Sentences with phrase «years as an art dealer»

The exhibition marks Efstathiou's first venture into curating after working more than 10 years as an art dealer.
After 25 years as an art dealer, Jennifer decided, in 2000, to dedicate her professional life to helping families going through personal crisis and divorce.
«It was during that time that I fell in love with historic homes,» says Gestson, who spent more than 20 years as an art dealer before getting his real estate license.

Not exact matches

But for me the dullest and most timid aspect of this year's Oscar list is its almost ignoring Tom Ford's brilliant, ruthlessly provocative thriller Nocturnal Animals, a double - narrative about an unhappy art dealer (Amy Adams) who gets the manuscript of an unpublished novel through the post from her estranged first husband (Jake Gyllenhaal), and the action of this explicit crime thriller is dramatised as she imagines it, with this very ex-husband pictured in the lead.
This November, Dutch art dealers and publishers Cook & Becker will release a new book, 120 Years of Vlambeer & Friends, subtitled «Bringing back arcade games since 1896», chronicling the first six years of the titular indie studio, responsible for such indie successes as Ridiculous Fishing, LUFTRAUSERS and Nuclear ThYears of Vlambeer & Friends, subtitled «Bringing back arcade games since 1896», chronicling the first six years of the titular indie studio, responsible for such indie successes as Ridiculous Fishing, LUFTRAUSERS and Nuclear Thyears of the titular indie studio, responsible for such indie successes as Ridiculous Fishing, LUFTRAUSERS and Nuclear Throne.
Whether you're new to the art business or an experienced gallery owner, dealer or artist, to make this year a good one you need to know the sales basics that serve as the foundation for a successful art career.
As an art dealer, I can tell you that I reject thousands of artists a year that don't have a solid portfolio.
The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.
Used as models for marble panels in the Paris apartment of Braque's art dealer Paul Rosenberg, the four canvases reveal aspects of Braque's process; all were in his studio at the same time at various stages of completion, as he reworked them over several years.
He worked as an art dealer for ten years, before relocating to Chicago and opening the Young Hoffman Gallery in 1978 with Rhona Hoffman.
Aside from a couple of critics, most thought that this year's offerings were the best yet, and some dealers reported so much business in the first hour as to give many I talked to the impression that the more sought - after work had been pre-sold, a practice that would ban a gallery from fairs such as Art Basel, but that seems to fly here.
James Reinish and Director Ann Yaffe Phillips have worked as dealers and advisors in the art market cumulatively for over 60 years.
Mao notes, «As a dealer in contemporary Chinese art for the last 15 years, I am truly delighted to be adding one more area of specialization to ADAA.
Indeed, collaborative stand sharing has become a trend this year, as Hauser & Wirth pals up with Moretti Fine Art, and sculpture dealer Tomasso Brothers Fine Art gets together with the contemporary art dealer Karsten SchubeArt, and sculpture dealer Tomasso Brothers Fine Art gets together with the contemporary art dealer Karsten SchubeArt gets together with the contemporary art dealer Karsten Schubeart dealer Karsten Schubert.
Elbaz began selling art in the late eighties and then moved to Japan as an art dealer, staying for ten years.
Curated by Kate Sutton, this year's theme, Borderline, focuses on the comprehensive changes that European cultural institutions face on a political, social, and cultural level as seen from the perspectives of artists, art historians, international collectors, museum directors, dealers, critics, and curators.
Following the close of her gallery, she continued as an art dealer joining the staff of two leading contemporary galleries: Hirschl & Adler Modern (1982 - 98) and Robert Miller Gallery (1998 - 2004), an interlude of approximately 22 years.
With 15 years in the Art market, both in the auction world and as an advisor and dealer, Jutta Nixdorf brings extensive experience to bear.
Art dealers, collectors, auction houses, and major artists such as Gerhard Richter and Georg Baselitz spoke out strongly against the «German Cultural Property and Heritage Protection Law,» which would require that any work valued at or above $ 300,000 and older than 70 years be granted an export license before leaving the country.
