Gail's 20
year photographic project entitled «the Other Family Album: A Chronicle 1975 - 1995», was exhibited at the Cathedral of St. John the Devine in New York City, The Arts and Culture Centre in Corner Brook, NL and was shown at the Floating Gallery in Winnipeg and the Nurse - Healers Conference in Vancouver, BC.
Not exact matches
About 15
years ago, Beijing - based photographer Liu Zheng was in the midst of a
project of epic proportions: a
photographic survey of the Chinese people that took him to morgues and nunneries, among other places.
The book documents the CLUI's methodology in a series of interviews and includes a
photographic essay on land use in Houston featuring a panoramic, foldout section and a comprehensive chronology of the CLUI's
projects and publications over the past 14
years.
Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive
photographic archive that spanned ten
years and three distinct
projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007, images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.
The
project was
photographic, but it also was much more than that — it also involved not only audio recordings but getting to know the women over a number of
years.
A remarkable
photographic project which documents five
years in the lives of the inhabitants of Ponte City, an iconic Johannesburg landmark and the tallest residential skyscraper in Africa, will have its only UK showing at the Scottish National Portrait Gallery this winter.
Project Manager, The
Photographic Situation
Project, a three -
year Social Sciences and Humanities Research Council of Canada (SSHRC)- funded partnership grant between the Toronto Photography Seminar (Toronto, ON), The Developing Room (Rutgers, NJ) and the Durham Centre for Advanced Photography Studies (Durham, UK), 2011 — 2013
Run by a volunteer board of artists, The Halide
Project produces two annual exhibitions: a small group invitational and a call - for - entry show, as well as affordable workshops,
photographic study sessions, and other casual events throughout the
year.
It's a departure in style for 30 -
year - old Citarella, whose altered
photographic works have often focused on abstract textures or found images — and whose
projects on the internet have involved hawking assisted - readymades on Etsy with collaborator Brad Troemel.
Rula Halawani received an honourable mention at this
year's Moscow International Photo Awards for two of her
photographic projects.
Kruithof's range of photo - based works, made mostly in 2015, do not replicate or repeat Sultan and Mandel's
project, but rather carry it forward through strategies that are carefully calculated to resonate with today's imaging landscape — a markedly different
photographic terrain from the one Mandel and Sultan responded to forty
years ago.
Prompted by the absence of folk art in Witte de With's exhibition history, Decorations by Kasper Bosmans also features documents taken from artist Asger Jorn's
photographic archive 10,000
Years of Nordic Folk Art, a
project part of his Scandinavian Institute for Comparative Vandalism, founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.
For nearly five
years, he has been engaged in a long - range
photographic research
project on the memories of the slave trade and slavery.
Over the past
year, Edward Woodman has been participating in the Art360
project which has made it possible for Woodman to work with curators and archivists and to scan and catalogue thousands of
photographic images in his archive.
Prompted by the absence of folk art in Witte de With's exhibition history, Decorations also features documents taken from artist Asger Jorn's
photographic archive 10,000
Years of Nordic Folk Art, a
project part of his Scandinavian Institute for Comparative Vandalism, founded in 1961 as an interdisciplinary institute aimed at «vandalizing» art history.
A
photographic project developed over three
years by the Mozambican photographer Filipe Branquinho.
Other numerous international
projects planned for this
year are the exhibitions of Ai's
photographic works at the Fotomuseum Winterthur, Switzerland and of architectural
projects at Kunsthaus Bregenz, Austria.
Among numerous international
projects planned for next
year are exhibitions of Ai's
photographic works at the Fotomuseum Winterthur, Switzerland, and his architectural
projects at Kunsthaus Bregenz, Austria.