Sentences with phrase «year retrospective solo»
From earning his BA in Art History from Fordham University (NY) all the way through his 30 year retrospective solo exhibition in NY (2013), Gavin has exhibited nationally and has work included in the Telfair Museum in Savannah Georgia.
http://www.cumberlandgallery.com/ Not exact matches
There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»
Several years later, in 2013, the Museum of Modern Art in Stockholm held the, as of yet, largest retrospective solo exhibition of the artist, featuring a collection of approximately 230 paintings.
Her most recent solo retrospective, The Cleaner, opened this year in Stockholm's Moderna Museet, and later traveled to the Louisiana Museum in Denmark.
Quiet impressive to see this major retrospective a couple of years after having seen his solo display at Arles Photography Festival.
Kusama has received unwavering international acclaim and been the subject of a number of solo shows at iconic galleries around the globe, most notably her Tate Retrospective in 2012, the same year she famously collaborated with fashion house Louis Vuitton.
In recent years Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latino Americano de Buenos Aires; a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist's first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2years Emin has been the subject of a number of retrospective museum exhibitions around the world, including a major solo show at the Museo de Arte Latino Americano de Buenos Aires; a solo exhibition at Turner Contemporary in her hometown of Margate (2012); and Tracey Emin: 20 Years, the artist's first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2Years, the artist's first retrospective which originated at Scottish National Gallery of Modern Art, Edinburgh (2008), before traveling to the Centro de Arte Contemporáneo, Málaga (2008) and the Kunstmuseum Bern, Switzerland (2009).
Whitten has been the subject of numerous solo exhibitions, including the most recent, Jack Whitten: Five Decades of Painting, a traveling exhibition organized by the Museum of Contemporary Art of San Diego in 2014 - 15; Jack Whitten: Erasures at SCAD Savannah College of Art and Design in 2012; an exhibition of memorial paintings at the Atlanta Contemporary Arts Center in Georgia in 2008; a solo show at MoMa PS1 in 2007; a ten year retrospective at the Studio Museum in Harlem in 1983; and a solo exhibition at the Whitney Museum of Art in 1974.
She has had numerous solo shows and film screenings both nationally and internationally including her ten - year retrospective at MOMA: PS1, titled Only the Lonely.
A related review rounds up solo shows over the years of Lynda Benglis, including a New Museum retrospective.
Solien's work has been visible in over 35 solo exhibitions in the last 25 years, and was the subject of a 25 year retrospective entitled TL Solien: Myths and Monsters organized by the Madison Museum of Contemporary Art, Madison.
Recent solo exhibitions of hers include a mid-career retrospective, titled «Zoe Strauss: Ten Years,» at the Philadelphia Museum of Art in Philadelphia, and «I - 95: A Slideshow» at Bruce Silverstein Gallery in New York.
This exhibition, entitled The Dance of the Machine Gun & other forms of unpopular expression after the «Futurist Manifesto» by Italian poet F.T. Marinetti, is his first solo show in four years and coincides with the artist's retrospective at the Brooklyn Museum, taken from the Rubell Collection of Miami.
The Hernandez retrospective is the first solo exhibition installed in the Pritzker Center of Photography, a vast expanse in the museum's annex, which opened this year.
Bas» work has been exhibited in many international solo and group exhibitions including the 2007 retrospective at the Rubell Family Collection in Miami, FL, which then traveled to the Brooklyn Museum of Art the following year.
Recent years have seen a revival of interest in the artist's work, with MoMA displaying Rhapsody in its atrium in 2006 and 2011 (it owns it) and Pace showing another sprawling work in 2011, and this month Bartlett will receive her first career retrospective at the Parrish Museum, an institution that has made previous solo pushes for the artist in 2010 and 2012.
We hosted Damien's first solo retrospective exhibition in the Middle East, documenting his twenty - five year career.
Ten years in the making, Damien Hirst's new project is unveiled in Venice — his first solo exhibition in Italy since a 2004 retrospective in Naples.
Mary Frank has had numerous solo museum and gallery exhibitions over the years, including two retrospectives at the Neuberger Museum in Purchase, NY (2000 and 1979), and the show Natural Histories, organized by the DeCordova Museum, in Lincoln, MA, (1988), which traveled to the Pennsylvania Academy of the Fine Arts, Philadelphia, and the Everson Museum of Art, Syracuse, NY.
