Sentences with phrase «years as a cinematographer»

Not exact matches

Spielberg tapped Kaminski to shoot Schindler's List in Poland just 12 years after the cinematographer had come to the United States as a political refugee.

First stepping behind the camera as cinematographer for the 1977 drama Homeward in the Night, August took the helm for Honeymoon the following year, to great critical acclaim.

The film is masterfully put together, and in fact features the same cinematographer as The Orphanage, Óscar Faura, who would have to be one of the best horror cinematographers of recent years, having also contributed to The Machinist (El Maquinista).

With Gaspar Noe's Enter The Void, Michael Rowe's Camera d'Or winner Leap Year, UK indie apocalypse film Monsters, Aussie rom - com The Wedding Party and a four feature tribute to cinematographer Jack Cardiff (including Hitchcock goes Down Under in Under Capricorn), BIFF 2010 has, as Moore so eloquently put it, «snap, crackle, pop, kick, bite and relevance».

Winner: Emmanuel Lubezki, «The Revenant» Should win: John Seale, «Mad Max: Fury Road» Upset player: John Seale, «Mad Max: Fury Road» (and that's a stretch) Nightmare win: None Lowdown: Lubezki will make history as the first Cinematographer to win this category three years in a row.

Jordan Peele, the mastermind of «Get Out,» a social thriller about American racism, became the first African American to earn producer, director and writer nominations for a single film; the academy nominated a female cinematographer, «Mudbound's» Rachel Morrison, for the first time in its 90 - year history; and Greta Gerwig became just the fifth woman recognized as a director, feted for her wry, observational coming - of - age story «Lady Bird.»

Filmed in Ireland by cinematographer Vilmos Zsigmond with an atmospheric score by John Williams, the film is artfully made, yet features a few thriller - style shock moments to emphasize Cathryn's descent into madness as she begins to have distorted visions of former lover Rene (Marcel Bozzuffi), who was killed years earlier in a plane crash.

Besides Newman, who, as Ebert noted, was taking an active hand in shaping and developing a fairly consistent character archetype over several years and films, they included co-screenwriter Frank Pierson, who would go on to write Dog Day Afternoon; cinematographer Conrad Hall (In Cold Blood, Butch Cassidy and the Sundance Kid, Fat City, Marathon Man); editor Sam O'Steen (Carnal Knowledge, Chinatown); and sound mixer Larry Jost, who would work with O'Steen on those two films and then go on to One Flew Over the Cuckoo's Nest — a movie that is in many ways Cool Hand Luke's spiritual cousin.

Four cinematographers selected as this year's ASC...

Cinematographer Bradford Young has shot some incredible films, such as «Arrival,» «Selma» and «A Most Violent Year.»

Sources told IndieWire at the time that Anderson had been toying with the idea of working as his own cinematographer for years, but that's not exactly how the director sees it.

Any new Paul Thomas Anderson film is guaranteed to create excitement, but «Phantom Thread» has generated more buzz than usual for two reasons: The drama marks a reunion between Anderson and Daniel Day - Lewis ten years after «There Will Be Blood» and the movie finds the director serving as his own cinematographer on a feature film for the first time.

Cinematographer Dick Pope utilizes some of the prettiest lighting and compositions you'll see this year to amaze our eyes as Leigh's patient camera largely sits idle.

In the previous years, such world - famous filmmakers were our guests receiving Jameson CineFest's Lifetime Achievement Award as directors István Szabó director, Agnieszka Holland, Károly Makk and Jiři Menzel, cinematographer Vilmos Zsigmond and actress Claudia Cardinale.

Madonna's cinematographer Hagen Bogdanski is no novice, having ten years of experience in his native Germany as well as some recent American film credits to his name.

But here, again, Arrival doesn't seem likely to get much love.The safest bet, as so often this year, is probably on La La Land and its cinematographer Linus Sandgren.

Not only has Christopher Plummer made history today as the oldest nominated actor ever, but Mudbound cinematographer Rachel Morrison also stepped into the record books as the first woman nominated in 90 years of Oscar.

The 47 - year - old actress was joined at the event by her co-stars Sally Hawkins and Richard Jenkins, as well as director Guillermo del Toro, producers Matthew Greenfield and J. Miles Dale, cinematographer Dan Laustsen and composer Alexandre Desplat.

Having been involved as a cinematographer on a number of great films over the years that blended elements of horror and thriller with comedy, I'm excited to direct a project that I think hits all those notes and is hugely entertaining.

Potter and her cinematographer Robbie Ryan (who shot last year's Wuthering Heights) have captured a natural - looking recreation of early -»60s London, and a penchant for close - ups helps sell the performances of the actors even as the drama dwindles.

Upcoming film series will highlight Figueroa's work with Spanish surrealist Luis Buñuel, the Hollywood films that the cinematographer shot over his 50 - year career for directors such as John Huston and John Ford, the films of the early 1930s that spurred Figueroa, and contemporary Mexican filmmakers whose work invokes Figueroa's legacy.

Cinematographers Branch: Two film credits as Director of Photography, at least one within the last three years.

After an eight year period of silence following his time travelling Sundance Grand Jury Prize winning debut Primer, Shane Carruth returns to his position not only at the helm with his latest masterpiece, Upstream Color, but once again as writer, actor, cinematographer, sound designer, editor and even distributor.

Additional celebrities at SIFF this year included Academy Award - winning director Morgan Neville with his documentary The Music of Strangers: Yo - Yo Ma and the Silk Road Ensemble; award - winning writer and director James Schamus of Indignation; award - winning cinematographer Kirsten Johnson with her directorial debut Cameraperson; acclaimed actor Clea DuVall with her directorial debut The Intervention; directors Miles B. Miller and Joshua H. Miller, producer Kathryn Tucker, and actor Paul Sparks of All the Birds Have Flown South; actor Craig Robinson in Morris From America; director Jonathan Parker, producers Catherine di Napoli and Deborah Parker, and actor Eric McCormack with The Architect; Mike Birbiglia, director of Don't Think Twice; YouTube sensation and documentary subject of Presenting Princess Shaw Samantha Montgomery, who performed at the Opening Night Gala; Irish drag queen and marriage equality advocate Panti Bliss, subject of the documentary The Queen of Ireland, as well as director Conor Horgan; director Martin Spirit and subject Spencer Haywood of Full Court: The Spencer Haywood Story; irector Ned Crowley and actor Jim O'Heir of Middle Man; director James Redford with his new documentary Resilience; Pearl Jam founding member and Gleason composer Mike McCready; actor Laura Carmichael and director Chanya Button with the US premiere of Burn Burn Burn; director Iwai Shunji of A Bride for Rip Van Winkle; Joshua Marston, director of Complete Unknown; actor Corentin Fila of Being 17; Andreas Öhman, director of Eternal Summer; Ti West, director of In A Valley of Violence; director Roger Ross Williams and subject Ron Suskind of Life, Animated; director Nathan Adloff, actor Tim Boardman and producers Stephen Israel and Ash Christian of Miles; director Linas Phillips and producer Ian Bugno of Rainbow Time; Richard Tanne, director of Southside With You; Jocelyn Moorhouse, director of The Dressmaker; Brent Hodge, director of The Pistol Shrimps.

Reunited with cinematographer / filmmaker Andrew Droz Palermo (Rich Hill), this Austin shot drama has benefitted from the extra time in post-production as it was shot in March of this year and we're sure glad she didn't waste much time between projects.

Inarritu and cinematographer Emmanuel Lubeski (this year's Oscar winner for Gravity) set it up to act as one long continuous take, but differentiates itself from movies like Rope by not taking place in real time.