Sentences with phrase «years following this exhibition»

Not exact matches

Following a successful launch, the exhibition will once again introduce a «country of the year» in 2018, the focus this year being on New Zealand.

She has been acting as the scientific coordinator of the first NanoBioTec — Congress and Exhibition, held last year in Münster, and she is also advising the coordination of this year's follow - up NanoBioTec II.

Today you can visit this archive of our technological past at the Computer History Museum in Mountain View, California, which reopened this past January following a two - year, $ 19 million makeover that resulted in the 19 - gallery exhibition «Revolution: The First 2000 Years of Computing.»

Parts II and III will follow in other exhibitions during the next two years.

An exhibition at the Wilson Special Collections Library follows the 125 - year history of the University of North Carolina at Chapel Hill's student newspaper, the Daily Tar Heel.

Following an interview with company insiders at the Beijing Auto Show this year, AutomotiveNews learned that Volkswagen will be producing the New Midsize Coupe Concept, which was revealed at the Auto China 2014 Exhibition last week.

Following the successful exhibition model that BolognaFiere has also developed for other leading global events, this year the Bologna Children's Book Fair has expanded its reach with new and important dates for the diary in the two of the most important markets for global publishing: the USA and China.

Following on the open - air theme, I was very impressed with the Topography of Terror exhibition, an open - air (and free) museum that tells the story of the city in the years before and during World War II.

Reed Travel Exhibitions managing director Richard Mortimore said: «Following RTE's acquisition of BTM last year, it was always planned to put it alongside our flagship travel event, WTM.

The summit announcement follows a special roundtable session about halal tourism, organised by Reed Travel Exhibitions, which took place earlier this year in Dubai.

In 1997 Jove Wang was honored with Best of Show at the California Art Club's 88th Annual Gold Medal Juried Exhibition, and the following year he took First Place in the figure category in the California Art Club's 89th Annual Gold Medal Juried eExhibition, and the following year he took First Place in the figure category in the California Art Club's 89th Annual Gold Medal Juried exhibitionexhibition.

Clert soon met Yves Klein when he came into her gallery in its first year, and in May 1957, Klein held his first solo exhibition at her gallery, followed in April 1958 by a second exhibition, Le Vide.

A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.

Returning to the years immediately following his move to New York City in 1958, the exhibition illustrates the ways Dine incorporated household objects ---- often loaded with autobiographical import ---- into his paintings and sculptures as extensions of and metaphors for the human body.

He was also Artist in Residence at Tate St Ives for a year during 2008 followed by a solo exhibition in the gallery in early 2009.

Katharina Fritsch represented Germany in the 1995 Venice Biennale and the following year the San Francisco Museum of Modern Art organized a major exhibition of her work.

The exhibition traveled later in the year to Centre Georges Pompidou in Paris, followed by Guggenheim Museum Bilbao in 2015.

This exhibition also marks the 75th anniversary of his first gallery show, which was held at Artists» Gallery, New York, in 1941, followed two years later by a solo exhibition at the Willard Gallery, at what is now Pace's 32 East 57th Street location.

The earliest piece in the exhibition was begun eleven days before 9/11 and the exhibition follows my intuitive trajectory over the last fifteen years, which has allowed me to consider the transforming power of art when it's experienced in different moments and contexts.

Graves's breakout year of 1942 was followed by regular exhibitions at the Willard Gallery in New York and major museum shows, including a West Coast retrospective exhibition in 1948, another at the Whitney Museum of American Art in New York in 1956, and a third at the Phillips Collection in Washington, DC, in 1983.

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

In the months following its representation of Williams, Kavi Gupta hosted the artist's first solo exhibition in more than 20 years.

In 1992 he was commissioned to paint a portrait of Bishop Roger Mahonyfor the Archdiocese Catholic Center in Los Angeles, and the following year painted a second portrait of Mahony, who by then had been named Cardinal, for exhibition at his Titular Church in Rome.

A Memorial Exhibition for the artist, who died suddenly and unexpectedly at the age of 59 in 2005, was held at the London gallery in the autumn of the same year, and in New York in the following year.

This exhibition — which focused on Jay DeFeo's production following her three - year hiatus from artmaking after her completion of The Rose, 1958 - 66, her famous, one - ton painting of a burst of white light — gathered forty - nine pieces from the last fifteen years of the artist's life, several of which were absent from her recent traveling US retrospective.

