Sentences with phrase «young art historians»

Both were aspiring poets to begin with; Rosenberg had a snappy prose style but Greenberg was a master rhetorician and he certainly did make a profession of being an art critic, and therefore became a model for the professionals who emerged in the 1960s — young art historians, mostly.

This idea of living with great works of art, of seeing a work day in and day out and learning new things from it all of the time, lies at the heart of CIMA's Fellowship Program, which offers young art historians the opportunity to spend six months studying the artist that is the focus of CIMA's season.

Nowhere is more inspiring for keen young art historians than the city of Florence, where at every turn visitors stumble across fascinating museums, art exhibitions and magnificently frescoed churches.

Thomas Lynch was once a brilliant young art historian.

So I have a young art historian working on putting these things together.

ROBERT MOTHERWELL: Matter of fact, there's a young art historian who wants to write a book about me, and I was making this point to him.

Writing for a special issue of Art in America in 1982, the same year that the Henry Moore Centre for the Study of Sculpture opened, the young art historian Michael Newman published a piece on «New British Sculpture».

In an essay for the Tate's retrospective exhibition of Georgia O'Keeffe this past summer (2016), Griselda Pollock writes that as a young art historian in the 1970s, she initially could not «see» O'Keeffe's work.

Some younger art historians are starting to correct this, and write less polarized, more complex histories of the recent past, but this history, like many others, remains to be written.

At that time, circa 1965, because the lively, archive - oriented revisionist art history had not yet begun, there was no more turf left to be occupied in old art — no more to say about Michelangelo et cetera — so the younger art historians invaded the territory of contemporary art, colonized it, and brought with them their fangs - bared killer instinct of the departmental paper chase.

«Cubism and Abstract Art,» the legendary 1936 MoMA exhibition with which «Inventing Abstraction» has much in common, was in its day said to be wrongheaded by many people, including Meyer Schapiro, at the time a very young art historian.

Not exact matches

Some years ago I encountered a young Jewish art historian who was doing his doctoral dissertation on the sculpture of the great 14th century Romanesque Church of Saint - Pierre at Aulney in France.

On the other hand, the treasure hunters are portrayed by an all - star international cast: married art expert James Granger (Matt Damon), the youngest of the lot, architect Richard Campbell (Bill Murray), sculptor Walter Garfield (John Goodman), French art dealer Jean Claude Clermont (Jean Dujardin), art historian Preston Savitz (Bob Balaban) and alcoholic British art expert Donald Jeffries (Hugh Bonneville).

Now he is a disgraced, middle - aged art historian, overly fond of the bottle and of his fresh young students.

But mostly, there was a lot of music and Susi Bloch, an art historian friend who died young, and I went to performances maybe two or three times a week.

The origins of Sylvester's criteria for a modern realism with a strong formalist and humanist grounding were integrally bound to his formative experience as a young critic in Paris, as the art historian James Hyman has carefully detailed.17 With the re-opening of European borders after 1945, Sylvester enthusiastically crossed the channel along with British artistic peers including William Turnbull, William Gear, Eduardo Paolozzi and Lucian Freud to soak up the aesthetic and philosophical ideals of Paris.

Art critics and historians can pontificate all they like about why an artist does or doesn't matter, but other — usually younger — artists get the final say.

In 1955, as a young painter, Anthea Oswell married the art historian and curator Ronald Alley (1926 - 1999) who later became Keeper of the Modern Collection at the Tate Gallery.

In contrast to other prominent midcentury art critics — like the New York Times's John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance — Sandler purposefully immersed himself in his subjects» milieu, first in his days as a young reviewer for Artnews and later as an art historian.

Thanks to new tests, more and more art historians, reports say, are backing a disputed attribution to Jan Vermeer, but doubts about Young Woman Seated at the Virginals may not easily go away.

The program affords the Gallery the opportunity to work with young artists who might not otherwise not have the opportunity to show within the primary space as well as esteemed independent curators and art historians.

Coming from a family of artists, art historians and art dealers, he started working in the artworld at a very young age.

We younger students were enjoying the association of an older, more accomplished artist and art historian.

