Sentences with phrase «yellow square painted»

In 1985, the latter signed a yellow square painted by Mosset in 1979.

Not exact matches

WOLFGANG JOOP grew up a little this season - reining in the multicoloured dots to vaguely more sensible checks, but there was still plenty of colour: black and white vertical stripes were roughly painted onto cotton coats and tights and then daubed with yellow and green and red squares at random.

Take Michel Majerus's Tron 3 (ocker Pantone 143)(1999), which dovetails a silk - screened vignette of early digital - era graphics into the corner of a square of yellow emulsion: if you removed the silk - screened canvas and completed the square, it could have been a wall painting by Günther Förg, an artist of the gallery's original programme.

Zwirner's new exhibition will focus on the colour yellow and is entitled Sunny Side Up after a comment Albers made that some of his yellow paintings made him think of squared up fried eggs.

The mural, made of acrylic paint and water - based crayon, is divided into three square areas of equal size, one red, one yellow and one blue, each enhanced with vertical and horizontal white lines and geometric shapes.

A large square of linen is dominated by white strokes like big curving thumbprints dragged through paint, with deep reds, purples, and yellows showing through in between.

At about five feet square, «Depend on the morning sun» is among the smaller paintings in the show, but it contains one of the broadest gradients — two horizontal - ish swipes of a brush outfitted with crimson, titanate yellow, Prussian blue and orange - pink, about a foot wide — slapped onto the upper right corner like a warning sign.

It is a gloss household paint on canvas by Damien Hirst, 9 inches square with a red dot, a yellow dot, half a green dot, half a black dot, half an orange dot, a quarter of another red dot, half a beige dot, about 95 percent of a blue dot and about 95 percent of a blue - green dot.

In 1962 Diller introduced a new format in his «first theme» paintings consisting of white, black, yellow and blue squares arranged on a grey field.

Works such as his 2009 oil and alkyd painting Soon use a repeating square motif to provide some sense of concrete firmament, while the X-shaped motif below, in yellow, red, blue, green, and white, shifts maniacally, destabilizing the image with kaleidoscopic movement.

Even when filled with squares and rectangles, his paintings — like Redgreen and Violet - Yellow Rhythms (1920)-- pulse with rhythm motivated by the modulations of Mozart and Bach, or the cadence of poems by Apollinaire and Rilke, another close friend of Klee's.

Equal - sized horizontal bands of Benjamin Moore yellow alkyd paint, separated by slim unpainted interstices, cover the entire square surface.

Either square or rectangular in format, the paintings were constructed by laying down (mostly) opaque layers of paint and then scraping away one layer from another by use of a squeegee, as in Little Three for Two: Red, Yellow, Blue (1976), or exposing under layers by peeling away tape.

There's also a solid helping of funkier, more - organic - looking abstraction here — a veiny network of yellow and black lines by Daniel Reynolds, a brushy green canvas by Gregory Montreuil, a spooky painting in pesto green and light purple by Gail Fitzgerald that looks like some ghostly undersea creature (and suggests a miniature, low - key Sigmar Polke) and, probably my favorite work here, a square with a few barely there marks, whiffs of different colors by Roberta Allen.

For 30 years before his death in 1995, John Stephan painted nothing but discs: perfect circles inscribed on square canvases in a variety of colors and intensities, from searing reds and yellows to calm browns and grays.

There is also a lot of strong monochromatic painting, by artists like Marcia Hafif (a small, bright, handsome, yellow enamel square), Olivier Mosset (a small off - white square, typically flat and deadpan), Kathy Drasher (a warm, peachy decagon with a poetic bit of text) and Daniel Levine (another square, this one an ethereal, almost glowing, white).

Josef Albers performed something similar with his paintings of squares that used blue as nothing more than a formal property, and Andy Warhol continued this in his Marilyn paintings and other serially reproduced works, which use blue as just another color with which to mutate the actress's image, interchangeable with yellow, red, or any other hue of the spectrum.

Like three untitled paintings from 1956 where large Xs renounce a circle, a square, and a rectangle, «Work (Yellow Cloth)» feels simultaneously like an impassioned renunciation of the past and the triumphant declaration of a free future.