We went behind the scenes in the RA Schools to follow the progress of second - year students putting together their interim exhibition.

Gagosian Gallery New York present the first US exhibition of Hirst's 2016 «Colour Space» paintings series, following their debut at Houghton Hall earlier this year.

Following her death, several exhibitions of her work were held in Warsaw and Paris, however in recent years, Szapocznikow has been recognized by numerous major international exhibitions, including the first comprehensive retrospective that traveled to the Museum of Modern Art, New York; Hammer Museum, Los Angeles; WIELS Contemporary Art Centre, Brussels; and the Wexner Center for the Arts, Columbus (2011 - 2012); as well as a major survey at the Centre Georges Pompidou, Paris (2012).

Over the twenty years that followed, manifestations of the project popped up in exhibitions around the world, from the most underground galleries to the most prestigious museums.

Following a two - year redevelopment project, Kettle's Yard brings together 38 diverse practitioners for its opening exhibition.

Following an exhibition in Moscow in 1933 titled Fifteen Years of Artists of the Russian Soviet Federated Socialist Republic, the formalist avant - garde artists were heavily criticised, the journalistic hand falling hardest on the geometric abstraction of a certain Kazimir Malevich.

Created during the three years following the birth of Rubell's second child, the works in the exhibition are unapologetically vulnerable and yet rooted firmly in a wider feminist artistic practice.

The exhibition toured Europe for the following two years.

His first solo exhibition, which took place in 1968 at Gröna Palletten Galleri when he was studying printmaking at the Royal Swedish Academy of Fine Arts in Stockholm, was followed by his major solo show at the Corcoran Gallery of Art a few years later in 1977.

The following year she founded and also curated an alternative exhibition space in Manhattan's Lower East Side, The Museum of Nice Items.

Works from the same exhibition were presented the following year (July — September 2014) at the Watermill Center in New York, while the Hirshhorn Museum and Sculpture Garden featured one installation from the same series as part of Days of Endless Time, which ran from October 2014 — April 2015.

Featuring Adam Fearon, Vanessa Safavi, Richard Frater, Renata Har and Clémence de La Tour du Pin among others, the exhibition follows last year's Blue Majik, which aqnb reviewed here as the second iteration a project series exploring «the ongoing dissolution between the biologic and the synthetic.»

According to Tate curator Ann Gallagher, it will give visitors the opportunity «to step back from the noise surrounding Hirst, look back to 1988 [the year he sprang on to the scene with his now famous exhibition Freeze] and follow his career through».

Project residencies for national and international sound artists form the focal point of «singuhr — projects» in the next years, connected with talks and presentations and followed by a final exhibition project with a space - related sound installation.

The following year, Moses» work was included in an exhibition of «contemporary unknown painters» at the Museum of Modern Art in New York.

His exhibition currently on view at SCAD will be followed by a major survey at Perez Art Museum Miami later this year (the exhibition, Sun Splashed, received a grant of $ 100,000 from The Andy Warhol Foundation back in February) and comes off the heals at his solo exhibition at the Louisiana State University Museum of Art last year.

In less than a year after his arrival to the city, this audacious young painter had his first solo exhibition at the Delancey Street Museum, followed by a two - person show at the prestigious Zabriskie Gallery.

This year is at the gardens of the French School of Athens, following the exhibition A thousand doors (2014), which took place at the Gennadius Library and gardens.

In 1958, he was included in MoMA's New American Painting exhibition; the following year London's Institute of Contemporary Art held a mid-career retrospective of his work; and in 1963, Gottlieb represented the United States at the 1963 São Paulo Biennial.

The following year the gallery presented the work of David Burliuk - the first exhibition of Russian avant - garde.

Followed his work since the Monterey Peninsula exhibition years ago.

Following on from the success of last year's «The House of the Nobleman» art exhibition, curator Victoria Golembiovskaya presents «The Return» viewing at Boswall House.

The exhibition program that we've been following in recent years is itself a reflection of an ICA business plan going back many years.

The following year, Vézelay was invited to join the group Abstraction - Création and exhibited in several significant pioneering exhibitions of non-figurative art in France, Italy and Holland and this work demonstrates her move away from the Surrealist influence of her former partner, André Masson, towards pure non-objectivity.

Alex Katz: Present Tense is the artist's fifth exhibition with Richard Gray Gallery and follows a year of large scale museum surveys at the High Museum of Atlanta, the Guggenheim Museum Bilbao, and the Colby College Museum of Art.