis of curatorial practices, consultations with relevant national and international experts, and an evaluation of the past program and consideration of effective models of education in the field of contemporary visual arts and theories.

Catalog essayists include members of the curatorial team as well as critic and writer Doug Harvey (who has written for several Project Series publications over the years); Glenn Phillips, Curator of Modern and Contemporary Collections at the Getty Research Institute in Los Angeles (who also co-curated «Project Series 46: Hirokazu Kosaka»); Sarah Wang, critic and writer; and Pomona College Museum of Art Director Kathleen Howe.

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The $ 95,000 Getty Foundation grant will support research and exhibition planning by the curatorial team over the next two years.