Current and upcoming solo exhibitions include a ten year retrospective at the Utah Museum of Fine Arts, Salt Lake City and the Museum of Contemporary Art Denver in 2016.
I am also looking forward to various solo presentations: the French - Moroccan artist Bouchra Khalili — whose meditations on statelessness feel more relevant than ever — at Jeu de Paume, Paris (5 June — 23 September); and in London, the Hayward Gallery's timely Andreas Gursky retrospective (25 January — 22 April) is bound to shine a light on globalization after a torturous year of Brexit induced self - reflection.
Her solo exhibitions include Galerie Hans Müller, Cologne, 1970; Paula Cooper Gallery, New York, 1970; Hayden Gallery, MIT, Cambridge, Massachusetts, 1971; Kansas State University, Manhattan, Kansas, 1971; Lynda Benglis: Video Tapes, curated by Robert Pincus - Witten, Everson Museum of Art, Syracuse, New York, 1973; Sparkle Knots, The Clocktower, New York, 1973; Moving Polaroids, The Kitchen, New York, 1975; Lynda Benglis - Keith Sonnier, A Ten Year Retrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, PhiladRetrospective, 1977 — 1987, Alexandria Museum of Art, Alexandria, Louisiana, 1987; Dual Natures, curated by Susan Krane, High Museum of Art, Atlanta, 1990 (Benglis's last major retrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadretrospective); Lynda Benglis: From the Furnace, Aukland City Art Gallery, 1993; Margo Leavin Gallery, Los Angeles, 1991; Michael Janssen Gallery, Cologne, 1997; Lynda Benglis: Sculptures, Bass Museum of Art, Miami, 2003; A Sculpture Survey 1969 — 2004, Cheim & Read, New York, 2004; Lynda Benglis: Pleated, Knotted, Poured..., Locks Gallery, Philadelphia, 2006; Lynda Benglis - Louise Bourgeois, Circa 70, Cheim & Read, New York, 2007; and Shape Shifters, Locks Gallery, Philadelphia, 2008.
The artist has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).
And now, after several years of neglect from American galleries and museums, Schnabel is having a bit of a renaissance, with a recent retrospective at the Aspen Art Museum, a solo show opening this week in New York at Pace Gallery and a new film project about Vincent Van Gogh in the works.
Five years after his death in 2002 Martin Kippenberger was given a solo exhibition at Tate Modern that was followed in 2009 with an exhibition entitled The Problem Perspective at MoMA PS1 as well as a prestigious retrospective at Hamburger Bahnhof, Berlin in 2013.
Tuttle has been the subject of hundreds of solo exhibitions since 1965, including numerous museum surveys, ranging from his first, at the Whitney Museum of American Art in 1975, to more recently, a two - year travelling retrospective organized by the San Francisco Museum of Modern Art (2005 - 2007).
«Best Show in a Commercial Gallery in New York City» honors went to Gagosian's «Picasso: Mosquertos,» curated by John Richardson, which was nominated for the «Solo Show of the Year, Gallery» award at Rob Pruitt's First Annual Art Awards, before losing to Gagosian's «Manzoni: A Retrospective.»
A former Director (2000 - 06) of CCA Wattis Institute, at California College of the Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruschka, Jeremy Deller, Carsten Holler, Tracey Emin and George Condo.
The show itself is spilt into two separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new Exhibition Director.
The title of the exhibition refers to Powhida's recent solo exhibition at the Aldrich Contemporary Museum of Art where the artist created a fictional retrospective look back from the year 2050 at the Contemporary period of art history.
Curated by André Leon Talley, this is Becker's first solo exhibition in more than 30 years and his first museum retrospective.
Ten years ago, Isabella Bortolozzi, who had met her in the 1990s through a mutual friend and art collector, put on a solo show of Rama's work at her gallery in Berlin, with the eventual aim of realizing a major retrospective; a show of over 200 works spanning seven decades was finally mounted in 2014 at MACBA Barcelona, and subsequently traveled to Musée d'Art Moderne de la Ville de Paris, EMMA Museum in Finland, IMMA in Dublin, and GAM Torino in Rama's hometown.
This exhibition is another important retrospective exhibition held after his solo exhibition at the Long Museum (West Bund) in 2016, which features all his representative and contemporary works from different periods and different series throughout his 50 - year course of creation, demonstrating his creative context through the examination of sociality and aesthetics in his works and the milestones of his career.
