Sentences with phrase «yellow edge works»

Newborn orange edge fits at first and then the small yellow edge works well.

Not exact matches

Alternate slices of eggplant, zucchini, yellow squash and red bell pepper over the tomato paste mixture and continue to arrange the slices starting at the outer edge of the dish and working toward the middle.
Small yellow edge Cloth - eez prefold works in Flip trainer at the smallest setting.
At this point in my life, if God were to bless our family with a newborn baby, and I've thought about this a lot, I would get 5 packs of Two - Sided Wipes, 2 Pail Liners (probably GroVia Perfect Pails) 1 BumGenius Bottom Cleaner and 3 spray bottles, 24 Newborn orange edge prefolds and 24 yellow edge prefolds, 1 6 - pack of size Half Flats, 3 packs of Birdseye Flats size small / one - size, 2 Bummis Super Brite newborn covers because those really work to stay below the cord stump during that first week, 1 Lana wool pull - on small, 1 Disana Wool Pull - on newborn and 1 small to grow into as an extra, 1 of each of the Babee Greens wool covers.
Alternate slices of eggplant, zucchini, yellow squash and red bell pepper over the tomato paste mixture and continue to arrange the slices starting at the outer edge of the dish and working toward the middle.
The yellowing grayscale works are roughly assembled, the halftone patterns clearly visible as its edges fray and tear, blending itself to get lost in the subjects themselves.
The fragile Nadelman sat on an enormous pedestal in the middle of the room; the Oldenburg — the lone Pop work in the space — crowded out the best painting in the gallery, Jackson Pollock's pre-drip The Blue Unconscious (1946), on loan from a private collection; and the bright yellow hard - edge Stella, a significant recent acquisition, was inexplicably sandwiched between two black - and - white Franz Kline paintings, interrupting a potentially interesting conversation.
Rothko's key works include: Slow Swirl at the Edge of the Sea (1944, MOMA); Multiform (1948, National Gallery of Australia, Canberra); Untitled (Violet, Black, Orange, Yellow on White and Red)(1949, Guggenheim Museum, New York); Green and Maroon (1953, Phillips Collection, Washington DC); Untitled (Purple, White and Red)(1953, Art Institute of Chicago); and Light Red over Black (1957, Tate Gallery, London).
Yellow also serves as a perfect conduit for Albers's brilliant white grounds, visible at the edge of each work, which shine through and lend a distinct luminosity to these paintings.
Yellow is inherently warming so works especially well against cool, blue - based greys with an urban edge.
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