The tinny rhythm of the drips — musically scored by artists Tobias Madison, Emanuel Rossetti, and Stefan Tcherepnin — is just one example of the work put on by Dallas's
young alternative art space, where the programming teeters on the brink of artistic anarchy and avant - gardism.
Not exact matches
So it's not just the thirty -, forty - year - old veteran
alternative spaces that we aspire to, but also
younger models, and those not entirely focused on visual
art.
Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside
Art Museum; «Artists» Books U.S.A.», «Mapped
Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «
Young Fluxus» for Artists»
Space in New York; «To the Astonishing Horizon» for Los Angeles Visual
Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary
Art; «The Theater of the Object, 1958 ‑ 1972» for New York's
Alternative Museum; «Visual Poetry» for the Otis / Parsons
Art Institute in Los Angeles; «Multiple World» for the Atlanta College of
Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.
For Calderón, it is important that
art be accessible; he came of age as an artist in Mexico during the 1990s, when he was a key figure in the development of a
young alternative art scene in Mexico, associated with the non-commercial
art space he co-founded called La Panadería.
Linwood's work has been exhibited in venues such as the
Alternative Museum and Artists
Space in New York City; the Center for Photography in Woodstock, New York; Randolph Street Gallery in Chicago, Illinois; the Institute of Contemporary
Art in Boston, Massachusetts; Diverse Works in Houston, Texas; Intersection for the
Arts, SF Cameraworks, the de
Young Museum, and Yerba Buena Center for the
Arts in San Francisco, the John Thomas Gallery and Highways Exhibition
Space in Santa Monica, and the Palm Springs
Art Museum, in California.
Drawn to New York — Nesbett with plans to establish the Jacob Lawrence Institute, a mentoring program for
young artists, and Bancroft in search of a nonprofit curatorial position — the couple landed in Harlem, on West 144th Street, across from a now - closed bodega that eventually gave its name (and yellow and red sign) to the future
alternative art space.
In addition, Chicago's active
art and design scene, which includes established blue - chip galleries as well as
younger galleries and
alternative spaces, provides an ideal backdrop for
young artists.
For many years, Allen worked on a documentation of the artists and
art events which emanated from a flat in Durban, the home of four
young artists which also operated on a full time, always - open basis as an
alternative artists»
space entitled the FLAT Gallery.
With the purpose of promoting the works of
young artists, in 2009 OMR opened an
alternative space including an
art bookstore, a double - height exhibition
space, a library and a research studio, as well as a small apartment available for artistic residences.
Calderón came of age as an artist in Mexico during the 1990s, when he was a key figure in the development of a
young alternative art scene associated with the non-commercial
art space he co-founded called La Panadería.
He said that they were excited to invest more heavily in pop - up exhibitions like ones they recently organized in Berlin (at Galerie Neu) and in Tokyo, citing concepts like CONDO, in which
young galleries in two cities trade
spaces for an exhibition each year, as interesting
alternatives to traditional
art fairs if maybe not «the grand solution.»