Not exact matches
Why you should care: Despite having faced several very serious bumps in the road in the last
year, Rap Genius is still plowing forward
on its path to annotate songs, books,
poems, news articles, speeches, and more.
It was written in Latin, but argued that vernacular poetry, which had only begun in Italy 150
years before with the
poems of St. Francis, was worthy of all the consideration previously bestowed
on Latin alone.
These, Astrue told me, he took
on by way of penance for having spent so much time translating Tibullus» less - than - holy love
poems, which Oxford probably will bring out in the next
year or so.
But well known to some as the seasoned British poet and satirist, ten
years older than Astrue, whose
poems will break your heart in one line and chill you to the marrow in the next, and whose books Astrue used to keep
on his nightstand.
On trial for insulting religion in citing a thousand - year - old poem on his Twitter account, the 42 - year - old performer and composer told a first brief hearing in Istanbul on Thursday that he denied the charge, which can carry an 18 - month sentenc
On trial for insulting religion in citing a thousand -
year - old
poem on his Twitter account, the 42 - year - old performer and composer told a first brief hearing in Istanbul on Thursday that he denied the charge, which can carry an 18 - month sentenc
on his Twitter account, the 42 -
year - old performer and composer told a first brief hearing in Istanbul
on Thursday that he denied the charge, which can carry an 18 - month sentenc
on Thursday that he denied the charge, which can carry an 18 - month sentence.
When I left the ministry a
year ago and posted it
on my site, my good friend in Australia Eleasah Ridley was inspired to write a
poem.
The various cultic interpretations of the
poems remind us that such poetry as this is never created new, but rather always draws from the articulate lover of last spring and the spring before and the spring before that, and so
on back not merely over the
years, but over the centuries and even the millennia.
In one
poem an 85 -
year - old man, who has spent his many
years beating «black and blue» the land, «warped inside / And given to watching, sullen - eyed, / Love still - born,» now sits alone in a corner before the fire, with nothing left to dream
on but the self - delusions of his past.
Rita Rouner's
poems and reflections, «A Short While toward the Sun,»
on the death of her 19 -
year - old son, shows images of the afterlife — very positive ones — emerging at the same time as the mourner - poet herself is stuck «in death,» in numbness and hopelessness.
The Istanbul court sentenced model Merve Buyuksarac, 27, to one
year and two months in prison for «publicly insulting» Erdogan in a satirical
poem she posted
on her...
December 11, 2015 • Hear a deceptive take
on the winter blues by way of a versatile choir, a young New York composer and a 150 -
year - old
poem by Longfellow.
At various points in his fantastically varied and storied career he wrote position papers
on the need of support for a moribund Australian film industry, wrote and directed numerous episodes of such seminal TV shows as Homicide and Division 4 for Crawford Productions, was central in establishing film courses and departments in places such as Canberra and Brisbane (Griffith University), wrote plays and performed
poems at Melbourne University and La Mama in the 1960s, directed feature films in the early 1980s (most memorably Ginger Meggs in 1982), made documentaries for the ABC and SBS (The Myth Makers, Images of Australia, The Legend of Fred Paterson, and numerous others), wrote and edited such books as Screenwriting: A Manual and Queensland Images in Film and Television, helmed commercials for a vast array of companies and government bodies, contributed film reviews to ABC radio (and more occasionally TV) across various states (for almost 40
years), wrote for numerous publications including Overland, The Canberra Times, Metro, The Concise Encyclopedia of Documentary Film, The Hobart Mercury, and so much more.
The deleted / extended bits are as follows: Andy Samberg (4:12)
on Bob Dylan, Aziz Ansari (1:42)
on acting and Twitter, alternate Reggie banter (0:39), Medi - Ship complications (1:06), Fabrice Fabrice (4:21) performing a
poem on a lost city, Anna Kendrick (1:47) recalling her Tony nomination as a 12 -
year - old and eating a cat's liver, Rodney Waber (5:34) dishes more Harrison Ford gossip, dances, and reveals a senior citizen ticket price trick, David Cross (2:49) talks talking animals and white toilets, Senator Dewhurst (3:14) confesses strange sex dreams about his aunt and his plan to drive drunk, Zoe Saldana (2:03) answers questions about movies and acts out a Jerry Maguire reboot, «Garry Marshall» (1:19) explains why he's done with movies, Gillian Jacobs (1:38) discusses the ghost of Christopher Marlowe and the conflict in Nebraska, Chef Emeril Lugosi (0:34) endures a pun about sun - dried tomatoes, Andy Richter (4:59) delivers a kid - friendly version of «The Aristocrats» joke, pulls a gun after not answering a fart question (a task handled by Andy Samberg
on the show itself), and responds to the 1990s TV movie The Shining, Tom Perdy (0:44) shows off a couple of additional cartoons.