Two years ago, Rybolovlev lodged a criminal complaint in Monaco, as well as France and Singapore, against Swiss art dealer Yves Bouvier, claiming that Bouvier sold him some 38 artworks for, at a total of $ 2 billion, as much as $ 1 billion more than their actual value.
When the Fondation Beyeler opened its museum in 1997 as new home for the collection of art dealer Ernst Beyeler no one would have predicted the enormous success the institution achieved over the years.
Stefania Bortolami has been part of New York's art scene for years: first, as an artist liaison for Larry Gagosian — after a successful stint with the legendary London dealer Anthony d'Offay; then co-owning a Chelsea gallery with Amalia Dayan and finally, on her own, as the founder of an eponymous gallery five blocks down the street from the previous space.
The street used to be known as the must - visit place for old master dealers, but in recent years they have been forced out due to raising rents caused by competing fashion houses and international restaurants, and in more recent years, contemporary galleries, helping the road re-bolster its art credentials.
In a new work and also the title video, The Van (Redux), the audience is re-acquainted with the art dealer (as well as three new young artists, each performed by Bag's five - year - old son, August) nearly two decades later.
72 ° 19 ′ W, «was the Chelsea gallery's first summer show on the North Fork, presented at the same venue as this year's, the home of art dealer Jose Martos and artist Servane Mary.
Since the artworld has become relatively borderless, and recently fashion has also swung towards Cianciolo's rough - edged mix - and - match style, she's been included in Greater New York (2015), participated in this year's Whitney Biennial and, after showing with Bridget Donahue (Fluxus - like boxes containing her archival materials), has another gallery show, in London, with Modern Art — whose director, Stuart Shave, began his career as a dealer in the 1990s by showing work that drew on skater, graffiti and fashion subcultures: a perfect circle.
Hosted by the Morris Collectors, one of the museum's affiliate groups, this year's fair features such leading dealers as Hampton3 Gallery from Taylors, South Carolina and Augusta's Tire City Art Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine LiArt Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Liart professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine LiArt and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Linn.
Her prior experience includes ten years as a dealer of 19th and 20th century American painting and sculpture at a Boston gallery and 18 years as Curator and Acting Director of the Fuller Museum of Art in Brockton, Massachusetts.
This small, 60 - year survey puts Parsons's art on a much more equal footing with her achievement as a dealer and even with the work of the giants she represented.
1130 Dragon St., Suite 130 Dallas, TX 75207 214.761.2000 laurarathe.com With over 25 years» experience in the industry, gallery owner, Laura Rathe, started her career working as a private art dealer before establishing Laura Rathe Fine Art (LRFA) in 1998 in Houston, Texart dealer before establishing Laura Rathe Fine Art (LRFA) in 1998 in Houston, TexArt (LRFA) in 1998 in Houston, Texas.
Maybe it should not have been a surprise to anyone when, two years ago at the New York fair, the Manhattan art dealer Acquavella Galleries displayed 20th - century works by Jean Dubuffet, Pablo Picasso and Cy Twombly in the same booth as new paintings by the Spanish artist Miquel Barceló and the American artist Damian Loeb.
AXEL VERVOORDT GALLERY (Unit D, 15 / F Entertainment Building, 30 Queen's Road Central, Central) opened its space in Hong Kong in 2014, however, for many years before this, the Belgian collector, designer, art dealer and all around tastemaker, has been deeply interested in Asian art, travelling to Thailand, Cambodia and Japan as early as the 1970s.
In his obituary in 2012, Roberta Smith of The New York Times wrote that while working as a private dealer selling prints, drawings and multiples, Mr. Leiber «bought 21 boxes of ephemera relating to the performance - oriented Fluxus art movement of the early 1960s, the Beat and Concrete poetry movements and the 1960s counterculture,» and «after a year of sorting and organizing the material, he had a new field of expertise: the ephemeral.»
