Toren's thirty - five -
year oeuvre is in a rigorous and witty dialogue with a compelling range of international art movements, such as Arte Povera, Gutai, Minimalism, and Pop.
The Contemporary Art Museum St. Louis will feature hand - woven, abstract fiber - based installation and sculptures from Sheila Hicks's 60 -
year oeuvre.
His first comprehensive monograph, this volume presents Jaxy's 30 -
year oeuvre chronologically.
Published on the occasion of the artist's largest survey exhibition to - date, this monograph provides a comprehensive examination of works and installations produced during the artist's nearly thirty -
year oeuvre.
The Guardian examines key pieces from her 40 -
year oeuvre.
The series is characteristic of the photographer's 40 -
year oeuvre represented here, which spans broadly divergent and often contrasting social classes.
Not exact matches
Last
year alone, more than US$ 346 - million worth of his
oeuvre was sold at auction.
CakeSpy Note: I am so glad you have plenty of money, because there's another book you should buy this
year in addition to my CakeSpy
oeuvre.
Perhaps the only surprise is that it took this long for the big guys to notice: plenty of people have known about the more controversial parts of the Paul
oeuvre forever (Dave Weigel notes that he wrote about the newsletters four
years ago).
Mexican mornings and I go way back.Before there was this tricked out easy breakfast frittata recipe, my
oeuvre primarily revolved around the burritos I pioneered when I was 6
years old.Yes, that was not a typo.
While I've spent the last five or so
years tearing apart every entry that comes out of the Action - Neeson
oeuvre, I'm pleasantly surprised to say that Run All Night is the exception to the rule — the first one since the original Taken and even a step above that one that kickstarted it all.
Today, Disney regards Mary Poppins as the crowning achievement of Walt's career, a film released two
years prior to his death that merged the elements of his entire
oeuvre in film, television, and theme parks into one joyous crowd - pleasing extravaganza.
It's been 10 whole
years since Birth first bewitched us, and only now is the next entry in Glazer's
oeuvre within reach.
In our review from Telluride last
year, we noted that for Baumbach «it marks an exciting new period in the filmmaker's
oeuvre and one that will hopefully yield many more collaborations with the endearing and charming Greta Gerwig... The alchemy between them has produced a seriously funny, sad and engaging dramedy and it's one of Baumbach's best efforts to date.»
Ceylan's follow - up to his 2014 Palme d'Or winner Winter Sleep was the competition contender that more than any other this
year imposed itself as a grande
oeuvre, a major statement from a major director.
Three films in this specific
oeuvre were released that
year: the aforementioned Places in the Heart, Country, and The River.
Undoubtedly one of the best performances of the
year, and one of the best ever in Mike Leigh's illustrious
oeuvre.
Its haunted house / possession story is nothing you haven't seen before, but few films in this
oeuvre in recent
years have had half the stylishness that Wan imparts on an old, creaking farmstead in Rhode Island.
Bursting with themes from writer / director Guillermo del Toro's
oeuvre — including the horrors of war, the pain and loneliness of being an outsider, and the ambiguous nature of those we call monsters — this fantastical love story is one of the best movies of the
year.
Fast forward two
years and change, and I've had time to dive into this very different side - story in the Monster Hunter
oeuvre.
Among the exhibition's many highlights are bold, groundbreaking paintings by Matisse from his most adventurous
years, as well as highlights from nearly every phase of Diebenkorn's
oeuvre from the early 1950s to 1980 — including several monumental canvases from his Ocean Park series, a renowned exploration of color, light, and space.
The selection documents how his
oeuvre has evolved over the
years and been profoundly influenced by his international experience.
But curatorial attention has returned to his
oeuvre in the
years since his death, culminating in a major retrospective of his work at the Musée d'Art Moderne de la Ville de Paris in 2016, organized by the museum's director, Fabrice Hergott.
Consistently in love with landscape — and the idea of landscape as an abstraction — Wolf Kahn has lovingly built a very vivid and beautiful
oeuvre since first exhibiting his paintings at the Hansa Gallery, one of New York's first co-op galleries, nearly sixty
years ago.
Remembering that I saw a remarkable painting by Sutton in a show last
year, Abstract Painting in the Seventies, higher in colour than these at HMS, I make comparisons in my head and note the «continued vigour» of his
oeuvre (borrowing a phrase from Manley).
I should state at the outset that, despite the reassessments of the artist's
oeuvre that have been surfacing over the past couple of
years, such as Raphael Rubinstein's spirited defense in the March 2011 issue of Art in America, I remain unconvinced that prevailing critical opinion has misjudged the majority of Schnabel's work.