Affiriming this, recently JK Rowling shared a
poem written by a 15 -
year - old student
on Twitter.
Produced by Papadopoulos, the narrative feature focuses
on Dickinson's early life as a schoolgirl, and
on her later
years in Amherst as a tortured artist who saw but seven of her
poems published in her lifetime.
Provide students with a template and let them create a pinwheel that reflects
on one side their thoughts about war and peace, tolerance, bullying, living in harmony with others You might use this activity to incorporate one of your writing goals / standards for the
year; for example, the writing might be a
poem, prose, haiku, or an essay.
I've occasionally taught «The Rime» to
Year 12 Literature classes and
on each occasion I've been uncertain to what extent I should facilitate students» understanding and appreciation of the
poem by using Dore's etchings, and the film «Pirates of the Caribbean: Dead Man's Chest» as visual aids.
So over the
years, my students have written and illustrated children's books for schools in Uganda, published magazines
on topics of their choice, blogged
poems from their autobiographies, and showcased their best work in online portfolios.
An assortment of war
poems which include some from Iraqi and American poets and one from a 15
year old girl written
on reflecting her visit to Auschwitz.
This
year I will focus more
on creating poetry and using technology to illustrate, enhance and share
poems.
Tommy This
poem is based
on a letter that my wife received many
years ago.
The hope of the new U.S. poet laureate is simple but profound:
On every day of the school
year, in every school in America, children will hear one
poem read aloud.
Year 5 showcased their word - processed
poems which would otherwise have been consigned to a dusty folder
on the learning platform.
Nancie's books for Heinemann include Systems to Transform Your Classroom and School, which takes teachers inside her award - winning school to learn about the innovations that make the biggest impact
on achievement and community; Lessons That Change Writers, a
year's worth of instruction straight from Nancie's file cabinets; and Naming the World: A Year of Poems and Lessons, which helps teachers to jumpstart their teaching of writing and literature each day by unpacking a poem with their stude
year's worth of instruction straight from Nancie's file cabinets; and Naming the World: A
Year of Poems and Lessons, which helps teachers to jumpstart their teaching of writing and literature each day by unpacking a poem with their stude
Year of
Poems and Lessons, which helps teachers to jumpstart their teaching of writing and literature each day by unpacking a
poem with their students.
Students read and reflect
on a
poem and
on their experiences over the past
year, and consider things they've learned or goals they want to set for the coming
year.
Ten
year - old Sadia Zakaria, who spoke little English when she moved here from Egypt last summer, recited a
poem Monday at the Regional Multicultural Magnet School that she had written to show that «
on the inside, people are all the same.»
A Teacher's Book with comprehensive notes
on each
poem, photocopiable versions of the
poem itself plus a bank of warm - up games and activities geared to each
year group
Details: An annual contest for
poems of up to 80 lines
on any subject, judged this
year by award - winning poet Sinéad Morrissey.
In 1990, a
year after the publication of his tenth book of
poems, Tranströmer suffered a stroke, which deprived him of most of his speech and partly inhibited movement
on his right - hand side.
Indie Next # 1 Pick: TANGERINE by Christine Mangan CIRCE by Madeline Miller THE FEMALE PERSUASION by Meg Wolitzer AND NOW WE HAVE EVERYTHING:
On Motherhood Before I Was Ready, by Meaghan O'Connell THE ORACLE
YEAR by Charles Soule THE OVERSTORY by Richard Powers THE RECOVERING: Intoxication and Its Aftermath by Leslie Jamison VARINA by Charles Frazier THE ITALIAN TEACHER by Tom Rachman COUNTRY DARK by Chris Offutt THE ITALIAN PARTY by Christina Lynch STRAY CITY by Chelsey Johnson LAWN BOY by Jonathan Evison EVERY NOTE PLAYED by Lisa Genova AFTER ANNA by Lisa Scottoline BLUE SELF - PORTRAIT written by Noémi Lefebvre, translated by Sophie Lewis WAITING FOR TOMORROW by Nathacha Appanah WADE IN THE WATER:
Poems, by Tracy K. Smith PARIS BY THE BOOK by Liam Callanan I WAS ANASTASIA by Ariel Lawhon
Other books include a novel based
on her
years as a public health nurse for the Indian Health Service, Dove Creek, and Nurses Who Love English,
poems about the
years following 9/11.
J. Patrick Lewis has stopped by
on this Poetry Friday to share another
poem from his forthcoming Countdown to Summer: A
Poem for Every Day of the School
Year, to be published by Little, Brown next y
Year, to be published by Little, Brown next
yearyear.
About the Rainbow Bridge
Poem: The story of Rainbow Bridge, and the
poem that goes with it has been published
on many Web pages throughout the Internet for
years.
