Sentences with phrase «year retrospective organized»

However, in 2009, a 40 - year retrospective organized by the Irish Museum of Modern Art served to recognize her career.

Wiley's work is in the collections of major museums and «Kehinde Wiley: A New Republic,» a 10 - year retrospective organized by the Brooklyn Museum, traveled to six additional museums between 2015 and 2017.

Not exact matches

Danny and Jean set about organizing a Meyerowitz retrospective at Bard, where Eliza is a freshman (making hilarious, Ryan Trecartin - tinged art pornos to the chagrin of her surrounding adults), and where Harold taught for many years.

But curatorial attention has returned to his oeuvre in the years since his death, culminating in a major retrospective of his work at the Musée d'Art Moderne de la Ville de Paris in 2016, organized by the museum's director, Fabrice Hergott.

Marlborough inaugurated a series of ground breaking exhibitions in 1959 with Art in Revolt, Germany 1905 - 1925 (an exhibition organized in aid of World Refugee Year), and in the ensuing years presented Kandinsky, the Road to Abstraction, The Painters of the Bauhaus, artists of Die Brücke, and a major Kurt Schwitters retrospective.

Not until 1983, eight years after his death, was he the subject of a major retrospective, organized by the Museum of Fine Arts in Boston.

Over the course of her 15 - year tenure at MoMA, Respini organized major retrospectives as well as important thematic exhibitions such as Pictures by Women: A History of Modern Photography and Staging Action: Performance in Photography since 1960.

A print retrospective organized by the Detroit Institute of Arts was on view last fall and begins an extensive tour of American museums later this year.

In 2013, The Museum of Modern Art, New York organized Genzken's first American museum survey, Retrospective, making it the most comprehensive presentation of her work to date, encompassing all media from the past forty years.

MoMA included him in the 1946 Fourteen Americans exhibition; he represented the United States at the 1948 Venice Biennale; the Whitney organized a traveling retrospective of his work in 1951; and that same year, he participated in the São Paulo Biennale.

The subject of the 2002 retrospective, Gerhard Richter: 40 Years of Painting organized by the Museum of Modern Art, Richter was born in Dresden, Germany, and first studied art under the social and political disciplines of the East German communist government.

Respini has been a champion of photographic and new media practices since the early years of her career in MoMA's curatorial department, when she organized the 2012 blockbuster mid-career retrospective of Cindy Sherman.

The retrospective, spanning Hershman Leeson's 50 - year career, is organized chronologically, beginning with The Infinity Engine.

Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.

«A New Republic,» his 10 - year retrospective, was organized by the Brooklyn Museum in 2015.

Cocurated by Alfred Pacquement — the former Musée National d'Art Moderne director who previously helped organize the artist's 2013 retrospective at the Centre Pompidou — and uniting fourteen large - format paintings, the exhibition tracked Hantaï's production in the crucial years 1960 — 71, when he developed his signature practice of pliage: painting variously crumpled or knotted canvases and then subsequently unfolding and stretching them for exhibition.

During the last few years, there has been a drastically increased interest in her work which became the subject of numerous shows including the Museum für Moderne Kunst in Frankfurt am Main, the Musée d'Art Moderne de la Ville de Paris, the Kunsthalle, Zurich, the Serpentine Galleries in London, and the Moderna Museet, Stockholm which organized the retrospective in 2012 named Sturtevant: Image Over Image.

In 2010, ArtPace in San Antonio organized a year - long retrospective of Felix Gonzalez - Torres's billboards.

Solien's work has been visible in over 35 solo exhibitions in the last 25 years, and was the subject of a 25 year retrospective entitled TL Solien: Myths and Monsters organized by the Madison Museum of Contemporary Art, Madison.

He was best known for his sculptures, dynamic amalgams of salvaged cars, which are held in many public collections in our area: MoMA included his work in its 1961 show, The Art of Assemblage and the Guggenheim organized his 1971 retrospective, and will present another exhibition in February of next year.

Kusama has just been the subject of a major retrospective organized by Tate Modern, which started last year at the Reina Sofia in Madrid then went to the Centre Pompidou in Paris, Tate Modern earlier this year and then the Whitney Museum in New York.

Thirty years later, the San Francisco Museum of Modern Art organized the first international traveling retrospective of her photographs.

Earlier this year, she was the subject of a major retrospective organized by the Tate Modern, London.

In 1961, the Solomon R. Guggenheim Museum, New York gave him a one - man exhibition; in 1964, his work appeared in the Venice Biennale; he participated in Dokumenta IV (1968) and V (1972); he had two traveling retrospective exhibitions during his lifetime; and in 1985 — four years after his death — the Guggenheim also organized a major retrospective.

A retrospective of his work organized jointly by the Art Institute of Chicago, The Getty in Los Angeles and The High Museum in Atlanta closed in May 2014 after a year of travel.

In 2006 Pomona College organized a 35 - year retrospective, A Sea Of Possibilities.

Another major retrospective, organized by Peter Selz, opened at San Francisco's Meridian Gallery in 2007, two years before the artist's death from Parkinson's disease.

