Sentences with phrase «yellow ochre light»

FRANK OKADA: No, it was ivory black, and zinc white, and cadmium yellow light, yellow ochre light, cadmium red light, alizarin crimson, viridian green, and probably an umber, and that's it.

Not exact matches

As for the overall color palette, Free People focused on grays, dark greens, burgundy and light - blue shades, leaving it up to the cheerful pops of red ochre and yellow to revamp the entire collection.

Other: Willow charcoal Fabre Castell Pitt Pastel Pencils: White, Cream, Greys, Yellow Ochre, Browns, Black, Dark blue Conte crayons: White, Cream, Flesh tone, Raw Sienna light, Raw Sienna, Burnt Sienna, Brown, Black.

Colours: Cobolt Violet, Indian Yellow, Turquoise, Opera Rose, Light Red, Raw Sienna, Ultramarine Blue, Ultramarine Violet, Yellow Ochre, Burnt Umber, Cerulean, Alizirin Crimson, Olive Green, Raw Umber.

Soft and hard pastels and conte sticks: white, raw umber, gold ochre, burnt ochre, pale sanguine, burnt umber, ivory, pale ultramarine, burnt sienna, sanguine, dark flesh, yellow ochre, light cool grey, mid cool grey

I then move onto lightly tinting the white with my selected colours: light blue, ochre, yellow, terracotta and cream, working very gently at this stage.

When I came here [to South Carolina] and beg [a] n studying with Jean Pilk, who had studied for years with Daniel Greene, [she] directed me to use a palette of Cadmium Red light with Yellow Ochre as a base.

These earlier paintings contain overlapping black and umber brushwork at vertical, horizontal, and diagonal angles, holding forth shimmers of light — discreet underpinnings of ochre and yellow — peering between constructed sections.

The stripes have become broad bands as much as two feet wide (as in the majestic If), the edges are rough rather than clean - edged, the thick surfaces are built up of several layers of color (the black under the red bands of Yellow Light; the grey underlying the ochre of Signal) that add mystery and depth not unlike the pulsating sensation of Rothko's rectangular washes of color.

The colors that I used are: Burnt Umber, Ivory Black, Cadmium Red Light, Yellow Ochre and Titanium White.

Then I mixed a basic skin color of Cadmium Red Light, Yellow Ochre and Titanium White.

In the palette, notice that I'm not using pure white yet in the right hand well - just a touch of yellow ochre added to create warmth for the light shining on the pots.

Colours: Titanium White, Naples Yellow, Indian Yellow, Yellow Light, Transparent Orange, Yellow Ochre, Permanent Brown Madder, Burnt Sienna, Cadmium Red, Indian Red, Ultramarine Blue, Violet.

Unison Soft Pastels: Dark Red, Cadmium Orange, Cadmium Orange Red, Purple Red Dark, Cadmium Yellow, Yellow Ochre, Blue Violets, Cerulean Blue, Cobalt violet, Lilac light, Violet, Purple, Yellow Greens, Dark Blue / Green A49

Colours: raw umber, burnt sienna, yellow ochre, burnt umber, ultramarine blue, cobalt blue, cerulean blue, king's blue light, alizarin crimson, cadmium red light, cadmium orange, naples yellow light, naples yellow dark, cadmium yellow light, lemon yellow, titanium white

LB: My first palette consisted of, going around from the bottom left of the palette and moving along the outer edge to the top right or middle of the right edge: titanium white, zinc yellow, cadmium yellow light, naples yellow, yellow ochre, alizarin crimson, cadmium red light, venetian red, ultramarine blue, cobalt blue, cerulean blue, virdian green, chromium oxide green, ivory black, burnt sienna, raw umber.

Then, marvel at the buttery surface of Chase's portrait, the perfect rendition of the lighting, the blaze of gold in the background that is in fact just yellow and yellow ochre put down with high authority.

One each of: Cream, Ginger Root, Lemon Yellow, Canary Yellow, Yellowed Orange, Yellow Ochre, Spanish Orange, Goldenrod, Sunburst Yellow, Sand, Orange, Pale Vermilion, Poppy Red, Carmine Red, Crimson Red, Crimson Lake, Magenta, Process Red, Mulberry, Pink, Blush Pink, Light Peach, Beige, Peach, Dark Purple, Lilac, Parma Violet, Violet, Imperial Violet, Violet Blue, Ultramarine, Copenhagen Blue, True Blue, Lt. Cerulean Blue, Peacock Blue, Cloud Blue, Indigo Blue, Light Aqua, Aquamarine, Parrot Green, Yellow Chartreuse, Chartreuse, Lime Peel, Spring Green, Apple Green, True Green, Grass Green, Olive Green, Dark Green, Sepia, Jade Green, Putty Beige, Light Umber, Burnt Ochre, Sienna Brown, Terra Cotta, Tuscan Red, Dark Umber, Dark Brown, Warm Grey 20 %, Warm Grey 50 %, Warm Grey 70 %, Cool Grey 20 %, Cool Grey 50 %, Cool Grey 70 %, Black, French Grey 20 %, French Grey 50 %, French Grey 70 %, White, Metallic Silver & Metallic Gold coloring pencils.

The clashing vibrant blues and oranges contrasted with light oozing dripping washes of yellow ochre are a treat for the eye.