Sentences with phrase «years this film feels»

Not exact matches

Keep in mind last year at Sundance, we produced the film that won the jury prize [«I Don't Feel at Home In This World Anymore»], and we acquired «Mudbound» in the biggest acquisition of the festival.

Better yet, how would they feel if their 16 year old daughter was bumping and grinding on film or in front of h0rny 50 year old men?

I have a feeling that the clip of them together is at the end of the film so we may need to wait for a couple more years to see what ends up happening as far as their relationship goes.

We felt your support with us during this birth and look forward to continuing to share all that we discover over the coming months and years with more films, books and articles.

The film was 18 years old when I watched it first, but it still felt raw.

After switching careers, going from on - the - go film producer to the more - sedentary role of screenwriter, the 36 - year - old from Los Angeles began to feel lethargic.

Years later, with dreams of starring in films, he attempted to pitch an act to Hollywood executives, but he was rejected on the spot because they felt the act itself was far too ridiculous to sell to the American public.

After years of running a talent agency, Sasha Madarasz felt ready to get out of the fast - paced film industry and make more of a difference in the world.

That said, you get the feeling that this film might catch on in the same way that the similarly outrageous hits «The Wedding Crashers» and «The 40 - Year - Old Virgin» did four years ago.

How you feel about Kahlil Gibran's The Prophet, one of the most visually stimulating films of this or any year, depends on 1) how much you love animation and 2) what you think of Kahlil Gibran.

Hellion takes on the dark southern poverty stricken surreal feeling of other similar films that have become extremely popular in recent years.

Two years ago, the scrappy film based on Rob Liefeld's and Fabien Nicieza's Marvel Comics creation felt fresh and subversive, introducing the origin tale of cancer patient - turned - mutant mercenary Wade Wilson.

Written by and starring a 14 - year - old girl, this film is a living, breathing snapshot of how it feels to be a teen in today's disconnected world.

The culmination of the film is a powerful and mysterious climax that people will debate in theater lobbies, online and in classrooms for years to come, but may lead some to feeling unsatisfied.

Welles original edit of the film has been lost and bastardized through the years, and the film's final tone of forgiveness rings somewhat at odds with the rest of the film's general feel.

Attempts to delve beneath the surface of Hollywood's rampant narcissism and fascination with technology, but ultimately feels like just one more in the long line of films this year about the business of making movies.

This truly intimate film invites viewers to commune as well and feel a profound living connection with fellow humans of 30,000 years ago.

Steven Spielberg's film is a paean to the essential role of a free press, one the director felt he had to make in 2017 (he first read Liz Hannah's original script earlier this year and rushed it into production).

The film's single downside is a certain nagging sense of deja vu: the fact that so many of the elements of the story — the dark force, the all - empowering object, etc. — have been usurped over the years (by «Star Wars» and others) that you feel as if you've been down this road many, many times before.

This is a true story, after all, and Zamperini (who died this year at the age of 97) survived unimaginable horrors, but within the context of the film, the torture starts feeling repetitive and masochistic.

After watching the film on DVD nearly a year later, my enthusiasm was somewhat tempered but I still felt that it was a great movie.

But in the year 2011 (and in the humble opinion of this reviewer) the film does feel a tad dated from a narrative standpoint.

Today, after seeing the film again for the first time in years, I feel that Saving Private Ryan is, if not an absolute masterpiece, an extremely powerful and moving work that stands as one of the greatest war films of this or any era.

Anyway, the entire purpose of Zoolander 2 — and any comedy sequel made more than 10 years after the original, and comedy sequels in general — is to facilitate the repetition of jokes from the original film among fans who prefer to communicate their thoughts and feelings in movie - quote form, so reference away, referencers.

More than 32 % of this year's films were made by women, a festival high and you could feel the difference everywhere you went.

Hell, I enjoyed the naughtiness of last years Super, and this film feels like the road trip version of that one with less spandex and more fire arms.

It feels like people wrote it off as a «okay» film that did certain things well but not enough to be one of the best of the year.

«This year was an important year for women to feel empowered to speak out and be heard,» states EDA AWARDS and AWFJ founder and film critic Jennifer Merin.

We lost one of the greatest voices in film last year, Roger Ebert, but his presence is still felt everywhere.

I think the best part of being an actor is that to me it feels like I've been in the best film school for the last twenty years because not only do I see the director work on set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.

The film would open in US theaters three months after Hitchcock left this Earth, demonstrating quickly that the Master of Suspense's work would give him immortality, a fact that feels no less true thirty - five years later.

He comments: «It was probably my favorite film at this year's festival and the first film I gave an A + to all year... what makes it so great is the way Russell creates an honest reality around those cliches with characters you can connect with and feel close to.»

That's harder said than done, resulting in a relationship that not only feels more real than most of the films this year, but plays a big part in its success as a romantic dramedy and an enchanting piece of science fiction.

It feels like only yesterday that we were talking about the best films of 2011, and yet here we are, nearly at the end of June, and we've seen pretty much everything that the first half of the year has to offer.

This is just one of the best looking films of the year, a classic feel of motion picture making.

Keep The Lights On feels episodic in nature as it leaps forward every 2 - 3 years, with Thure Lindhardt's performance serving as the film's anchor.

The Way, Way Back is more than satisfying and could end up being the feel - good film of the year.

This sci - fi / fantasy / adventure film has some of the best production design in years, capturing an alternate universe Europe in the»30s and»40s that feels inspired by steampunk and the kind of fantastic stories of adventure seen in the serials of the day.

Ari Aster «s «Hereditary» is just that movie — a spooky, hypnotic film that feels like the culmination of the last 50 years of horror.

His previous indie darling — indeed the film that put him on the map — was last year's Krisha, which wasn't technically a horror movie, but it sure managed to have a tight grasp on making the audience feel tense and creeping dread throughout a contentious family holiday.

I have a feeling that my 3 year old is really going to like this film as well, so I can't wait to introduce her to this.

Nichols has said that Take Shelter was born from a desire to capture an anxiety he felt in the air in the first years of the 21st century, and a certain intangible dread permeates the film — a feeling of Old Testament hellfire and brimstone marbled with the realities of life in today's America: a moribund economy, healthcare woes, lives surrendered to credit.

Unlike such films as Dumb and Dumber Too, the film may be set years later, but it feels exactly like the world of the original.

From a financial standpoint, the film is absolutely going to turn a profit and many feel that this will echo the previous film's distinction as being the year's highest grossing film.

Exarchopoulos takes us deep inside Adèle's skin in the film's more compelling final third, and she is especially heartbreaking when she portrays the character's attempts to move on with stunned dignity despite the crushing physical isolation she feels even years after the carnal relationship has run its course.

This is my third year writing about the Toronto International Film Festival with film editor A.A. Dowd (our dispatches will run on alternating days), and right now everything feels out - of - whack: On the flight, where I sit behind a snoring guy with a Viking topknot and steroid acne and across from a fiftysomething...

Joonas Suotamo didn't feel pressure while filming one of the most iconic scenes in «Star Wars» history.The 31 - year - old actor plays Chewbacca in «Solo: A Star Wars Story», and he insisted he didn't let fans» expectations...

It might not be the year's best film, but it definitely is one of the year's best feel good films.

Having seen this at NYFF this past year, I feel it will be an extraordinary film for a rather wide audience.

Audiences starved for stimulation might find its mere existence a saving grace, but it elicited powerful feelings of boredom in me, matched only by one or two other films I've seen this year.