Sentences with phrase «yet beautiful film»

He re-teams with cinematographer Ed Lachman to create yet another beautiful film with camera work, sets, costumes and a score (Carter Burwell) that complement the romance depicted by the two outstanding lead actresses: Cate Blanchett (Carol) and Rooney Mara (Therese).

A very simple, and yet beautiful film, about the life of Doug Glatt (William Scott), a bouncer turned hockey enforcer.

Not exact matches

This is beautiful film, and a terrible one: devastating to stick out, and yet one of the most remarkable romances ever made, for it takes The Movies» pursuit of love straight through to the very end, through its most profound expression of adoration.

Director and writer Mark Pellington (along with writer Alex Ross Perry) have created a film that is beautiful, yet painful at the same time.

Among the most achingly beautiful of recent American films, Certain Women is predominantly composed of variations of brown and gray, with contrasting wardrobe choices — such as a faded pink sweater or a black jogging suit — standing out as expressions of women's yearnings to break out from their stiflingly yet comfortingly dull surroundings.

There is a simple yet beautiful shot of Anne and Georges sitting in a crowded theater early on the film.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

/ Film's Josh Spiegel called it one of the most beautiful Pixar movies yet, so let's see what other beautiful adventure films we can find to pair with it.

The film has beautiful cinematography, an interesting premise, captivating characters and terrific performances all around, yet it manages to fall short.

When the beautiful she - devil leans down for a kiss, lesser films would resort to jump cuts or gore, yet the scene's simplicity makes plain Caleb's complex feelings: A kiss is what the poor horny kid most desires and fears — with good reason.

Her focus on Popeye and the architecture as important elements of the film, combined with the extraordinary chemistry between Warakulnukroh and Bong, makes a beautiful setup for a uniquely playful, yet lightly dramatic story of growth, regret, and human values.

Writer / director Paul Thomas Anderson constructs his best, most personal film yet, and at the same time, discovers the innermost soul of Adam Sandler, who gives a beautiful, deeply touching performance unfairly overlooked at the Oscars.

As with his previous films, Andrey Zvyagintsev creates a compelling yet ambiguous drama through his use of visual metaphor, elegant camera movements and beautiful composition.

The film centers around Jessie (Elle Fanning), an exceptionally beautiful yet shy girl that's new to LA and, much like every other fresh young face, has dreams of becoming something extraordinary.

The film looks great - beautiful imagery, great use of light, intimate detail - yet for all that beauty, it just left me scratching my head (and nodding off).

But it's probably the single most beautiful looking film released this year, and yet no nomination for Cinematography.

Laurie Anderson's undeniable knack for beautiful lyricism and turns what could've been a very pretentious film into an unspeakably sad yet hopeful meditation on love, life and what may come after it.

Yet the film is beautiful, in its own horrific way.

Yet neither does the film shy away from raw sentimentality; the beautiful climactic speech by Elio's father about the necessity of heartbreak serves as a manifesto.

Annihilation's cryptic coda is all but begging to be unpacked and picked apart, yet once again I'd rather just sit and be haunted by these pictures and sounds, letting the film wash over me like a terrible, beautiful dream.

Wes Anderson has crafted yet another beautiful, poignant, darkly humorous film.

The premise of the film also changes — Hal is supposed to find women attractive outside if they are beautiful inside, yet later this extends to seeing attractive women as unattractive, then men as well, and even children, yet it does not carry to all people, curiously.

Manchester by the Sea is a beautiful film full of pain and sorrow, yet also somehow love.

Yet despite its obvious pedigree, it is all of itself, infused with the spirit of the now, suffused with author Ron Hansen's transcendental prettiness (the film is based on his novel), and, as framed by DP Roger Deakins's painterly eye, overwhelmingly beautiful.

The dragon Smaug, who makes his entrance late in the film, is a beautiful creation, slithering through his scenes both physically and verbally (thanks to silky voicing by Benedict Cumberbatch), but Jackson can't resist turning the battle of wits between Bilbo and Smaug into yet another theme - park ride of a spectacle.

There's lots of sex here — exuberant, ecstatic, exhibitionist, giving way to a more damaging hedonism — yet this mysterious and ravishingly beautiful film rights itself triumphantly.

Cinematographer Mike Gioulaki (also DP for the smash horror film, It Follows) does a superb job of capturing beautiful, yet eerie images.

While both films share Argento's signature dark flourishes, intense soundtracks, love of macabre yet extremely beautiful horror set pieces, and above all a driving fascination with the relationship between art and truth, on a broadly visual level

Celebrated cinematographer Winton Hoch was a natural choice to photograph Ireland's lush greens after his beautiful work on John Ford's The Quiet Man several years earlier, and it helps set the film's playful, yet sinister mood.

Based on a true story, this film features DiCaprio's most fearless performance yet and some of the most beautiful cinematography I've ever seen on film.

The quirkily beautiful actress Adrienne Shelly, with her oversized eyes and lips, made a striking debut in Hal Hartley's early films The Unbelievable Truth (1990) and Trust (1991) and quickly established herself as someone too intelligent and singular to become yet another Hollywood bubblehead blonde.

The film is very stylized and is beautiful, yet simplistic in its visuals.

The show commenced with Julien's own portrait of Jarman, a double projection featuring material from his new film, Derek (2008), starring Tilda Swinton, and ended with Jarman's beautiful yet harrowing Blue (1993), which features a blue - screen projection (in homage to Yves Klein) and sound track in which Jarman talks about AIDS and the experience of going blind.

Mukdamanee quickly applies ink in splashy yet controlled strokes on plastic film then runs in through a press on beautiful papers, then frames the resulting image in quiet white mats.