Composed of more than 11,000 four - inch squares, or «pixels,» in 72 colors, the window is based on Richter's 1974 painting, «4096 Colors,» a grid of monochromatic squares 64 tall and 64 wide (for a total of 4096 squares) which was organized and designed according to a mathematical formula that systematically mixed red, yellow, blue and gray.

Chocolate Utopian Underground City with Yellow Inner Structure Station with Square Grid under Construction Safety Chrysalis and Abandon Square Habitat with White Expulsion Area and Central White Mine Tunnel Transportation Center, 2003, Ink, watercolor, pencil, colored pencil, felt - tip pen, synthetic polymer paint, and gouache on colored paper, 54 1⁄2 x 78 5/8 in.

, With their blue, gridded wraparound surfaces covered by fat, shiny, unvarying red dots with central squares of yellow ones, they resemble Josef Albers paintings made with colored thumbtacks.

He took a tall Vasarely painting that had three squares with lines intersecting at the center of each, tinted them red, yellow and blue and renamed it Trinity.

After kicking off with a gallery containing a small masterpiece in poured metallic paints by Jackson Pollock, a Barnett Newman, and an early Rothko, the next, almost perfect room includes Anni Albers's woolen tapestry, «In Orbit,» alongside her husband Josef Albers's «Homage to the Square (Yellow Echo).»

Painted pink with a yellow interior, the stand is flanked by matching plastic garbage cans and set back on cement painted in a four - square pattern of pale blue and Painted pink with a yellow interior, the stand is flanked by matching plastic garbage cans and set back on cement painted in a four - square pattern of pale blue and painted in a four - square pattern of pale blue and yellow.

Woodcuts 10 December 2015 - 30 January 2016 Kate Shepherd Chunks 07 November 2015 - 02 January 2016 Mark Fox Giverny: Journal of an Unseen Garden 03 October 2015 - 05 December 2015 James Siena Typewriter Drawings 12 September 2015 - 31 October 2015 Joseph Havel How to Draw a Circle 01 August 2015 - 26 September 2015 Women Rule 01 August 2015 - 29 August 2015 Drew Bacon 13 June 2015 - 25 July 2015 The Circle and the Square 13 June 2015 - 25 July 2015 Michael Petry AT the Core of the Algorithm 11 April 2015 - 30 May 2015 Brooke Stroud Paintings 07 March 2015 - 25 April 2015 Rirkrit Tiravanija untitled 2008 - 2011 (the map of the land of feeling) I - III 14 February 2015 - 28 March 2015 Steve Dennie & Fred Sandback 17 January 2015 - 28 February 2015 Black and White, Mostly 20 December 2014 - 07 February 2015 Red, Yellow, Blue 20 December 2014 - 07 February 2015

In «Gordy's Square» (1976)(Gordy being Heilmann's late boyfriend Gordon Matta - Clark) Heilmann has painted a square canvas in bright yellow, then covered the yellow in ultramarineSquare» (1976)(Gordy being Heilmann's late boyfriend Gordon Matta - Clark) Heilmann has painted a square canvas in bright yellow, then covered the yellow in ultramarinesquare canvas in bright yellow, then covered the yellow in ultramarine blue.

Also included are Stella's minimal classics, like Harran II, a vivid piece from 1967 that puts together a series of curves, and the 1966 painting Chocorua IV, which is made up of four colours — red, grey, yellow and green — and consists of a triangle drawn over a square.

«All the walls were painted either mustard yellow or deep red,» says one homeowner, recalling the original state of the 3,200 - square - foot house she and her husband bought for themselves and their two young daughters three years ago.

To remedy the 1,000 - square - foot rental's colour scheme — bright turquoise in the dining room and dingy yellow everywhere else — paint was the first tool of choice in India's transformation kit.

Fantastic mudroom design with black lockers cabinets, seagrass runner, yellow walls paint color, woven baskets and chalkboard squares.

I also taped off the legs and painted them a fun English Yellow by Annie Sloan and then taped off a square pattern for interest on the bottom shelf using a gorgeous mint green (Cosmopolitan) by Velvet Finishes.