Sentences with phrase «years of studio practice»

In over 30 years of studio practice Jerry Walden's work has been exhibited across the US and around the world.

The unusual techniques found in her work have been developed over years of studio practice.

Not exact matches

I've been a yogi in and out of many studios and styles for roughly 10 years and therefore know for a fact that if you want to practice, you will find a way.

I have always enjoyed yoga and have been practicing yoga for years, but I can't tell you how much I enjoy the atmosphere of camaraderie and friendliness that I feel whenever I am in the studio.

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learning.

As an agency, we still have plenty to learn and are looking to hone our studio practices as the year unfolds; my role as Head of Digital will be to focus on the digital side of this.

The presentation explores how the two artists, who shared their lives for nearly 25 years, in Paris, then in Vétheuil in the Seine valley, developed a studio practice and a distinctive body of work while sustaining a broad dialogue focusing on abstraction.

Though the experience of space and light in the studio, one can imagine, is essential for a painter, Neel's developments were certainly the fruit of many years of practice and gaining freedom of expression — as an individual unbound to conventions in figuration.

Don't Take This the Wrong Way showcases the diversity of our backgrounds, media, and artistic processes, but also highlights the discourses and connections forged through two years of intensive studio practice in close proximity.

Art Night also features open artist - studios, provocative art installations, a free concert, the art opening of first year students at Otis MFA Public Practice entitled Autonomy and Ana Guajardo's Marketplace Tianguis, which consists of a cultural explosion of diverse craftworks by twelve artisans in 18th Street's parking lot.

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

Roy created a small furniture company as part of his art practice in San Diego 25 years ago, and it continues out of his Seattle studio.

Upstairs is rigorous conceptualism realized via a hundred years worth of old and new technologies; downstairs is a remarkable studio practice grounded in pattern and decoration, portraiture and the precedence of practitioners like Wangechi Mutu, Kara Walker, and Julie Mehretu.

From the sophomore year onwards, the Parsons Fine Arts BFA curriculum organizes its principal studio courses along a central sequence of six Core Studio classes which all Fine Arts students are required to enroll in every semester, no matter what medium their interests and practice is.

Renown for her oversized objects, found pieces, and her examination of the ecology of the studio, Ross - Ho expanded her practice to include a series of paintings based on works on paper created over the past year.

LOCATION: New Cross, London SPECIALTIES: The school offers a tutorial system, allowing students to choose their focus, but its known for teaching conceptually weighted work TUITION: # 3,330 ($ 5,600) for Brits; # 8,650 ($ 14,500) for international students TIME TO DEGREE: 2 years NOTABLE FACULLTY: Suhail Malik, Mark Leckey, Lindsay Seers FAMOUS ALUMNI: Malcolm McLaren, Lucian Freud, Yinka Shonibare, Bridget Riley, Damien Hirst, Sarah Lucas, Liam Gillick BIGGEST SELLING POINT: Goldsmiths offers a unique blend of studio practice, theoretical, and art - historical training that has made it the U.K.'s most notable and best - known graduate program.

Chronicling an abstract personal account of his relationships, studio practice, and his sense of history through a spectrum of techniques, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it is experienced, and ultimately what it all means.

Some forty - odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the «artist - as - seer,» Pamela M. Lee wrote in Artforum not long ago, «his station in postwar art history rests secure.

In 2015, the first class of Studio School MFA's had been out for 10 years and it seemed an interesting time to catch up with them, look at their studio practices, and how the New York Studio School had influenced them.

Introduction to Architecture is an intensive, full time, studio - centered summer program that offers college level students a comprehensive overview of the culture, practice and history of architecture through the unique studio design pedagogy that has distinguished the School of Architecture for over thirty years.

Included in this exhibition is a rare sculpture by the artist that has been made during a five - year period of his studio practice.

These last two years have marked striking departures in the continuity Griffith's steady, dependable studio practice of the 15 years prior.

And my studio practice is an interdisciplinary effort that, for the past six years, has focused on building a body of work and stop motion animation series that explores the surreal nature of daily life while employing a cast of diverse materials, and tan, plastic, Barbie like characters.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon returning to China, after having lived and worked in New York City for eight years.

Outside of his career as an instructor, Kuo has a regular practice in his studio developing his own work and participating in exhibitions, most notably the last two years at Hoffman LaChance Contemporary in St. Louis.

Drawing on Birmingham Museum's Collection Centre, which consists of over 500,000 objects dating from the Palaeolithic era 200,000 years ago to the present, the commission offers the artist a unique starting point for her research and encourages a new direction for the artist whose practice until now has been entirely studio - based.

