The data used to make this discovery (a) Position - velocity diagram along
the yellow vertical line in the panel (b).
Not exact matches
I used a 3 ″ brush and since I have
vertical lines in my cabinets, I noticed that the poly pools up inside the
lines and
yellows quite a bit.
Part of the Maison's
Line 4 collection, this
yellow and white
vertical stripe printed shirt is a staple choice for the new season.
When one looks at
Yellow Jacket, 1969, one notices yellow used in a variety of ways: On the right, narrow vertical lines of yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
Yellow Jacket, 1969, one notices
yellow used in a variety of ways: On the right, narrow vertical lines of yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
yellow used in a variety of ways: On the right, narrow
vertical lines of
yellow are tightly interspersed with orange lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime
yellow are tightly interspersed with orange
lines; on the left, blue and pink stripes are sandwiched between relatively wide bands of lemon; and in roughly the center, medium - size gold stripes emerge from within a broad swath of lime green.
The mural, made of acrylic paint and water - based crayon, is divided into three square areas of equal size, one red, one
yellow and one blue, each enhanced with
vertical and horizontal white
lines and geometric shapes.
A number of the later pieces are untitled, and they feature both horizontal and
vertical lines with larger intervals between them in soft pastel colors, immersive emotional landscapes with the pink,
yellow, and blue hues of the dawn sky in New Mexico.
The Diller work, a patchwork or maze of thick, black perpendicular
lines interacting with three wide
vertical bands of
yellow, blue and red, is almost riotous - for Diller.
In Untitled [8/71] 1971 (T12243), painted in the year before he produced T12239, the
lines of the grid traverse the entire canvas with horizontal
yellow stripes imposed over
vertical black ones.
However, in Untitled [8/71], painted nine years later, the
lines of the grid traverse the entire canvas, and the horizontal stripes (in
yellow) are imposed over the
vertical ones (in black).
While the McNay show traces the development of Diller's art through various grid and primary color preferences to a drawing of a simple black rectangle encompassing four
vertical yellow lines («He gets very minimal,» Williams says), an «anomaly» from 1938, during the time the artist was an administrator with the WPA, features a curving, flowing central image that echoes the human form, probably influenced by Stuart Davis.
«1st part: On red, blue horizontal parallel
lines, and in the center, a circle within which are
yellow vertical parallel
lines.»
A black horizontal
line splits through
yellow and red
vertical lines just above the halfway mark.
In Robert Holyhead's Untitled (
yellow), a variegated
yellow ground is interrupted by two, flatly painted, white triangular shapes reading as cut - outs, accompanied by a
vertical line of a different
yellow, running along the right hand edge branching out at top and bottom into two triangles causing the
yellow of the ground to recede, and creating a lively ambiguous space.
This is one of the simplest yet graceful holiday letter template that features countless
yellow colored thin
vertical lines forming an elegant design themselves.
Dashed
yellow - orange section
lines and light blue headers add design touch with
vertical name in the margin.