Sentences with phrase «yet beautiful cinematography»
With a radical take on narrative, disturbing yet beautiful cinematography, and a highly sophisticated use of on - and offscreen sound, Martel turns her tale of a decaying bourgeois family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel.
http://www.janusfilms.com/ Not exact matches
Denis Lenoir's cinematography is beautiful, evoking the eternal nature of the dance - club scene and yet sensitive to its nuanced changes, how it moved from DIY to corporate.
The cinematography is stunning, the beautiful yet harsh South Australian landscape in perfect harmony with the haunting score courtesy of Frank Tetaz (known for his work with David Thrussell and Snog, and more generally on the Dorubo label).
While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.
The film has beautiful cinematography, an interesting premise, captivating characters and terrific performances all around, yet it manages to fall short.
A Field in England has beautiful cinematography, an interesting premise, captivating characters and terrific performances all around, yet it manages to fall short.
The direction and cinematography is excellent with imagery that is both beautiful and yet destructive because of the war time settings.
But it's probably the single most beautiful looking film released this year, and yet no nomination for Cinematography.
From Phyllis Nagy's script (adapting the 1952 novel The Price of Salt) through the loving cinematography from Edward Lachman (not as flashy as the Mad Max: Fury Roads and Sicarios of the world, but no less impactful), from the shrewd editing of Affonso Goncalves to Carter Burwell's understated yet foundational score and Sandy Powell's beautiful costuming, Haynes has put together a professional crew that sets the tone with aplomb.
Based on a true story, this film features DiCaprio's most fearless performance yet and some of the most beautiful cinematography I've ever seen on film.
Add in the beautiful cinematography, the one - shot camera deal, the way it uses HDR like I've never seen yet, the general extreme level of polish and the replayability and you got yourself a killer.