Sentences with phrase «year retrospective exhibition»

The same year a retrospective exhibition of his work, David Goldblatt Fifty - One Years, began a tour of galleries and museums around the world.

1997 SAFECO Collects: Northwest Art 1976 - 1996, Selections from the corporate collection, Jundt Museum, Gonzaga University, Spokane, WA Human References: Marks of the Artist: A Ten Year Retrospective Exhibition of the Seattle Artist» Program Collection, curated by Beth Sellars, Seattle Center Pavilion, Seattle Center, Seattle, WA Drawing Invitational, Meyerson Newinski, Seattle WA Traversing Territory, Part III, Expanding Dimensions in Printmaking, curated by Lois Allan, a collaboration between the Art Gym and PICA at Marylhurst College, Marylhurst, OR Ceramics, White Columns, New York, NY Prints by 30 NW Artists, inaugural show and permanent collection of the Vancouver School of Arts and Academics, Vancouver, WA

That said, since 1964, he has had over sixty one - man shows, at, for example: the Center for Creative Photography, University of Arizona, Tucson, and a 35 - year retrospective exhibition at the Museum of Contemporary Art, Chicago (1998).

Leap Year Retrospective Exhibition.

Most recently, she had a solo exhibition at Corbett vs. Dempsey, Chicago, IL and in 2010, a 30 - year retrospective exhibition of her sculpture and drawings was held at the Chicago Cultural Center.

2001 Eighteen Year Retrospective Exhibition, Beacon Street Gallery, Chicago, IL Rupture & Revision: Collage in America, Pavel Zoubok, Inc, New York, NY Tracing Vision: Modern Drawings from the Ceseri Collection and the Georgia Museum of Art, Wright State University Art Galleries, Dayton, OH; Samuel P. Harn Museum, University of Florida, Gainesville, FL Me and My Baby: Identity and Creativity, Lucy Daniels Foundation Annual Conference on Psychoanalysis and Creativity, Cary, NC

In 1997 Hampton University Museum in Virginia published her book From Painting to Painting as Sculpture: The Journey of Lilian Thomas Burwell in conjunction with her thirty - year retrospective exhibition there.

Not exact matches

This year marks the 60th anniversary of Chloé and alongside their amazing retrospective exhibition currently showing at the Palais de Tokyo in Paris, they've also launched a microsite called «Chloé Alphabet».

The exhibition is a retrospective of 40 years of what Poster describes as «street photography.»

Over the years they have endowed the Institute of Contemporary Art at the University of Pennsylvania and provided major support for several high - profile exhibitions of contemporary work, including retrospectives of Jeff Koons at the Whitney Museum and Christopher Wool at the Guggenheim in New York.

There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»

Numerous exhibitions and publications over the years include retrospectives for Keith Vaughan, Peter Kinley, British constructive art, and the neo-romantic school.

Fishman is currently the subject of two large exhibitions: «Louise Fishman: A Retrospective» at the Neuberger Museum of Art acts as the 77 - year - old's first comprehensive show, while «Paper Louise Tiny Fishman Rock» at the Institute of Contemporary Art, Philadelphia displays an entirely different body of work, focusing on sketchbooks, smaller paintings and sculptures, and other rarely - seen items.

BOOKSHELF To learn more about Robert Colescott's work consider «Robert Colescott: A Retrospective, 1975 - 1986,» which accompanied his first survey exhibition, along with other catalogs, such as «Robert Colescott, Recent Paintings» (1997) and «Robert Colescott: Troubled Goods - A Ten Year Survey (1997 - 2007).»

BOOKSHELF Images from Rythm Master, along with Artforum 1,000 Words article about the exhibition are published in «Kerry James Marshall: Mastry,» the catalog for the artist's 30 - year retrospective.

Bridget Riley: The Stripe Paintings 1961 — 2014, the current exhibition at David Zwirner Gallery in London, gathers together a considerable number of these paintings more than 10 years after the last retrospective of her work was held at the Tate Modern in 2003.

A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.

