Sentences with phrase «yet seen in the movies»

Danny Trejo (a Rodriguez favorite) is the former Mexican federalé who turns into a one - man strike force after his family is massacred by a drug lord (Steven Seagal — who can't keep his accent consistent, let alone convincing — as the pudgiest Mexican drug lord yet seen in the movies) and he's framed for the attempted assassination of a corrupt Senator (Robert De Niro) by his drug - dealing campaign manager (Jeff Fahey).

Not exact matches

It was certainly billed as alien movie, yet it could be argued that Signs is best seen as a «belief in god» movie with a few aliens thrown in.

This is all very interesting to me as I haven't had the famous filter coffee yet but have seen and heard of it in so many movies and blogs.

I have yet to see the movie, but yours truly is also not the sharpest tool in the shed.

I've snuck a turkey sandwich in there, when I saw a movie in the middle of the day and hadn't had lunch yet.

In conclusion, although I havent seen it yet, the movie comes off as depserately trying to push a political agenda, so if you want to avoid mixing your entertainment with politics I still recommend going to see Benghazi instead.

If the alarm has not yet reached the full light flashing, klaxon blaring, buzzer sounding intensity that you see in the movies there has to be some very serious warnings being issued.

And we have yet to see the best of him in DC's newest ensemble movie «Justice League» in the role of Aquaman.

I really love your inside sweater it is gorgeous It isn't feeling warmer her yet (thank goodness haha) We are suppose to be getting 30 + cm of snow coming up for the next couple days Also I wont be going to see that movie I might be the only female not interested in this film lol hope you have a good time though

Hunger Games is really very popular today and are even in all social media sites... I haven't read the book yet but I already saw the movie... Adhriene recently posted..

Easy going and down to earth, just want to have a good time with no drama, I can be shy and yet at the same time outgoing in areas, i enjoy just hanging out, playing games, seeing movies, the regular stuff.

We see Brad Pitt utilising that lean, under - stated, charming demeanour to great effect in yet another disaster movie this summer.

There are many scenes in this movie that occur in dark, drab rooms and yet there is still a lot of detail to be seen in the darker areas of the picture.

Now we come to the ending, which I won't give away, just in case you haven't seen the movie yet, which probably isn't the case.

I just saw «From Here To Eternity» which also takes place on Hawaii with army guys on base and pretty much does the SAME EXACT THING with the subject matter of Hawii as its similar in some of the themes but yet that is considered a classic all time, but people are just complaining because this movie came out now.

As the movie winds to a close, Denis suddenly shows a couple we haven't seen yet (Gérard Depardieu and Valeria Bruni Tedeschi), breaking up in the front seat of their parked car.

There's a buddy movie spirit in the air, the snowy mountain vistas are crisp and clear, and though there are light, spoof - y jokes here and there — Django, able to choose his own clothes for the first time, opts for an electric blue dandy outfit complete with ruffle kerchief — this is not yet so different from other Westerns we've seen before.

The movie just takes you in a cruise full of action and mind bending thriller which no one has seen yet.

No other character in the movie can see these psychotic delusions, yet the one that they do see (the bloody gash from aforementioned shanking) just happens to be caused by the only delusion that the filmmakers don't even show the audience (Nina killing herself, apparently, when she thought she was killing Lily).

With no trailer as yet, you're just going to have to trust us when we say that the footage we saw was awesome (read all about it in the Movie - Con II report) and that this is good news.

It also deals with some of the darkest plot drivers seen in a Pixar movie yet, circling betrayal, death, and murder.

Yet that won't matter because the people this movie will speak most deeply to — a rainbow - coalition cross-section of black comic book readers, African - American movie audiences, Boseman / Jordan / Bassett / N'yongo fans, black - culture connoisseurs and pop - culture nerds — will see something of themselves in this movie.

The high - profile Marvel movie, which will see Brie Larson (Room) take the lead role, will hit cinemas in March 2019, so quite a ways off yet.

SEE THIS MOVIE IF: you want to see an accurate and insightful personal look at a once powerful world leader who is stuggling with Dementia / Alzheimers and her place in history OR you want to see yet another stunning performance from the great Meryl StrSEE THIS MOVIE IF: you want to see an accurate and insightful personal look at a once powerful world leader who is stuggling with Dementia / Alzheimers and her place in history OR you want to see yet another stunning performance from the great Meryl Strsee an accurate and insightful personal look at a once powerful world leader who is stuggling with Dementia / Alzheimers and her place in history OR you want to see yet another stunning performance from the great Meryl Strsee yet another stunning performance from the great Meryl Streep

But yet again, that's the great thing about film... not everyone has to like... I, for one, HATED lost in translation and will NEVER see what the fuss about that movie was.

And yet it's definitely in the wheelhouse for Johnson and it's the movie that his fans love to see from him.

