Not exact matches
The part - CGI, part live -
action family adventure hits
cinemas everywhere this December courtesy
of David Heyman, the producer
of the Harry Potter series and last
year's superb GRAVITY.
Every
year is a good
year for
action cinema, at least from a financial standpoint: If you count superhero movies, the genre pretty much has the top
of the box - office charts on perpetual lockdown.
by Walter Chaw Arriving right smack dab in the latter half
of a decade in American
cinema that saw digital «reality» supplant filmic «reality» (and appearing the same
year as James Cameron's Forrest Gump: Titanic), Hong Kong legend John Woo's high - camp Face / Off directly (and presciently) addresses issues
of identity theft, terrorism, and the digital corruption
of reality and indirectly addresses Woo's émigré influence on the modern
action film.
In a
year when Gareth Evans's next - to - plotless The Raid: Redemption offered a vision
of a kind
of pure
action cinema, and Christopher Nolan capped off his largely entertaining, stiflingly serious...
The advanced techniques
of the Hong Kong
action cinema translated from the period kung fu and wuxia film to the modern world
of cops and robbers, from swordplay to gunplay, not for the first time (it was preceded into the present by Jackie Chan's Police Story from the previous
year, as well as
Cinema City's highly profitable Aces Go Places series
of comic adventures and a whole host
of films from the Hong Kong New Wave like Tsui Hark's own Dangerous Encounters - First Kind, not to mention earlier films like Chang Cheh's Ti Lung - starring Dead End, from 1969), but better than anything before it.
I could discuss similar films that played at this
year's Berlinale — but these two examples must suffice to demonstrate the dilemma German
cinema faces: these genre films suffer on the level
of craft, while also facing the problem that the socio - cultural context might simply not lend itself to the kind
of genre filmmaking (at least with regard to the thriller and
action film genres) that seems to come so organically to filmmakers working in different national contexts.
Coming two
years after Kim Jee - woon's 2008 Korean spaghetti western The Good, the Bad, the Weird, Daniel Lee's historical
action epic 14 Blades offers another instance
of mainstream Asian
cinema attempting to give Western genre tropes a distinctly Eastern flavor.
This one will open in
cinemas in March, and is part
of the live -
action release schedule for the Mouse House next
year.
Pam Grier is the first black woman
action star, and in recent
years there's been more attention paid to pulp figures in that ilk, thanks to the nostalgia
of cult
cinema and the celebration
of genre canons.
When Pierre Morel's
action thriller Taken was first released in
cinemas back in 2008, many people were surprised to see the then - 56
year old Liam Neeson taking on the role
of anti-hero Bryan Mills.
Both
of the most recent Tsui films that I've seen, the kung fu whodunnit Detective Dee and the Mystery
of the Phantom Flame and Flying Swords
of Dragon Gate, his second remake
of the 1967 King Hu film Dragon Gate Inn, which remains after 45
years one
of great masterpieces
of action cinema from anywhere in the world, feature extensive use
of CGI, though both are significantly more grounded in reality than Zu Warriors.
One
of the finest reinventions of the action / thriller time - travel genre this year is definitely EDGE OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
of the finest reinventions
of the action / thriller time - travel genre this year is definitely EDGE OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
of the
action / thriller time - travel genre this
year is definitely EDGE
OF TOMORROW and if you missed it at the cinema then have no fear, as we've got all the details of the upcoming home entertainment release — as you want this in your collectio
OF TOMORROW and if you missed it at the
cinema then have no fear, as we've got all the details
of the upcoming home entertainment release — as you want this in your collectio
of the upcoming home entertainment release — as you want this in your collection!
Though many
of us have a soft spot for these relics
of pre-Nolan, pre-Marvel Hollywood
action cinema, revisiting Lara Croft: Tomb Raider and its torturously titled sequel Lara Croft Tomb Raider: The Cradle
of Life today reveals just how far the genre has come in recent
years.
It's a slow burn
of a buddy cop thriller that sticks to the most basic
of action movie clichés, entirely ignoring the CGI and overzealous plotting
of the last twenty
years of big - budget
cinema.
In the
years hence he would helm six others in a concentrated string
of work that has come to define Hong Kong
action cinema — a term with which Woo's name is essentially synonymous.
This certainly looks to be a better alternative to xXx: The Return
of Xander Cage though as I said it's the time
of year I don't mind turning off my brain to watch some silly
action cinema.
Hot Fuzz surpasses the group's first collaboration, as a brilliant cop comedy that has great fun with
cinema's conventions and clichés, specifically those
of action films from the past 25
years.
With bold and lovable new characters, sharp and creative
action, and a killer sense
of humor, Guardians
of the Galaxy easily qualifies as some
of the most fun
cinema has to offer this
year.