Selected Solo Exhibitions 1951: (first) Hacker Gallery, NYC; 1958: Grand Central Moderns Gallery, NYC; 1959: Tanager Gallery, NYC; 1960: Galerie Iris Clert, Paris; Pollock Gallery, Toronto; 1964: Byron Gallery, NYC; 1968: «Ten Year Retrospective of Albert Kotin's Work,» Long Island University, Brooklyn, NY; 1982: «Albert Kotin, 1907 - 1980,» Memorial Exhibition, Barron Arts Center, Woodbridge, NJ.
This huge retrospective spans forty years of American sculptor Martin Puryear's practice, and is also his first solo exhibition in London.
Three standouts from the past year: SculptureCenter presented the thorough retrospective that the late, great postminimalist Bill Bollinger deserved in his hometown, James Fuentes and JTT teamed up on a show of Bill Walton, an ace sculptor (1931 — 2010) from Philadelphia who never had a solo show in New York during his long career, and Peter Fend, a longtime troublemaker, popped up in superb shows all over the city.
, Erika Rothenberg's parody of dissent and freedom of speech, complete with flag - burning kits; in 1998 it mounted the first solo show of Colombian artist Doris Salcedo's work, 17 years before a full retrospective was organized by the...
During the last year, the Gallery has organized the first Italian exhibition of Lynda Benglis, followed by a great retrospective exhibition of Klaus Rinke and the second solo show of Erik Saglia, while in 2018 it will be organized the very first solo show in Italy by David Novros, followed by a solo show by Simon Linke.
After a year - long collaboration with the French artist Amande In, he is curating her retrospective at the Brno Culture Center and her solo exhibition, Forest For The Trees, at the Gallery of the Australian National University in Canberra.
In 2015, Rasdjarmrearnsook had her first US retrospective at the Sculpture Center, which made several year - end lists, notably in the Guardian and Art in America, and solo shows at Tyler Rollins Fine Arts, New York, and Kyoto Art Center, Kyoto.
One of the biggest stories in the art world in the past two or three years has been the rapidly growing number of female artists who are getting solo shows, career surveys and retrospectives at well - known museums.
The talk hosted by Autograph ABP runs concurrently with Hancock's major drawing retrospective at Studio Museum Harlem (Skin and Bones: 20 Years of Drawing) and solo exhibition at The Ringling Museum in Florida (EMIT: What the Bringback Brought).
A former Director (2000 - 06) of CCA Wattis Institute, at the California College of Arts in San Francisco, he has curated numerous group shows at the Hayward Gallery over the past 11 years, including The Painting of Modern Life (2007), Psycho Buildings (2008), an exhibition that included interactive and immersive installations by artists such as Mike Nelson, Gelitin and Do - ho Suh; and The Infinite Mix (2016); he also has curated important retrospectives and solo exhibitions by Ed Ruscha, Jeremy Deller, Carsten Holler, Tracey Emin, and George Condo.
The couple of solo gallery shows she hustled in the 11 years following her graduation from the Yale School of Art have since been eclipsed by multiple posthumous retrospectives at major museums from the Guggenheim to the Hirshhorn to the Tate.»
Most recently, she had a solo exhibition at Corbett vs. Dempsey, Chicago, IL and in 2010, a 30 - year retrospective exhibition of her sculpture and drawings was held at the Chicago Cultural Center.
In 2015, the Rose Art Museum at Brandeis University organized The Brood, Lisa Yuskavage's first solo show at an American museum since a retrospective at the Institute of Contemporary Art, Philadelphia fifteen years prior.
Renowned internationally for co-founding the design collective Archizoom and Domus Academy as well as for his role in Italian Radical Architecture, Superarchitettura, Alchimia, and the Memphis Group, Branzi was celebrated with a solo exhibition at the Fondation Cartier in 2008 and more recently with a 50 - year retrospective at Musée des arts décoratifs, Bordeaux in 2014 - 2015.
In the past two years, Piene has been the subject of four solo retrospectives in Germany and one in Iran.
Kianja Strobert's first solo museum retrospective, in Santa Monica two years ago, was aptly titled «Nothing To Do But Keep Going.»
From One Continent to Another, a solo exhibition and career retrospective by French artist Agathe Bouton, celebrates the artist's boundary - pushing printmaking and paper works created across the globe over the last 20 years.