With the movie due to premiere at Sundance, Wain has also released a typically witty director's statement: «After having already made world - changing cinematic statements on adolescence (Wet Hot American Summer), religion (The Ten), service (Role Models), and community (Wanderlust), I teamed up with Michael Showalter to take on a topic that (to our knowledge) has yet been seen in the movies: ROMANCE — particularly heterosexual romance between two white people.

Certain filmgoers might think concern over the fate of Hoffman's work in the young adult novel adaptation series was unnecessary, given the breadth of the fan - favorite performer's career in movies and on stage; yet, Hoffman was a standout in the well - received second installment, Catching Fire, and many fans (young and old) were eager to see him return in the two remaining sequels.

Even worse is having the tease of Julianne Moore reuniting with Todd Haynes for the first time since Far from Heaven, yet only seeing her briefly in the first half of the movie and her having a non-speaking role when she returns later.

Clearly we saw the same film, your critique is good, yet I wonder what you may have thought of those movies in the thirties, Capra & co.The level of satire seemed higher to me.

I haven't seen this prequel yet, but I can tell that it's a yabba - dabba - dud just like the first movie because I read in the Denver Rocky Mountain News that the movie opens with an obscene flatulence joke courtesy of a dinosaur, to show only how much contempt the filmmakers have for the audience.

Sure, you can judge a trailer or poster in context of what it teases about a movie no one has seen yet, but sometimes you just need to critique the actual materials themselves.

If you haven't seen the movie yet, it's hard to describe it in a satisfactory way — it is, essentially, a «relationship drama», but that's hardly sufficient to describe the complexity of the characters or the decisions they make.

However, I haven't seen the movie yet and as uninterested as I am and sure I am that it is a horrible movie I do think that the only thing I expect to be okay is Doris Roberts and the scene where they play a match of Street Fighter with two characters in the movie.

The thing is, although I personally have already seen the film six times (if you've been to MNPP at any point in the past three months you're more than aware of my obsession but if you missed my first take on the movie out of NYFF it's one of the most meaningful pieces of writing I've ever done, says me), it seems that some of you have not seen the film six times yet.

So to me, the movie is simply a coming - of - age story set in a world I'd not yet seen depicted in film.

Somehow the Coens get to have it both ways, so that we see Mannix as a satirical figure and yet believe in his passion for the movie business.

Earl Felton's indisputably sophisticated script is yet another to fall victim to the overzealous homage of subsequent entries in the underwater power - struggle genre (The Hunt for Red October, Crimson Tide, Atlantis: The Lost Empire (see sidebar), and even the Dark Castle Ghost Ship come to mind) that it minted; we can give a movie credit where credit is due while admitting that it sometimes exists in its own shadow.

And yet, it's possible to see the outline of another movie, probably the one Schrader and his stars intended, a portrait of a self - destructive loner whose emptiness is linked, in some inextricable way, to the mechanics of the War On Terror.

Assange might be as vain as he is portrayed here — the best bit in the movie is when they have Cumberbatch respond to the statement cards just before the credits, and he lets it all hang out — but there are surely shades of humility to him as well, yet we do not see them.

It's frustrating to see a movie that's so perfect for the age in which we live and yet bungles its narrative so completely.

By that time I will have been able to see a number of my most - anticipated 2014 movies that haven't yet been released here, including Inherent Vice, Selma and The Taking of Tiger Mountain Into the Woods (Tiger Mountain, which opens on December 24th in China, doesn't open until January 2nd in New York, which means it's a 2015 film by the New York standard.

August 7: RICKY AND THE FLASH No movie season would be complete without Meryl Streep flexing her considerable thespian muscle in yet another role that calls for hidden talents and a character we haven't seen her play before.

There are plenty of dynamic action sequences yet none of them felt like they were dragged out for too long like we've seen in some of the Marvel or DC movies.

But there's hope yet that we'll get to see the story — just not necessarily in movie form.

This Week: Kevin says good - bye to legendary Texas Chain Saw Massacre director Tobe Hooper in yet another loss to the horror movie world.

/ Film Actor Bill Hader shares a list of his 200 favorites (I was super happy to see Trouble in Paradise, Nashville, and L'Atalante... let's just say he has really good taste) Vulture talks to Jessica Chastain about yet another season of multiple movies and her love of movies, even the bad silly ones.

Yet it's not hard to see his point in the movie's blowout party scene, where he's forced to contend with a whole battery of stars behaving badly, from an unconvincingly sleazy Michael Cera to a dangerously clumsy Paul Rudd.

If you haven't seen the movie yet go check it out but please don't go in thinking it's going to be scariest movie every made, just expect a good horror movie that's clever and unsettling.

Carruth offered a super heady homemade science fiction movie with 2004's Primer (check it out if you haven't seen it yet), and hasn't been in film since.