Surveying 25
years of his artistic production, the American Federation of the Arts organized a retrospective of the artist's work in 2000.
Spanning nearly a hundred
years of artistic production and encompassing various mediums including painting, sculpture, collage, photography, and textile, these works are united by a strong social and political motivation.
«They are the gateway to the artist's chief interests and obsessions that will dominate the last 10
years of his artistic production.»
The exhibition includes new works together with a selection from his past fifteen
years of artistic production.
Art AIDS America examines 30
years of artistic production made in response to the AIDS epidemic in the United States.
Rauschenberg combine paintings, Rothko color - fields and Baldessari text paintings are all parroted and strung together into one joke that is not only laughing at the unfortunate protagonist of its internal riddle, but also at the past fifty
years of artistic production.
Featuring detailed replicas of nearly 100 objects from The Met collection, The Theater of Disappearance encompasses thousands of
years of artistic production over several continents and cultures, and fuses them with facsimiles of contemporary human figures as well as furniture, animals, cutlery, and food.
They are the gateway to the artist's chief interests and obsessions that will dominate the last ten
years of his artistic production».
Spanning 150 spectacular
years of artistic production, A Century in Crisis offers the first systematic exploration of modern and contemporary Chinese art.
Not exact matches
As a consequence he would not be able to explain how a man could ever be guilty for something done by him
years ago, how there could be an ethics
of obligation, political action,
artistic production, or an historical process» (RW 331).
Fun Home, which originated at the Public Theatre in New York five
years ago, will mark the last
production of former
artistic chief David Lan at the Young Vic.
At the inaugural Academy Awards in 1927, Frank Borzage's Seventh Heaven, won for Director and Adapted Screenplay, F.W. Murnau's Sunrise won for Cinematography and «
Artistic Quality
of Production» (a sort
of high - art «Best Picture» award that disappeared the next
year), and the two shared Janet Gaynor's Best Actress award.
«Wagner's Dream» documents the five -
year artistic process behind the Metropolitan Opera's ambitious and challenging
production of Richard Wagner's four - part «Ring Cycle.»
In recent
years Andrew Upton and his wife Cate Blanchett have been
artistic directors here, with Blanchett appearing in some
of the best
productions.
Scott brings more than 20
years of v ideogame
production and
artistic experience with companies including Rockstar and Slant six games.
Over the course
of this 23 -
year run the exhibition sometimes focused solely on Atlanta - based artists, sometimes on artists from the state
of Georgia, and, in several iterations, on an area
of artistic production that included the whole
of the American South.
If it's true that the best art is made in, and in response to, the worst
of times, then we may be in for a very good
year for new
artistic production.
Moving beyond conventional ideas
of the African continent and its «counterpart», «the Western hemisphere,» this
year's Focus will provide a glimpse
of international
artistic production from contemporary African viewpoints: emerging curators, artists, galleries and art spaces that connect scenes and markets through global networks.
A-I-R Laboratory hosts up to 30 international artists a
year and focuses on
production and research based practices within the context
of the residency treated as an
artistic medium.
Featuring over 20 works, the exhibition spans almost 25
years of exceptional
artistic production and presents brand new pieces alongside significant creations from the artist's earlier career.
This collection showcases the diversity
of regional cultures and religious traditions that have defined the Indian subcontinent's
artistic production over more than 3000
years.
Each
year, the Gallery at REDCAT produces five exhibitions, often
of newly commissioned work that represents the artist's first major presentation in the U.S. or Los Angeles, with an emphasis on
artistic production of the Pacific Rim.
This intimate display complements Art in France, 1598 — 1661, a spring University
of Chicago Art History course focused on
artistic production in France during a pivotal sixty -
year period.
The heightened analysis and visibility
of their work that this exhibition promises will enable art historians and viewers to complicate, and in some cases disavow, their preconceived notions about what
artistic production during the
years 1960 - 1985 really entailed.
This richly illustrated publication covers a wide range
of artistic production — including paintings, drawings, books, sculptures, film, photography, sound poetry, atonal music and non-narrative dance — to draw a cross-media portrait
of these watershed
years.
Mullican was inducted into the U.S. Army Corps
of Engineers the following
year, and his studies at Virginia's topographical school in Fort Belvoir greatly influenced his later
artistic production.
Kongo Across the Waters at the Carter Center, offered an unparalleled look at the total range
of artistic production of the Kingdom
of Kongo and its successors over the course
of some 300
years, alongside a parallel examination
of the Kongo - influenced
artistic production of the African Diaspora in North America and the Caribbean.
