Sentences with phrase «yellow drips of paint»

Not exact matches

Rauschenberg's «Bed,» for instance, is a landmark painting from 1955 that stands about six feet tall, with a stapled - on pillow, a cotton sheet splotched with red and yellow, and rivulets of white pigment dripping onto a patchwork quilt.
Scribbled paint strokes blur the punchlines of comics, drips of white paint collide with a thick red line squeezed right from the paint tube, and bits of headlines such as «Dandruff may be the beginning of baldness» jump out amid abstract patches of pink, red, and yellow.
A gorgeous flood of lilac splats hedonistically across «Kumari»; the painting's surround configuration of expressively handled discs of green, aquamarine and red, all on a volatile stained ground of yellow, places it in a well - established tradition of abstract paintings that read as cosmic metaphors (Pollock's drip paintings that were meant to mirror universal flux or more recently Julian Schnabel's blue splurge titled, tongue - in - cheek, «Portrait of God»).
Cheim & Reid, who have done more than any other major New York gallery to bring women's art to the fore, are exhibiting the last painting ever made by Joan Mitchell — a ravishing mess of blue and yellow squiggles indebted to Monet — alongside first - rate sculptures by Jenny Holzer and Lynda Benglis and a new abstract painting by Pat Steir dripping in silver and gold.
The locked - together blocks of black and white or slate - gray and yellow greens that dominate Mr. Federle's paintings are reductivist in tone, but their thinly painted surfaces, full of drips and matter - of - fact stumbles, are seductive.
Crisscrossing these shapes are yellow drips and drips off drips painted with graffiti acrylic that form a linear web, referencing currents of air or electrical energy.
More radical in its execution was the «Oxidation» series (1978): Warhol and his assistants prepared canvases by covering the surfaces with copper paint and then urinated on them to make elegant iridescent designs in yellows, oranges and greens; perhaps they parody the random drip methods of painting used by such Abstract Expressionists as Jackson Pollock.
Peter and Jill Kraus said they liked Jackie Saccoccio's abstract paintings at Van Doren Waxter, a tangle of lines and drips in yellow, blue and pink.
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