The late Daniel Robbins was an art historian at the The Rhode Island School of Design who organized Murch's first major retrospective in 1966, a year before his death from a heart attack on December 11, 1967.

Mary Frank has had numerous solo museum and gallery exhibitions over the years, including two retrospectives at the Neuberger Museum in Purchase, NY (2000 and 1979), and the show Natural Histories, organized by the DeCordova Museum, in Lincoln, MA, (1988), which traveled to the Pennsylvania Academy of the Fine Arts, Philadelphia, and the Everson Museum of Art, Syracuse, NY.

Funney / Strange, a retrospective of Wegman's work organized by the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, with a catalogue published by Yale University Press, completes its two - year tour this fall at the Wexner Center for the Arts in Columbus, Ohio.

In 1993, the Neuberger Museum of Art in Purchase, NY, organized Melvin Edwards Sculpture: A Thirty - Year Retrospective 1963 — 1993, an exhibition documenting his artistic development.

All four paintings have become some of the most celebrated in Freud's oeuvre and were selected in recent years for the 2012 critically acclaimed retrospective of the artist's portraits organized by London's National Portrait Gallery.

The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

Storr organized an important retrospective of nearly forty years of Murray's work in October 2005 to inaugurate the Museum of Modern Art's building.

Eighteen years later he received a major travelling retrospective organized by the same museum.

Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).

In tandem with an independently organized retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty - year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the same physicality and unapologetic emotional punch as her bigger, iconic works.

GENERATION WEALTH BY LAUREN GREENFIELD In her first major retrospective, Ms. Greenfield, a photographer and documentarian, organizes 25 years» worth of her anthropologically tinted investigations of money culture into a single piece.

For the last five years Mr. Elderfield has immersed himself in de Kooning's work, and he is nearing the final stretch of organizing a major retrospective that will be on view at MoMA Sept. 18 through Jan. 9, 2012.

Housed in the same private collection for almost 20 years, Dustheads was included in the seminal exhibition of the artist's work organized by the Fondation Beyeler, Basel in 2010 (and which later travelled to the Musée d'art moderne de la ville de Paris) and is widely referenced in the artist's monographs, including the cover of the catalogue to the 2006 Basquiat retrospective organized by the Fondazione La Triennale di Milano.

Published last year for the artist's major European traveling retrospective organized by the Deichtorhallen Hamburg — Sammlung Falckenberg, the first edition has now sold out.

He was also closely involved with the revival of Duchamp's reputation in the years before his death in 1968 and organized the first major retrospective in Europe, held at the Tate.

His multimedia practice will be a focal point of the Queens Museum's biennial in the fall, and early next year it will be celebrated in a comprehensive retrospective organized by Anthony Elms, Mark Christman, and the Philadelphia arts organization Ars Nova.

First American retrospective of influential German artist Blinky Palermo was organized by Dia Art Foundation and Bard Center for Curatorial Studies June 25 — October 31, 2011 ANNANDALE - ON - HUDSON, NY — The acclaimed exhibition Blinky Palermo: Retrospective 1964 — 1977 concludes its year - long tour at Dia: Beacon and..retrospective of influential German artist Blinky Palermo was organized by Dia Art Foundation and Bard Center for Curatorial Studies June 25 — October 31, 2011 ANNANDALE - ON - HUDSON, NY — The acclaimed exhibition Blinky Palermo: Retrospective 1964 — 1977 concludes its year - long tour at Dia: Beacon and..Retrospective 1964 — 1977 concludes its year - long tour at Dia: Beacon and... read more →

Three years later a large retrospective of her work was organized by the Padiglione d'Arte Contemporanea (PAC) in Milan, and in 1990 she participated again in the Venice Biennale.

This year the Kawamura Memorial Museum of Art organized the first retrospective exhibition of Ryman's work ever held in Japan.

New York was not one of the venues for the retrospective «Ed Ruscha: Editions 1959 — 99,» organized by Siri Engberg at the Walker Art Center 15 years ago.

Schimmel has organized major one - person retrospectives for artists Chris Burden, Willem De Kooning, Takashi Murakami, Laura Owens, Sigmar Polke, Charles Ray, and Robert Rauschenberg, and significant thematic exhibitions such as The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938 - 1948 (1987), The Figurative Fifties: New York Figurative Expressionism (1988), Hand - Painted Pop: American Art in Transition 1955 — 62 (1992), Helter Skelter: LA Art in the 1990s (1992), Out of Actions: Between Performance and the Object, 1949 - 1979 (1999), Ecstasy: In and About Altered States (2006), and Collection: MOCA's First 30 Years (2010).

Opening: «Picasso Sculpture» at the Museum of Modern Art In 1967, MoMA became the second institution in the world — and the first in North America — to organize a thorough survey of Picasso's sculptures, only a year after they had first become known to the public via a Parisian retrospective.

Currently the subject of a traveling retrospective organized by the Museu d'Art Contemporani de Barcelona in Spain and the Museo Universitario Arte Contemporáneo in Mexico City, her work also featured this year in the «Open Plan» series at the Whitney Museum, where she showed Down the River (2016), a sound installation of recordings made at Sing Sing prison.