Bauhaus: Art as Life explores the diverse
artistic production that made up its turbulent fourteen -
year history and delves into the subjects at the heart
of the school: art, culture, life, politics and society, and the changing technology
of the age.
Over the past fifty
years performance art has shifted from being a fledgling
artistic practice grounded in the immediacy
of the live body, to an increasingly popular medium
of contemporary art, engaging large numbers
of performers, high
production values and rising audience numbers.
The show presents a chronological reading
of the
artistic production in different moments
of the history
of Brazil - Modernism, New State, Golden Age, Leaden
Years and Contemporary art.
During these last
years, the gallery has opened up its focus onto the new forms
of the contemporary
artistic production, which are more correlated to Graffiti Writing and Street Art.
His
artistic production is mixed with the history
of China during the last 60
years.
Initially presented one
year after the Kodak company announced that it would cease
production of its famous slide projectors, Seeing Double plays a crucial role in tracing the history
of this little known
artistic use
of a popular device now on the brink
of obsolescence.
Invented in secret in the privacy
of Oiticica's New York loft in the early 1970s, they were not shown as works
of art until 1992, twelve
years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part
of the first traveling retrospective
of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity
of his
artistic production between the
years 1970 and 1978.4 The 1992 presentation
of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration
of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service
of the sensorial is surely the most striking
of these animating threads), they indicated the artist's pointed engagement with the avant - garde
artistic culture
of New York.
The exhibition will survey works spanning five decades
of artistic production with emphasis on recent work; it will be the first major exhibition for this artist in her home state in over 20
years.
I'm really thinking now about the history
of the White Gallery at UCLA, and what does it mean that the Hammer Museum is 25
years old, and how can we represent the history
of Los Angeles, which still is underrepresented in places like the Museum
of Modern Art, when in fact it is the place for
artistic production in the country right now.
The Institute for American Art will produce a
year's worth
of programming centering on
artistic production and community engagement.
Norton argues that the exhibition was not intended to be a history lesson on the
year, and instead to be an analysis
of the interlocking topics and events, and how they influenced the art world that
year: «It takes the shape
of a kind
of vertical cross-section
of artistic production in New York City that will continue to transform and rewrite itself into the future.»
This survey
of a rich and diverse
artistic production is a celebration
of both his vibrant life (which includes working with Spike Milligan, The Beatles and Ken Russell) and his art which reveals telling links with the visual culture
of the last 60
years.
An exhibition at the Nasher Sculpture Center dedicated to experiments in ceramics by artists usually associated with other media offers a unique view
of artistic production in the 20 -
year period beginning in the middle
of the Second World War.
The project builds on Donald Rodney's
artistic practice in his later
years, when he increasingly began to delegate key roles in the organisation and
production of his artwork.
Constructed
of torn newspaper pasted to wire armatures and loosely painted with a wash
of casein, the sculptures in that exhibition marked a radical departure from the figurative paintings and drawings that had dominated Oldenburg's
artistic production in the preceding
years.
This initiative aims to create cross-generational connections and professional development through the practices
of mentorship, networking and
artistic and discourse
production, with the aim
of continuing this process in subsequent
years around the world.
First developed by Whitney curator Dana Miller in 2015, «Lines
of Sight» focuses on Herrera's
artistic production between the
years 1948 to 1978, the decades when she developed her signature style and moved steadily towards a restrained abstraction.
Moreover, because the images are now thirteen to twenty
years old, the relevant issues in the current exhibition are less about recent
artistic production and more a matter
of curatorial practice, art history, and the history and generative possibilities
of the photographic image itself.
To this end the author undertakes case studies
of image
production by Auguste Chevallier, Camille Flammarion, and Anton Giulio Bragaglia during the
years 1860 to 1913, here and there opening the discussion
of photographic «time stores» to contemporary
artistic practice.
«For several
years, my
artistic productions turn around several recurring concepts: the recovery (
of images,... + more
The Vanderbilt University Fine Arts Gallery features a series
of engaging exhibitions each
year that represent the diversity
of artistic production today, as well as throughout the history
of Eastern and Western art.
Describing the exhibition, FRONT
Artistic Director Jens Hoffmann said, «Over the course
of the
year leading up to the opening, FRONT will work to examine the local, regional and global influences that have shaped a 21st century American city located outside the traditional centers
of cultural power and
production in the United States.»
The theme
of last
year's show, for example, was
artistic production from Eastern Europe, while this
year sieves through the so - called «Middle East».