Sentences with phrase «young artists feel»

In the New York art world of the 1960s, many young artists felt that, despite its undeniable significance, Abstract Expressionism was too messy, too fervent, too unapologetically devoted to unfocused metaphors for the self.

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

Artist and barista Jeoffrey Valiente channeled the feel of his Long Beach, Calif., neighborhood when he created a mural for the new store, which is partnering with a non-profit to help young people gain job skills.

Steele is black, and his argument is that racial victimization games are, in the name of civil rights, turning young blacks into moral rip - off artists, and locking them into permanent inferiority of both feeling and social station.

Alongside paintings, caricatures and cartoons by such well - known artists as Marcin Bondarowicz of Poland and Lee Won - soo of Korea, the exhibition also presented heart - felt artwork by young students and informational videos on desertification and desert - restoration activities.

young, athletic music artist that enjoys nights in as much as nights out, easy to please and highly energetic... devwestwood at g mail dot comm feel free to hit me up if you are interested

Across its whole sweep — which in retrospect now does seem genuinely epic — the Harry Potter series offers one ravishing special effect no digital compositor or makeup artist can match: the opportunity to see the three leads, Radcliffe, Watson, and Grint, age from adorably buck - toothed 11 - year - olds into young men and women toward whom the audience now feels an oddly avuncular pride.

The Lucasfilm chief says that the young Han Solo movie will have the feel of a classic Western, citing artist Frederic Remington as an inspiration.

Adèle (Adèle Exarchopoulos), a young schoolteacher who is feeling her way through early adulthood and her first serious love affair, has earnestly prepared a meal in honor of her artist girlfriend, Emma (Léa Seydoux).

My hope was that through that genre, I could actually say something about being a young artist with huge dreams that don't feel very realistic.

In many ways, Jiro's obsessive attachment to his work feels like Miyazaki's Kunstlerroman — his portrait of the artist as a young man.

These young adult movies have seen some impressive names step behind the director chair but Maze Runner finds itself as the feature debut of visual effects artist Wes Ball and there's no doubting the fact that this feels like a first - time effort of someone who can't bring the energy required to keep a film's pulse moving.

Jena Malone (The Rusted), as the makeup artist who takes young Jesse under her wing, manages to make the combination of passion and lethargy feel compelling.

I hope young readers of all backgrounds will feel inspired to learn more about these amazing scientists, musicians, artists, athletes, writers, activists, and other people of courage.

Though I have my own favorite illustrators, it is always exciting to see new artists find their way into children's books — and it is a treat to find young illustrators who feel like old friends.

FAA I wasn't too impressed with, but I liked the advice the artists give; I don't know, I felt a little out of place because I'm younger.

From her post-modernist viewpoint, Baker, along with several young artists, feels free to exercise a previous tradition.

The Nova sector, dedicated to younger galleries and their artists, feels particularly rich thanks to unexpected pauses like the ethereal mix of Dawn Kasper's glowing, dangling sculptures and a monumental abstract painting by Lucy Dodd at David Lewis.

In a statement announcing his death, the gallery says Adkins was an «intrepid and accomplished artist... who approached his life and work with enormous spirit, audacity, humor, and indefatigable intellect... [His] influence will be felt by younger artists for years to come.»

For the exhibition, Feelings has brought on a roster of iconic artists including Lynda Benglis and legendary sculptor John Chamberlain, as well as younger, equally innovative artists hitting the full stride of their careers like Jayson Musson and Justin Adian.

In 1967, the announcement that Moore was going to give a selection of his sculptures to the Tate concerned young British artists who felt the gallery was dedicating too large proportion of its space and funding to a single artist.

One can share his felt tributes to older artists, such as Stuart Davis or Gorky, and his graciousness toward younger ones.

«I feel like a lackey of the contemporary art establishment forced to repeatedly apologise to my board for failing to beat the Chisenhale Gallery in showcasing an entire younger generation of post-Internet artists who jokily yet unnervingly use a cut - and - paste, horizontally - dispersed aesthetic in a dilettante fashion.»