The current exhibition at Gary Snyder — his first New York show in fourteen years — brought to mind the refrain that has been repeated since the artist died, not yet sixty, more than twenty years ago: a museum really ought to do his retrospective.

Marlborough inaugurated a series of ground breaking exhibitions in 1959 with Art in Revolt, Germany 1905 - 1925 (an exhibition organized in aid of World Refugee Year), and in the ensuing years presented Kandinsky, the Road to Abstraction, The Painters of the Bauhaus, artists of Die Brücke, and a major Kurt Schwitters retrospective.

Mapplethorpe will also be the subject of a retrospective exhibition next year in Los Angeles at the J. Paul Getty Museum and the Los Angeles County Museum of Art.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

A retrospective of her work spanning the last 30 years, this exhibition displays the artist's global awareness of patterns, shapes, colors, and subject matter through paintings, sculpture, installation, and mixed media works.

Terry Winters's work has been the subject of numerous museum exhibitions, the most recent a retrospective of over 20 years of drawings which was held at the Pinakothek der Moderne in Munich this past summer.

Both shows open this week, but what one curator a few months ago called an art - world «battle royale» — the two megadealers competing over the work of a super-profitable artist — has settled into something else, and just maybe what Koons wanted all along: the beginning of a Year of Koons, culminating in summer 2014's full - career retrospective at the Whitney Museum — its last exhibition in its Madison Avenue headquarters before moving to the bottom of the High Line.

ON THE WEST COAST, the Los Angeles County Museum of Art had something of a banner year with an exhibition of Catherine Opie's «O Project,» portraits that document the love and dignity of people who defy narrow definitions of sexual normalcy; an exhaustive retrospective of Robert Mapplethorpe (in collaboration with the Getty) and a survey of the horror movie polymath Guillermo del Toro.

Miriam Schapiro is the recipient of six honorary doctorates and has been the subject of numerous doctoral and master's degree dissertations and she has been honored with painting retrospectives, a thirty - year works on paper retrospective, numerous one - person exhibitions and has been included in hundreds of group exhibitions throughout the world.

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

The final experience was several years later when I took my first evening art course and the teacher assigned us to see two major exhibitions that were happening in New York City, the Kandinsky and Arshile Gorky retrospectives.

Photographer David Levinthal and Curator in Charge Lisa Hostetler will be in conversation and guide guests through the exhibition War, Myth, Desire, the first museum retrospective of Levinthal's work in more than twenty years.

Several years later, in 2013, the Museum of Modern Art in Stockholm held the, as of yet, largest retrospective solo exhibition of the artist, featuring a collection of approximately 230 paintings.

A year after its completion, Untitled III would be featured in a retrospective exhibition for the Pittsburgh International Series.

Tate Modern will present the first posthumous retrospective of Robert Rauschenberg, also his first comprehensive exhibition in the UK for almost thirty - five years.

The retrospective exhibition that highlights the foundation's support of local craftsmanship over the last 16 years also marks the opening of its new building, Yeol Bukchonga in the Bukchon area in Seoul.

Graves's breakout year of 1942 was followed by regular exhibitions at the Willard Gallery in New York and major museum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, in 1983.

The exhibition has been described as «the most remarkable exhibition of the year» (Laura Cumming, Observer), a «magnificent display of 60 paintings from across Neel's career» (Robin Blake, Financial Times), «an eye - peeling, heart - wrenching triumph» (Rachel Campbell - Johnston, Times), «a revelation - exhilarating, touching, tender and a little bit wild» (Adrian Searle, Guardian), and a «punchy retrospective» (Richard Dorment, Daily Telegraph).

The NGA exhibition opens just over a year after Stella's retrospective opened at the Whitney Museum in New York, yet by focusing on the rich seam of prints, a cohesive view of this extraordinary artist is attainable, making it an important show on many levels.