The splashiest case to come before the panel in recent years involved the estate of blue - chip art dealer Ileana Sonnabend, whose résumé included shows by such cornerstone figures as pop prince Andy Warhol, minimalist mage Donald Judd, performance pioneer Vito Acconci and globally diversified corporate entity Koons.
Living in East London, which has a vibrant arts scene, he often worked as an installer for the neighborhood's small galleries and met players like Rodolphe von Hofmannsthal years before that dealer joined David Zwirner.
Longtime emerging exhibitors such as Canada and Nicole Klagsburn left Basel for NADA this year, which is a loss for Basel: in past years, names like these went a long way towards strengthening Basel's otherwise notoriously weak new art dealer program.
He was brought up in Cornwall, England, and began his career as an apprentice painting restorer with Martin Henry Colnaghi in London, then worked as an art dealer at the Colnaghi's Marlborough Gallery for some years, before becoming a dealer in his own right and opening a gallery in Dublin in 1908.
The 2010 gallery list also sees top national and international dealers rejoining the fair after a few years» absence, such as Eigen + Art, Karsten Greve, Johnen, or St. Stephan.
The dealer indicated that, for the most part, it was business as usual at Art Basel this year.
Dealers said there were plenty of new Chinese faces at this year's fair, including Jack Ma, the billionaire founder of Alibaba Group Holding Ltd., who doesn't have a reputation as an art buyer.
Amidst the political backdrop of the year's Art Basel Miami Beach, many dealers and collectors elected to focus on politcally - oriented works, such as New York - based art advisor Lisa SchiArt Basel Miami Beach, many dealers and collectors elected to focus on politcally - oriented works, such as New York - based art advisor Lisa Schiart advisor Lisa Schiff.
Recognizing the internet's inherent global accessibility to fine art and cognizant of obstacles that virtual galleries can place in a collector's path, Long - Sharp invested substantial resources and years of experience as a collector and dealer to provide national and international buyers with security and confidence in the acquisition process.
Describing itself as «a boutique pop - up art fair,» the event will take place Friday - Sunday, Jan. 12 - 14, at 160 Spear St.. It will present artists represented by four reputable dealers that fall just outside the San Francisco establishment: Chandra Cerrito Contemporary and Slate Contemporary, both based in Oakland; Mill Valley's Seager Gray Gallery; and George Lawson, who closed his brick - and - mortar space last year and whose website says he is «on sabbatical and the exhibition program is temporarily suspended.»
This year, there were thirty - one Art Statements booths dedicated to one - person shows by less established artists, two of which were awarded Baloise prizes by a jury one dealer described as consisting of «German curators I've never heard of and Gary Garrels.»
Gallery director and partner Susan Sherrick brought 14 years of experience as a curator and art dealer in New York and San Francisco at galleries like David Zwirner, Howard Greenberg, and Fraenkel Gallery.
Working independently as an art dealer for 18 years, he opened his first permanent gallery in Cork Street in 2006.
If this year was the best yet (and most dealers we spoke with did seem quite pleased with their haul) maybe Chicago's rough history as an art fair host can finally be put to rest.
In July, both Kruger and Baldessari resigned as trustees from the Museum of Contemporary Art in Los Angeles (where Koshalek was director for 17 years), citing the forced resignation of longtime chief curator Paul Schimmel under new director (and former art dealer) Jeffrey DeitArt in Los Angeles (where Koshalek was director for 17 years), citing the forced resignation of longtime chief curator Paul Schimmel under new director (and former art dealer) Jeffrey Deitart dealer) Jeffrey Deitch.
The distinguished 81 - year - old dealer has been working as an art adviser since closing her...
During more than 40 successful years as an international art dealer, Karsten Greve contributed significantly to the worldwide recognition of artists like Louise Bourgeois, John Chamberlain, Lucio Fontana, Gotthard Graubner, Jannis Kounellis, Fausto Melotti, Pierre Soulages, Piero Manzoni and Cy Twombly.
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