Minjae Lee is a young South Korean artist whose work expresses a semi-disturbing inner tension that is tough to ignore, even if you feel that you'd like to.

Along with «No Feelings» (1989), it was included in «New Contemporaries», an exhibition of young artists held at the Institute of Contemporary Arts, London, in 1989.

«I recall my first painting — that is, where I felt that I had moved into an area for myself that was completely me — I painted on my birthday in 1948 [young artists today take note, Newman was then 43 years old].

If you feel transcendent about expressionism, then you'll definitely want to check out young artist Cecilia Salama's charged, Rauschenbergian painting and sculpture.

Upon returning to Boston, he sought to create a space where people could view conceptual art and to showcase the work of young artists whose work he felt needed to be seen.

For many of the younger participating artists, America's political discourse has never felt more divisive or turbulent.

Simultaneously, the artist makes you feel anonymous, famous, important, young, old, fragile and invincible.

Younger artists, too, are feeling the potential of all - over painting, including Makoto Fujimura and Joseph Stashkevetch.

The impact that Swiss video and installation artist Pipilotti Rist has made over the past two decades or more is hard to overestimate, as her influence is felt in the work of a host of younger artists, as well as in videos by mainstream pop stars like Beyoncé.

The incredible story of Witz begins with his young ambitious aspiring artist self (he went to two top art schools RISD and then Cooper Union) who felt the need to turn to the streets as a mode of self - expression during a period when there seemed to be little (if any) value in the medium.

One of the more difficult tasks for younger artists is to make abstract painting genuinely new — that is, sincerely and intelligently felt instead of performed (as with too much geometric work) or blurted out (as with too much AbEx - redux brushwork) like a rant in a family argument.

Many young artists and poets in California in the 1950s and»60s felt and lived this way.

While fellow critics remained for the most part indifferent to Graham's manifesto, it found great favor among young artists who felt it gave them a vocabulary with which to talk about the experiments they were engaged in.

The toothy blue head at the center of the painting reminds me of figures by Dana Schutz and some recent «portraits» by Nicole Eisenman, similarly recalling Dubuffet, and makes me feel that the right context for McNeil could matter to younger artists who may not be familiar with his expressive intensity and humor.

Born in 1940, the artist and his Postminimalism feel at home with younger generations of artists that exhibit with the gallery especially N. Dash.

Feeling that Abstract Expressionism with its rejection of representation was a dead end, a younger generation of artists responded by using common objects and industrial materials in their creative process, both as subject matter and as medium.

Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture.

Over recent years, Mark Flood's influence has increasingly been felt in the work of younger generations of American artists.

This is a chronological exhibition, so these younger artists bring us up to date, but it feels a touch conciliatory.

The light - hearted space is decorated by the works of young artists, and in doing so Chrome Hearts co-owner Laurie Lynn Stark hopes to arouse a feeling of optimism and deliver a message of «peace, happiness, and inspiring our youth.»

Younger, «cutting - edge» artists were invited to exhibit and the number of works was cut by two thirds, the whole experience becoming sleeker, more spacious and contemporary in feel.

For the show, seven young artists have been brought together in an effort to tackle, «the physical experience of air travel» — specifically, «our feelings of confinement, vulnerability, and over-exposure» felt at airports, curator Ellie Rines tells The Creators Project.

To me, Mark Bradford represented the next generation of L.A. artists and one that I felt an instant connection to as a younger art enthusiast trying to find my way.

Do you feel they have a different relationship to its form and function to some of the younger artists who are just beginning to explore the medium?

They felt the young self - taught artist's work was rich and intense, and that this radiated out from the booth.

Although this once vital genre, which flourished in the 1960s and»70s, might be out of critical favor at the moment, its historical value is significant, and its influences are felt in the work of many young artists today.

He felt that the situation had changed so drastically between 1947 and 1950... that younger artists could make direct contact with new ideas almost as soon as they came off the easel.