Kim's careful recreation of leaves floating in the water, or of summer grasses, or of snow clinging to the pond's bank become a poetic meditation
on what 1600
years ago in China or today in New York City can only be kept in
poem or painting; the faithful images Spring, Summer, Fall, and Winter are discussions of their own artifice.
I've followed Vicuña's work ever since first encountering it about ten
years ago in
poems on the Internet and
on - line recordings and then in the books of poetry that she has since published, including Saborami (ChainLinks, 2011) and Spit Temple (Ugly Duckling Presse).
Andre's first major exhibition in Britain for over 10
years, it features eight sculptures made between 1967 and 1983, as well as some of his typed - out
poems from the same period (their words are arranged to form bold patterns
on the page, almost like little pieces of sculpture).
The text of the film is based entirely
on the Stéphane Mallarmé
poem, «A Roll of the Dice Will Never Abolish Chance,» published in 1897, the
year before his death.
The
year 1922 was also marked the publication of T S Eliot's The Waste Land, the great
poem reflecting
on the modern era in the wake of the First World War.
This
year's theme is based
on a
poem by the German poet Friedrich Schiller which asks: «Beautiful world, where are you?»
The exhibitions this
year and next will be jointly titled «Wild Noise,» a reference to the chaotic beauty of urban spaces based
on a passage in a Victor Hugo
poem about «the wild noise where infinity begins.»
3.30 — 4.30 pm jennifer west rainbow party
on 70 mm film (2008), 0:38 min a 70 mm film wearing thick heavy black liquid eyeliner that gets smeary (2008), 0:30 min salt crystals spiral jetty dead sea five
year film (2013), 0:54 min spiral of time documentary film (2013), 9:01 min pink beach red desert dream sand film (2017), 3:21 min film title
poem (2016), 35 min special short version courtesy marc foxx, los angeles
Hot Mirror will bring together photographs from several collections made over the last ten
years, including the celebrated Flamboya and Parasomnia series (2013), shown alongside new photographs and collages, to create image -
poems that draw
on the Surrealist strategies of collage to offer new and unexpected juxtapositions.
(Yams) Collective withdrew their
poem / opera «Good Stock
on the Dimension Floor» from the Whitney Biennial last
year.
Other works
on view include a suite of watercolors by Guo Hongwei, combining his renderings of American iconography with his father's calligraphy of Chinese classical
poems; Chen Wei's staged photographs in the traditions of Gregory Crewdson and Cindy Sherman; a thick - imexhibitionso floral - patterned diptych by Liang Yuanwei, exhibitionsly featured in the Chinese pavilion at the 54th Biennale di Venezia; Cheng Ran's romantically staged photos of the Hollywood sign, commenting
on the role cinema has played in shaping the image of America in the psyche of younger Chinese generations; the American premiere of Sun Xun's 21 Grams, a four -
year long animation project reflecting
on history, social struggles and dystopia; and Hu Xiangqian's Art Museum, a video presentation of the «collection» of Western artworks that have inspired the artist's creative language but that he's never seen in person or fully understood.
The
poem was published the following
year, and proved to be a pivotal and influential modernist work, reflecting
on the fractured world in the aftermath of the First World War as well as Eliot's own personal crisis.
In his diary, Anselm Kiefer notes: «this heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws
on a field that I painted
years ago and that appear as charred leavings
on the solidified lead — all this reminds me of the Baudelaire
poems I reread last
year.»
Reflecting
on the relationship between sound and image, he will introduce his 1973 film Pictures and Sound Rushes as a prelude to considering the use of Ottorino Respighi's symphonic tone
poem Pines of Rome (1924) in Bruce Conner's classic experimental film A MOVIE and in Fisher's Another Movie, made some 60
years later.
In his diary — which will partly be published in the catalogue accompanying the exhibition and gives prime access to the artist's creative process — Kiefer notes: «This heavy lead bandage that can no longer be detached from the paint skin, these festering sores welling out from the still boiling lead when the pigment beneath it is not bone dry, the little straws
on a field that I painted
years ago and that appear as charred leavings
on the solidified lead — all this reminds me of the Baudelaire
poems I reread last
year in Portugal.»
He rediscovered At Five in the Afternoon, the drawing he had done a
year before to accompany the Harold Rosenberg
poem, and thus decided to begin a new series of paintings based
on its black and white palette and distinct arrangement of ovals and lines.
Sculpture as Place, 1958 — 2010, a show organised by Dia Art Foundation in association with the Museo Reina Sofía, is the first retrospective
on the artist to look over the fifty
years of his output, yielding over two thousand sculptures and a similar number of
poems, dozens of hard - to - classify objects and hundreds of postcards.