Deciding the Winner of The Young Masters Art Prize falls to an esteemed panel of judges comprising of art historian Godfrey Barker (Chair); Colin Wiggins, Special Projects Curator, National Gallery, London; Roy Bolton, art historian and Director of Sphinx Fine Art; Adam Dant, winner of the 20Art Prize falls to an esteemed panel of judges comprising of art historian Godfrey Barker (Chair); Colin Wiggins, Special Projects Curator, National Gallery, London; Roy Bolton, art historian and Director of Sphinx Fine Art; Adam Dant, winner of the 20art historian Godfrey Barker (Chair); Colin Wiggins, Special Projects Curator, National Gallery, London; Roy Bolton, art historian and Director of Sphinx Fine Art; Adam Dant, winner of the 20art historian and Director of Sphinx Fine Art; Adam Dant, winner of the 20Art; Adam Dant, winner of the 2002.

But while the idea of an art historian as overall director was no doubt necessary when the new super-Tate was young, the system may not be valid long term: the individual directors can not be sure they are master / mistress in their own house, as is suggested by the rapid succession in the directorship of Tate Modern (three in its first decade, and for some complex reason all non — British).

In 1968, after dropping out of his course, Penone presented his first solo exhibition; a year later, he was included as the youngest figure in the art historian Germano Celant's influential book Arte Povera, which effectively fused many of Italy's leading postwar artists into a loosely bound movement.

As art historian Martica Sawin noted of Pace's art of this time, «The brush dragged across rough underpainting, the strategic drip, the brusque cancellation of any suggestion of latent image or defined shape, the look of struggle built into the layers of paint, the breaking apart of anything that might hint at order — these are all hallmarks of the work of the younger Abstract Expressionists.»

In an interview with art historian Mona Hadler, Bontecou confessed to a level of anger over that war, which resurfaced when she was a student and young artist in the 1950s: «All the feelings I'd had then came back to me again.»

Founded in 2015 by art historian and curator Marina Vranopoulou, Dio Horia is a dynamic, young platform for contemporary art that explores relationships between Greece and abroad, as well as how Greece, and Mykonos in particular, can be re-imagined through an intensive summer programme of residencies, commissions, exhibitions and artistic collaborations.

Organised by Berlin - based art historian and curator Mark Gisbourne, «Between the Worlds» explores the lives of children whose childhood and transition into young adulthood occur amid the instability of war and political conflict.

Professor Rosenblum does himself less than justice: he is neither the simple mainline neoconservative that he pretends or the swinging elder statesman evoked by his repeated claims of solidarity with «art historians... of a younger generation» and «anyone under forty,» but an original and sometimes brilliantly eccentric critic, distinguished among other things for his persuasive work on the late eighteenth and early nineteenth centuries as well as for his astonishingly early and penetratingly intelligent recognition of Jasper Johns, Roy Lichtenstein, and Frank Stella.

Vergne was first introduced to art by his mother, an art historian, and said that when he was young, seeing an installation by the German performing artist and sculptor Joseph Beuys as well as a Salvador Dali exhibition at the Pompidou Center in Paris helped open his eyes to the diverse potential of art.

In Alice Neel's 1973 great, blunt portrait of Nochlin and her young daughter Daisy, the art historian stares out, her hair pulled back, her gaze tough and direct.

Yu Hong - jun, art historian and emeritus professor at Myongji University, selected works from Park's oeuvre for the exhibition, along with Gallery Hyundai president Park Myung - ja and Leeum deputy director Hong Ra - young.

Clem won out because his formalist thinking was simple, clear, seemingly verifiable, and primarily art historical, which was why it appealed to younger critics trained as art historians like Michael Fried, Rosalind Krauss, Barbara Rose, and Bill Rubin.

Colescott is so significant: how is it that he has gone completely unnoticed by a younger generation of collectors and historians who have been exploring this terrain of artists of African descent in an art history written by white practitioners serving white patrons?

As a young African - American artist in New York City, Thompson took advantage of his vibrant surroundings, befriending celebrated jazz musicians, noted art historians, and Beat poets alike.

But his influence remained high throughout the 1960s, especially with younger art critics and historians like Rosalind Krauss (b. 1941) and Michael Fried (b. 1939).