2007 — Representation 2007, Jenkins Johnson Gallery, NYC 2006 — 10 Years — A Retrospective, Dolby - Chadwick Gallery, San Francisco 2005 — Domestic Disturbance, Evanston Art Center, Evanston, IL 2005 — Sinister, Tarble Art Center, Eastern Illinois University, Charleston, IL 2004 — The Reflected / Refracted Self, Carl Hammer Gallery, Chicago 2004 — The Artist as Collector, Northern Indiana Arts Association, Munster, IN 2004 — American Realism, Plus One Plus Two Galleries, London 2004 — Meat Market, Lyonswier Gallery, NYC 2003 — Group Show, Dolby - Chadwick Gallery, San Francisco 2002 — Here and Now, Cultural Center, Chicago (catalogue) 2002 — Harboring Beauty, Gesheidle Gallery, Chicago 2002 — Art Chicago, Chicago 2002 — San Francisco International Art Exposition, San Francisco 2001 — Snowglobe Invitational, Gescheidle, Chicago 2001 — Pin - up, Lyonswier Gallery, NYC 2001 — Welcome to My Dollhouse, Zolla - Lieberman Gallery, Chicago 2001 — Subject Matters, Standard Gallery, Chicago (catalogue) 2001 — Artists / Alumni, Block Museum, Northwestern University, Evanston, IL (catalogue) 2001 — Narrative Sampler, Lyonswier Gallery, Chicago 2000 — Les Chemical Carnales, Hyde Park Art Center, Chicago 2000 — Shake the Coat, North Park University, Chicago 2000 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Union League Civic and Arts Foundation Scholarship Exhibition, Chicago 1999 — Votive Offerings, Hyde Park Art Center, Chicago

Other major retrospective exhibitions included Benjamin Patterson: Born in the State of FLUX / us (2010), Donald Moffett: The Extravagant Vein (2011); Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing (2014); and Marilyn Minter: Pretty / Dirty (2015).

In 1974 she was given a retrospective at the Whitney; two years later, the date of the final portrait in the exhibition, she was elected to the American Academy and the Institute of Arts and Letters; and three years after that, and just five years short of her death aged 84, she was presented with a National Women's Caucus for Art award for outstanding achievement by President Carter.

Thiebaud has been honored with gallery and museum exhibitions almost every year since 1960, highlighted by a 1985 retrospective at the San Francisco Museum of Modern Art and a 2001 retrospective that traveled from the de Young Fine Arts Museum of San Francisco, to the Modern Art Museum of Fort Worth, the Phillips Collection in Washington D.C., and the Whitney Museum of American Art.

Sharon Butler sat down with Louise Fishman in her cozy 23rd Street apartment to discuss her two current exhibitions: Five Decades, a 50 - year retrospective at Tilton Gallery (September 5 — October 13), and Louise Fishman, at Cheim & Read (September 13 --- October 27).

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

That display featured works from her long career and wide - ranging practice, from her early period as an active member of the Parisian avant - garde in the 1920s and 1930s, through to her later years back in Britain, leading up to her Tate retrospective exhibition in 1983, the year before she died.

MoMA included him in the 1946 Fourteen Americans exhibition; he represented the United States at the 1948 Venice Biennale; the Whitney organized a traveling retrospective of his work in 1951; and that same year, he participated in the São Paulo Biennale.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

On July 6th the Tate Modern premiered a major retrospective of the career of Georgia O'Keeffe, the gallery's first major exhibition since its reopening this year.

www.flowersgalleries.com PATRICK HUGHES 14 July — 3 September 2011 Artist's talk Saturday 3 September 2011, 4 - 6 pm Flowers Galleries are proud to announce 50 Years in Show Business, a major retrospective exhibition celebrating Patrick Hughes» life as an artist.

(An issue also addressed in an exhibition of Stanley Whitney's paintings at the Studio Museum last year and in an Alma Thomas retrospective opening at the Tang Museum upstate next month.)

The Hayward Gallery has announced it will host the first ever UK retrospective of Carsten Höller as its summer exhibition next year, the gallery's final show before it closes for two years.

For his large retrospective exhibition held earlier this year as the artist turned fifty, he chose to title the exhibition I Don't Know the Mandate of Heaven.