Helena Newman, Global Co-Head of Sotheby's Impressionist & Modern Art Department & Chairman of Sotheby's Europe, said: «This tender and romantic vision of Marie - Thérèse is a remarkably intimate portrait of the woman who has come to embody the heart and soul of the most celebrated
year of Picasso's
oeuvre.
In his description of a self - portrait, (written some thirty - seven
years ago), he formulated an observation that might equally be applied to the entire
oeuvre: «the photographer has caught the boy's hand... at just the right degree of openness, the right density of abandonment: a few millimetres more or less and the divined body would no longer have been offered with benevolence... the photographer has found the right moment, the Kairos of desire.»
More than thirty
years after her death, the
oeuvre of American painter Alice Neel attracts ever greater interest, and seems only ever more relevant: the substantial and moving exhibition of her paintings currently at the Gemeentemuseum in The Hague is the latest indication of this groundswell of attention, including various shows and catalogs in addition to a fine biography by Phoebe Hoban and a biographical film directed by Neel's grandson, Andrew Neel.
16
years later, she has assembled a new
oeuvre of vibrant paintings, drawings, and cut - outs while living and working in her Brooklyn home with her husband, fellow impassioned artist and professor Bill Jensen.
But in relocating from Williamsburg to Columbia County in upstate New York seven
years ago, the artist began infusing his nature - minded
oeuvre with the natural landscape.
Having seen both exhibits, Alfred Leslie: The Grisaille Paintings 1962 — 1967 at Oil & Steel Gallery in 1991, and Alfred Leslie 1951 — 1962: Expressing The Zeitgeist in 2004, my perception of his complex and ambitious
oeuvre has deepened in the last few
years.
This print sits squarely within the artist's
oeuvre, particularly his ink drawings, which, similar to this
year's print, are populated solely by heavy, rough - hewn forms and structures buoyed up from their foundational moorings through Webster's vibrant color choices.
The exhibition shows works from the past 19
years and represents all periods of Melgaard's
oeuvre.
It's a fitting demonstration of the 73 -
year - old's
oeuvre thus far, revealing seldom seen works (including Tulsa's 16 - mm film counterpart) and new collages and paintings (such as the aforementioned «Heroin» works).
This major publication, with essays by Fiona Bradley, Richard Cork, Eric de Chassey and Michael Auping, provides an overview of the
oeuvre of Callum Innes over the last fifteen
years.
The most important of these exhibitions, Arthur Dove: A Retrospective at the Whitney Museum of American Art, is the first comprehensive overview of Dove's
oeuvre in twenty - two
years.
Next
year Hetzler is planning a 25 -
year survey of her
oeuvre in Berlin.
In an
oeuvre spanning almost fifty
years, Giuseppe Penone has explored the subtle levels of interplay between man, nature, and art.
Schiele, whose
oeuvre spans just ten
years, cut short by his death from influenza at twenty - eight, made more than 250 self - portraits in that brief period, «more than any artists since Rembrandt.»
Flanking this milestone show, two of the city's biggest galleries, Pace and Gagosian, are going head - to - head with a pair of scholarly exhibitions examining different aspects of Picasso's
oeuvre, with the former probing the late works he made under the spell of his 46 -
year - younger last wife, Jacqueline, and the latter surveying the Picasso relationship with the camera.
Over the past 50
years, Anthony Hernandez has crafted a richly varied
oeuvre, ranging from a distinctive style of black - and - white street photography to color photographs of abstracted details of his surroundings.
But the majority of the pieces on view are from the past 13
years, which emphasize both the distinctive traits of his ongoing
oeuvre as well as more recent departures.
Claire Falkenstein: Beyond Sculpture marks the first comprehensive exhibition of her work since 1997, and covers her
oeuvre that spans a career of 65
years.
When he was rumbled in the 1980s, having propagated his myth for over 30
years, nobody really minded — it simply became part of his
oeuvre as an artist.
Recently, exhibitions have tended towards the ludic quality of Klee's
oeuvre: last
year, «Bauhaus: Art as Life» at the Barbican presented an array of Klee's extraordinary puppets, while BOZAR's 2008 exhibition «Paul Klee: Theatre Here, There and Everywhere» explored Klee's colour harmonies based on musical notation, as well as his interest in dance, circus and masks.
Between 1964 and 1972, a time span of merely eight
years, Axell created a comprehensive
oeuvre that was shown in numerous exhibitions.
Her
oeuvre, now spanning more than 50
years, includes painting, performance, installations and environments, sculpture, film, fashion, design and literary work.
His productive
oeuvre, covering a multiplicity of styles and media, came to an abrupt end when he died at only forty - four
years of age.
The exhibition displays both historic and recent works that showcase the Chicago - based artist's striking
oeuvre, which spans over 40
years.