Richard Aldrich, If I Paint Crowned I've Had It, Got Me, 2008 Oil and wax on wood, on cut linen 84 x 58 inches January 21 — May 1, 2011 Chronicling an abstract personal account of his relationships, studio practice, and his sense of history, New York - based artist Richard Aldrich has in recent years placed himself at the forefront of a new approach to the medium that re-thinks how a painting is made, how it -LSB-...]

After all, at this point, the company, who promised free creative reign to Lew and Locks for the project, and is sponsoring not only this year's, but the next few biennials through 2021, should know what it signed up for — or at least the intentions of the biennial's youngest - ever curators, who were looking not to create extra work for the artists for the sake of a watered - down corporate sponsorship, but to instead give them a chance to expand their biennial contributions and typical artistic practice, «as if their studio has expanded exponentially to the collaboration.»

In my studio practice, I continue to develop new work, for the last 5 years I've been developing series using food coloring and unconventional spray - painting methods, on a variety of surfaces.

Every year a practicing art critic arranges visits to artists» studios and galleries in New York as part of the contemporary art seminar.

In recent years, Kentridge has dramatically expanded both the scope of his projects (such as recent full - scale opera productions) and their thematic concerns, which now include his own studio practice, colonialism in Namibia and Ethiopia, and the cultural history of postrevolutionary Russia.

In her first year, Ms. Crosby's studio practice saw a lot of experimentation, mostly grounded in drawing and painting the figure, along with a heavy dose of information about the sprawling world of Contemporary art, courtesy of her renowned teachers Catherine Murphy and Peter Halley.

While the included paintings, drawings and sculpture all have a quality of speed and intuition, that speed and agility is actually the result of years of consistent studio practice and persistent dedication.

It explores the vibrant and experimental years when Haring first enrolled in the School of Visual Arts, started a diligent and vigorous studio practice, began making public and political art on the city streets and subway stations, and enjoyed a frenetic social life.

Starting in war - torn Italy and Japan, where Lucio Fontana and Shozo Shimamoto each began stabbing and slashing their paintings, and ending in Andy Warhol's New York studio, where he and assistants urinated on canvas covered in copper metallic paint to create Oxidation Painting (1978), Target Practice presents the ancient medium as the victim of a global 30 - year smackdown.

Dafydd is the second of this year's elysium gallery residency to exhibition programme where emerging artists are given studio and gallery space to expand their practice in preparation for a solo exhibition at the end of the residency.

The groundbreaking exhibition explores the vibrant and experimental years of Haring's early career when he started a diligent and vigorous studio practice, began making public and political art on the city streets and enjoyed a frenetic social life.

These he hung in a grid on his studio wall, emphasizing the abstract possibilities of this most representational of mediums and, not incidentally, providing himself with a bridge from his abstract work to the filmmaking practice that was to occupy him on and off from that time forward, but especially during the next few years.

While Black Mountain College was a year - round liberal arts college offering a general course of study, Black Mountain School's month - long session focuses mostly on studio art practice.

Isaac Julien Studio is proud to present this behind the scenes studio visit filmed earlier this year as part of Tate Shots, Tate's short film series exploring artists, artworks and artistic practice relating to the Tate collection and beyond.

Ashley L. Schick: Field Studies is the result of a 10 year studio practice of thinking in colors and layers.

His solo exhibitions have focused on an eclectic studio practice of overlapping media and also highlighted a series of carved books that has now been ongoing for over fifteen years.

Affiliate Artists are part of an immersive studio practice program, competitively awarded to 20 Bay Area artists each year.

What I have observed of Mark over the last ten years is an increasing commitment to formal innovation in one hand with work in his studio, and then Art + Practice which is his foundation in Los Angeles that that serves transitional age youth populations through art, job training, and job preparedness.

More than 25 years after his death, it is clear that Stamm's persona and character, his optimism about painting's enduring possibilities and future advancement, and his expanded practice both in and out of the studio were of great significance to his artist contemporaries.

The layers of ideas this artist explored in his early performance art, were made out of existential explorations and social commentaries, and have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

At this year's LA Art Book Fair, SFAQ [Projects] presents a site - specific installation of a reading room by Ohio based artist, Zachary Armstrong, highlighting his recent artist book Big Bag Of Candles, which is a five year survey of his work and studio practice, made as an edition of 10of a reading room by Ohio based artist, Zachary Armstrong, highlighting his recent artist book Big Bag Of Candles, which is a five year survey of his work and studio practice, made as an edition of 10Of Candles, which is a five year survey of his work and studio practice, made as an edition of 10of his work and studio practice, made as an edition of 10of 100.

Her artistic practice included a fifteen - year tenure at the Philadelphia Museum of Art in the Division of Education and she also instructed art history and studio art in maximum - security men's Correctional Facilities for twenty years.

Although artists and artisans have been practicing there for 25 years, the area has blown up in the past year and a half with the emergence of organized monthly art crawls and an unprecedented number of new gallery and studio spaces opening.