Editor, Art Papers Hamlett Dobbins, artist / educator Jack Earl, artist Vernon Fisher, artist / educator Beverly Fishman, artist / educator Peter Flannary, artist / educator Sylvie Fortin, Editor, Art Papers Linda Francis, artist / educator Cheryl Goldsleger, artist / educator Edwin Jager, artist / educator Paul R. Jones, collector Terri Jones, artist John Hitchcock, artist / educator Il Young Kim, artist Clive King, artist Tony Matelli, artist Christopher McNulty, artist / educator Aimee Miller, artist (Paul R. Jones Lecturer) Samuel Mockbee, artist / architect / educator David Moos, curator Clarence Morgan, artist / educator Cornelia Parker, artist Fahamu Pecou, artist (Paul R. Jones Artist Lecturer) Mario Petrirena, artist (Paul R. Jones Lecturer) Judy Pfaff, artist / educator Pete Pinnell, artist / educator James Ramer, artist / educator Helena Reckitt, curator Stephen Rosenberg, art dealer John Salvest, artist / educator Cort Savage, artist / educator Tony Scherman, artist Barry Schwabsky, art critic / poet Patterson Sims, curator / museum director elin O'Hara slavick, artist / educator Buzz Spector, artist / educator Freddie Styles, artist (Paul R. Jones Lecturer) Krista Thompson, art historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educaArt Papers Hamlett Dobbins, artist / educator Jack Earl, artist Vernon Fisher, artist / educator Beverly Fishman, artist / educator Peter Flannary, artist / educator Sylvie Fortin, Editor, Art Papers Linda Francis, artist / educator Cheryl Goldsleger, artist / educator Edwin Jager, artist / educator Paul R. Jones, collector Terri Jones, artist John Hitchcock, artist / educator Il Young Kim, artist Clive King, artist Tony Matelli, artist Christopher McNulty, artist / educator Aimee Miller, artist (Paul R. Jones Lecturer) Samuel Mockbee, artist / architect / educator David Moos, curator Clarence Morgan, artist / educator Cornelia Parker, artist Fahamu Pecou, artist (Paul R. Jones Artist Lecturer) Mario Petrirena, artist (Paul R. Jones Lecturer) Judy Pfaff, artist / educator Pete Pinnell, artist / educator James Ramer, artist / educator Helena Reckitt, curator Stephen Rosenberg, art dealer John Salvest, artist / educator Cort Savage, artist / educator Tony Scherman, artist Barry Schwabsky, art critic / poet Patterson Sims, curator / museum director elin O'Hara slavick, artist / educator Buzz Spector, artist / educator Freddie Styles, artist (Paul R. Jones Lecturer) Krista Thompson, art historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educaArt Papers Linda Francis, artist / educator Cheryl Goldsleger, artist / educator Edwin Jager, artist / educator Paul R. Jones, collector Terri Jones, artist John Hitchcock, artist / educator Il Young Kim, artist Clive King, artist Tony Matelli, artist Christopher McNulty, artist / educator Aimee Miller, artist (Paul R. Jones Lecturer) Samuel Mockbee, artist / architect / educator David Moos, curator Clarence Morgan, artist / educator Cornelia Parker, artist Fahamu Pecou, artist (Paul R. Jones Artist Lecturer) Mario Petrirena, artist (Paul R. Jones Lecturer) Judy Pfaff, artist / educator Pete Pinnell, artist / educator James Ramer, artist / educator Helena Reckitt, curator Stephen Rosenberg, art dealer John Salvest, artist / educator Cort Savage, artist / educator Tony Scherman, artist Barry Schwabsky, art critic / poet Patterson Sims, curator / museum director elin O'Hara slavick, artist / educator Buzz Spector, artist / educator Freddie Styles, artist (Paul R. Jones Lecturer) Krista Thompson, art historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educaart dealer John Salvest, artist / educator Cort Savage, artist / educator Tony Scherman, artist Barry Schwabsky, art critic / poet Patterson Sims, curator / museum director elin O'Hara slavick, artist / educator Buzz Spector, artist / educator Freddie Styles, artist (Paul R. Jones Lecturer) Krista Thompson, art historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educaart critic / poet Patterson Sims, curator / museum director elin O'Hara slavick, artist / educator Buzz Spector, artist / educator Freddie Styles, artist (Paul R. Jones Lecturer) Krista Thompson, art historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educaart historian Ursula Von Rydingsvard, artist Deborah Willis, artist / educator Lance Winn, artist / educator

Art historian Judith Wilson describes Thompson's Provincetown summer as an eye - opening event for the young artist, a time that encouraged his «heady mix of imagery, techniques, and themes borrowed from contemporary artists.

What do you think is the appeal or importance Barnett Newman has for young artists and art historians today?

«With Pace's 1981 exhibition, Picasso: The Avignon Paintings, critics, art historians, and an entire generation of young artists came to recognize Picasso's vital late work.